The Universidad de La Sabana University Press publishes both printed and digital versions of all the books in its catalog. Our books are the intellectual property of our teachers and researchers. We share with you in this fair book series in peace, conflict, and professional gastronomy techniques, focused on Colombian gastronomy. Check our online catalog https://publicaciones.unisabana.edu.co/
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TAMER Institute for Community Education is an educational non-governmental non for profit organization established in 1989 as a natural and necessary response to the urgent needs of the Palestinian community during the first intifada (uprising). The most important of these is the need to acquire means to help people learn and become productive. Focusing principally on the rights to education, identity, freedom of expression, and access to information,Tamer works across the West Bank and Gaza Strip, primarily targeting children and young adults to encourage and deepen opportunities of learning among them. Our program aims to contribute to enhancing reading, writing and all forms of Expression among children and young adults. It also aims at contributing to a Palestinian environment that is supportive to learning processes, and at supporting the literary and scholar production on child culture in Palestine.
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Am Ufer der Ihme in Hannover liegt die Leiche eines jungen Mannes. Inlineskates an den Füßen, Würgemale am Hals, Kopfhörer in den Ohren. Ein Fall für die genauso brillante wie schroffe Rita Aitzinger und ihren Kollegen Ilia Schuster von der Mordkommission. Zwischen Oper, Bahnhofskneipe und Burgerladen geraten sie immer tiefer in ein Dickicht aus Verweisen: Popsongs, Datingapp-Profile, mysteriöse Tattoos – sie sind der Schlüssel zur Lösung des Falls, davon ist Rita überzeugt. Oder ist sie in die Schlinge einer psychopathischen Mörderin geraten? War Sebastian Tamm gar nicht das erste Opfer? Und was hat der schüchterne Streifenpolizist Gerd Lampe damit zu tun? Die Frau mit den vier Armen erzählt von traurigen Jungs, die das Glück suchen und den Tod finden. Von einer Stadt voller schräger, liebenswerter Figuren. Von Rallyeautos, teurem Wein, Gerechtigkeit und Polizeiarbeit. Ganz Noir, stellt der Roman die Frage, ob man sich am Denken anderer schuldig machen kann. Und zeigt dabei ein Hannover, das es so noch nie gegeben hat.
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It’s winter in the pleasure park. The Little Engine is dreaming of Christmas, as he does every year. It would be so nice to see a real Christmas for himself. Suddenly something terrible happens up in the sky: Father Christmas comes crashing down to earth with his overloaded sleigh. Fortunately, no one is hurt, but the sleigh is broken. This is the Little Engine’s chance. He makes Father Christmas a great offer – and so he saves this year’s Christmas.
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StoryWorld – Amulet of a Thousand Waters (Vol. 1) A theme park like you've never seen before ... This is where stories come true! • Gripping adventure quests and a tribute to reading and storytelling• Westworld for children: Attractive setting in an amusement park, a new adventurous theme world in each volume• Realistically anchored in children's lives – with a fantastic twist• Opulent b/w illustrationsWhat happens in Volume 1:Apart from their love of books and their pets, arch-enemies Sascha and Chloe have nothing in common - Sascha, the unappreciated loner, and Chloe, idolized by her classmates. Of all people, these two rivals win the main prize at the reading competition: a ticket to the brand-new adventure park StoryWorld.The park is surrounded by all sorts of rumors, and no one really knows what awaits visitors there. Their journey takes Sascha and Chloe by seaplane to a secluded island. At the heart of the park is a huge library, from which the girls can look down on seven fantastic theme worlds. The library is filled with spotless white books, each of which stands for a story to be experienced in the worlds - that's the only way to fill the pages.Sascha and Chloe choose The Realm of Thousand Waters and are to have their own adventure there under the spell of the sea dragon. This park has nothing in common with an ordinary amusement park - in this park, between fantasy and reality, a dark secret is guarded, which is to be explored in the further volumes.
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Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves. Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use. ;
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