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      • University of Washington Press

        Who We Are   The University of Washington Press is celebrating its centennial this year. We publish compelling and transformative work with regional, national, and global impact. We are committed to the idea of scholarship as a public good and work collaboratively with our authors to produce books that meet the highest editorial and design standards. We value and promote equity, justice, and inclusion in all our work.   What We Publish   We publish in the following core academic areas:   American Studies Anthropology Art History / Visual Culture Asian American Studies Asian Studies Critical Ethnic Studies Environmental History Native American and Indigenous Studies US History Women’s, Gender, and Sexuality Studies   We also publish vibrant nonfiction about the Pacific Northwest and beyond, often in partnership with museums, cultural organizations, and Indigenous nations and communities.

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        Literature & Literary Studies
        June 2016

        Open graves, open minds

        by Sam George, Bill Hughes

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        Lifestyle, Sport & Leisure
        June 2024

        Round our way

        Sam Hanna's visual legacy

        by Heather Nicholson

        Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.

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        Literature & Literary Studies
        July 2023

        In the company of wolves

        Werewolves, wolves and wild children

        by Sam George, Bill Hughes

        In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children ­- often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.

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        August 2001

        Sam the Cat

        Storys aus der Welt der Männer

        by Klam, Matthew / Englisch Drechsler, Clara

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        August 2004

        Sam, die Beatles und ich

        Wie ich das Herz meines Sohnes gewann

        by Smith, Peter / Englisch Goga-Klinkenberg, Susanne

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        Children's & YA
        April 2008

        Hallo Sam, hier bin ich

        by Stannard, Russell

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        January 1997

        Spencer Tracy ist nicht tot

        Erzählungen

        by Shepard, Sam

      • Trusted Partner
        July 2004

        Der große Himmel

        Short Stories

        by Shepard, Sam

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        Humanities & Social Sciences
        October 2016

        The imperial premiership

        by Sam Goodman

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        The Arts
        September 2015

        Film modernism

        by Sam Rohdie

      • Trusted Partner
        The Arts
        September 2015

        Film modernism

        by Sam Rohdie

        This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. ;

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