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We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.
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Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.
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This volume, which explores aspects of the experience of Ireland and Irish people within the British Empire, addresses a central concern of modern Irish scholarship. Much academic writing about Ireland, its history and culture is dominated by the vocabulary of imperialism. Engels described Ireland as England's first colony. Contemporary observers frequently characterise it as having a post-colonial society. Ireland, on the other hand, was also part of the metropolitan core of the Empire and supplied many of its soldiers, settlers and administrators. The paradox that Ireland was both 'imperial' and 'colonial' lies at the heart of this book which includes studies of Irish service in the Empire as well as the impact of imperial concerns in Ireland. Concentrating on the period since the mid-nineteenth century, the scope of the volume is impressively broad. Popular culture, sport and film are investigated, as well as business history and the military and political 'sinews of Empire'. The book will be of particular value to institutions teaching Irish and British history to degree level and the growing number of Irish studies courses being offered in Great Britain and North America.
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Were it not for authoritarian state censorship, Cecilia Bartolomé's name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé's extant filmography, and speculative about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-1990s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.
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This book explores how rural gender relations are changing in a globalising world that fundamentally impacts on the structure of agricultural life in rural areas and urban-rural relations. It analyses the development of rural gender relations in specific places around the world and looks into the effects of the increasing connectivity and mobility of people across places. The themes covered are: gender and mobility, gender and agriculture, Gender and rural politics, rurality and Gender identity and women and international development. Each theme has an overview of the state of the art in that specific thematic area and integrates the case-studies that follow. ; Chapter 1: Gender and rural globalisation: an introduction to international perspectives on gender and rural development Chapter 2: Gender and mobility Chapter 3: “There is dignity only with livestock”: Land grabbing and the changing social practices of pastoralist women in Gujarat, India Chapter 4: Women's migration for work. The case of Ukrainian caregivers in rural Italy Chapter 5: Gender, migration and rural livelihoods in Uzbekistan in times of change Chapter 6: Gender and rural migration in Mexico and The Caribbean Chapter 7: Gender and Agriculture Chapter 8: The Genderness of Climate Change, Australia Chapter 9: Where family, farm and society intersect: values of women farmers in Sweden Chapter 10: Women farmers and agricultural extension/education in Slovenia and Greece Chapter 11: The Agency Paradox: the Impact of Gender(ed) Frameworks on Irish Farm Youth Chapter 12: Rurality and Gender Identity Chapter 13: Rural. Women. Leaders. Identity formation in rural Northern Ireland Chapter 14: Gender identities and divorce among farmers in Norway Chapter 15: Merging Masculinities: exploring intersecting masculine identities on family farms Chapter 16: Creating ‘masculine’ spaces for ‘feminine’ emotions – Men and social inclusion Chapter 17: Gender desegregation among village representatives in Poland: towards breaking the male domination in local politics? Chapter 18: Gender and international development Chapter 19: ‘Glocal’ networking for gender equality and sustainable livelihoods Chapter 20: Gender Transitions in Agriculture and Food Systems Chapter 21: Sugar and Gender Relations in Malawi Chapter 22: The role of gender indicators in rural development programmes Chapter 23: Beneficial for women? Global trends in gender, land and titling Chapter 24: Conclusions – Future Directions
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Who are the ghostinosours? What are clouds made of? How to prepare trubel and what may happen if you do not limit yourself and do everything you want? My Dad and Me’s main hero is about 4 years old and seeks to find answers to all these questions. His life is full of adventures: he is a dreamer and make-believer. He often disobeys his father and dislikes brushing his teeth. All in all, every young reader can find a bit of themselves in this little one. My Dad and Me is a treasure book of honest, warm-hearted stories about the close connection between father and son, about little things and great discoveries in the eyes of children, about trust and adventures they can share, and fundamentally, about mutual understanding. Even when someone can’t pronounce “r " yet! From 6 to 9 years, 4883 words Rightsholders: n.miroshnyk@vivat.factor.ua
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As the Chinese saying goes, "mothers-in-law and daughters-in-law are natural enemies". However, Bean Trellis, My Mother-in-law depicts the close bond of the author as daughter-in-law with her mother-in-law for more than three decades. Wherein lies the secret? "仁" Benevolence, "义" righteousness, "礼" courtesy, "智" wisdom, and "信" faith are constant beliefs of the Chinese people, which in the author's eyes are also the most admirable qualities of her mother-in-law, who is illiterate, yet hardworking, kind, and full of the wisdom of simple life. Her kindness and generosity is just the secret to the well-being of the whole family. Aside from describing the unique in-law relationship, this book also looks at the ups and downs of a big Chinese family from the 1970s to the 2020s. With humorous and documentary storytelling, the author wrote her life stories just like chatting with neighbors under the bean trellis. It is all-encompassing, containing traditional Chinese wisdom about getting along with the world, educating children, and even cooking, which could provide new reading experiences and inspiration for all readers.
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This book is a comprehensive, beautifully illustrated colour guide to the plants which farmers, growers and gardeners can use to improve soil structure and restore fertility without the use and expense of agrichemicals. Information based on the latest research is given on how to use soil conditioning plants to avoid soil degradation, restore soil quality and help clean polluted land. There are 11 chapters: 1 to 6 cover soil health, nitrogen fixation, green manures and herbal leys, bacteria and other microorganisms, phytoremediators and soil mycorrhiza (plant-fungal symbiosis). Chapter 7 has plant illustrations, with climate range and soil types, along with their soil conditioning properties and each plant is presented with a comprehensive description opposite a detailed illustration, in full colour. Chapters 8 to 10 examine soil stabilisers, weeds and invasive plants, and hedges and trees and the final chapter, contains 5 case studies with the most recent data, followed by an appendix and glossary. The book allows the reader to identify the plants they need quickly and find the information necessary to begin implementation of soil regeneration.
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Mars mission is off.Starteam selection is over.My father and I are the candidates.In fact, Father is ready for space after his work,Still I am free at any time till the beginning of school.We should hurry up! From 3 to 6 years, 587 words. Rightsholders: n.miroshnyk@vivat.factor.ua
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