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We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.
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This is a collection of works by writer Zhang Chengzhi. The Black Steed, Rivers of the North, and Golden Pastures included in this collection have already been translated into different languages. The Black Steed, through the life experience of a man leaving and returning to the countryside and through a beautiful but sad love story, reflects the choices of the Mongolian nationality in the conflict between old and new concepts and the struggle and outcry of the new generation of the grassland.
Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
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Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the volume unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley.
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Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue and sport - including foot and horse races - across three love plots. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the Revels Plays edition unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley from the same publishers.
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Popular Victorian women writers considers a diverse group of women writers within the Victorian literary marketplace. It looks at authors such as Ellen Wood, Mary Braddon, Rhoda Broughton and Charlotte Yonge as well as less well-known writers including Jessie Fothergill and Eliza Meteyard. Each essay sets the individual author within her biographical and literary context and provides refreshing insights into their work. Together they bring the work of largely unknown authors and new perspectives on known authors to critical and public attention. Accessible and informative, the book is ideal for students of Victorian literature and culture as well as tutors and scholars of the period. ;
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The Russian Revolution of 1917 was not just a world-historical event in its own right, but also struck powerful blows against racism and imperialism, and so inspired many black radicals internationally. This edited collection explores the implications of the creation of the Soviet Union and the Communist International for black and colonial liberation struggles across the African diaspora. It examines the critical intellectual influence of Marxism and Bolshevism on the current of revolutionary 'black internationalism' and analyses how 'Red October' was viewed within the contested articulations of different struggles against racism and colonialism. Challenging European-centred understandings of the Russian Revolution and the global left, The Red and the Black offers new insights on the relations between Communism, various lefts and anti-colonialisms across the Black Atlantic - including Garveyism and various other strands of Pan-Africanism. The volume makes a major and original intellectual contribution by making the relations between the Russian Revolution and the Black Atlantic central to debates on questions relating to racism, resistance and social change.
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Where do artists get ideas for their paintings? The answer is obvious – objects, people, events – everything that surrounds us and that acquires new meanings in the eyes of the creator. In A Tale of the Black Square we are introduced to the world of Kazimir Malevich, and learn how the artist invented a simple geometric figure known all over the world, by rejecting the excesses of forms and colors, cutting off everything superfluous. A Tale of the Black Square is a story about paying attention to even the simplest, most banal things because they might suddenly inspire you to create. From 3 to 5 year, 91 words Rightsholders: Taisiia Nakonecnha: t.zaplitna@gmail.com;
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An excellent novel for adolescents written on the basis of the author’s adult novel The Red Tiles. Set against the background in a 1970s countryside in China, a group of adolescents pass through middle school in a house with a red tile roof, and then complete high school in a house with a black tile roof. Under the red tiles and black tiles of this beautiful countryside, they experience the hardships of life and grow up together. This novel can be regarded as the sequel to Straw House .
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This anthology aims to challenge stereotypes of women travellers. Rather than simply presenting writings by Victorian women who travelled bravely around the world disregarding social convention and danger, the editors present a range of writing and possible ways of being a woman traveller. As well as the 'eccentric' woman traveller, the editors have included writings by those who might be seen as failed travellers, cautious and conventional travellers and those who did not conform to the adventurous heroine stereotype. Because travelling as a woman and writing as a woman presents the author with a number of textual problems which must be negotiated, Foster and Mills have chosen to include writings which confronted these problems and which resolved them (or did not resolve them) in different ways. These textual problems include the depiction of other women, the representation of spatial relations, the negotiations undertaken in relation to the adventure heroine narrative and character and the position taken by the author in relation to the representation of knowledge. These issues are all crucial in relation to travel writing by women , and the women, whose writing has been collected together in this anthology have made bold decisions in relation to them. ;
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This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.
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This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.
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This book mainly introduces the origin of the She ethnic group's Black Rice Festival. While areas of the She ethnic group suffered from pests, the land owners increased rents and fees. As a result, the She people were in shortage of food. Lan Tianfeng led people to the land owner's house to steal food. After being found out, Lan Tianfeng stepped forward to protect others and was imprisoned on March 3rd. There was no food in the prison for him. Later, some She people used black rice leaves to cook rice. The jailers did not dare to eat the black rice and passed the rice to Tianfeng. Over time, Lan Tianfeng slowly recovered. Three years later, again on March 3rd, Lan Tianfeng was rescued. In order for future generations to commemorate the feat of Lan Tianfeng and remember how hard to have rice, the Black Rice Festival is celebrated every year.
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This unique picture book is a creation of Khrystyna Lukashchuk, a well-known Ukrainian author and artist recognized as one of the best illustrators of independent Ukraine. From the emergence of Ukraine through its darkest times to its final victory over evil, A Tale Of Light allows us to find answers to dramatic questions: how can we explain to children why there is a war in their country? Why can not the enemy leave the Ukrainian land in peace? What will help us to defeat the enemy for good? The profound symbolic images that the author recreated will guide the readers along their journey. Ukrainians have been tapping into them for long times to find a source of harmony and internal strength – they are a powerful source of Light sustained by Ukrainian history, culture, and language. No enemy, however big or conniving, can destroy this Light. From 3 to 6 years, 719 words Rightsholders: bondarenkosvetlak@gmail.com
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This edited book provides a valuable, unique and scholarly contribution to the study of Black families (African and African Caribbean) in the UK. It combines a systematic yet clear-headed approach with up-to-date and well-researched data to support its many stimulating assertions. All fifteen contributors (including academics, arts practitioners and community activists) are of African or African Caribbean descent and approach their subject matter with a dedicated 'hands-on' feel. Their committed approach is supported by empirical research and comprehensive review of the literature. With chapters on social policy, education, music, sports, social exclusion, racism, religion and spirituality, this book will become the essential text about UK families of African/Caribbean descent for higher education students, professionals, practitioners and the general reader. It will also appeal to professional organisations working with Black individuals and families. ;
