Como grupo editorial, estamos orgullosos de decir que somos creadores de best-sellers, que pasan de ser éxitos locales a éxitos nacionales. Apostamos tanto por autores reconocidos como por autores noveles y nos interesamos en ampliar y renovar nuestro catálogo de manera constante. Como actores activos de la cultura, nuestro horizonte es ofrecer libros que participen de la construcción colectiva de contenidos de calidad.
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This book explores Roman Catholic female missions in colonial and postcolonial India. It begins with their placement in a strongly Protestant British Empire, exploring the evolution of their outreach to Indians. It examines how these missions developed their independent tropes of education and social outreach that built their bona fides with nationalist India as the tide went out on empire.
The history of Ukraine is turbulent and rich, and the nature is truly unique, so it is not surprising that there are many attractive and interesting tourist sites. But which ones are worth seeing first? According to a number of definitive criteria, UNESCO has identified 7 main natural and cultural sites of Ukraine and included them in the World Heritage List. Moreover, there is also a list of sites considered for nomination in the World Heritage Sites List,which is called the UNESCO Tentative List; in Ukraine there are 17 more such sites. The guidebook by Roman Malenkov, a traveller and founder of the local history website "Ukraine Incognita", will tell about them all.
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Country houses and the British empire, 1700-1930 assesses the economic and cultural links between country houses and the Empire between the eighteenth and twentieth centuries. Using sources from over fifty British and Irish archives, it enables readers to better understand the impact of the empire upon the British metropolis by showing both the geographical variations and its different cultural manifestations. Barczewski offers a rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences. In so doing, she restores them to their true place of centrality in British culture over the last three centuries, and provides fresh insights into the role of the Empire in the British metropolis.
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Golden Mummies of Egypt presents new insights and a rich perspective on beliefs about the afterlife during an era when Egypt was part of the Greek and Roman worlds (c. 300 BCE-200 CE). This beautifully illustrated book, featuring photography by Julia Thorne, accompanies Manchester Museum's first-ever international touring exhibition. Golden Mummies of Egypt is a visually spectacular exhibition that offers visitors unparalleled access to the museum's outstanding collection of Egyptian and Sudanese objects - one of the largest in the UK.
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Exhibiting the empire considers how a whole range of cultural products - from paintings, prints, photographs, panoramas and 'popular' texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture - were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
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The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
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Uwe Johnson wurde am 20. Juli 1934 in Kammin (Pommern), dem heutigen Kamien Pomorski, geboren und starb am 22. oder 23. Februar 1984 in Sheerness-on-Sea. 1945 floh er mit seiner Mutter und seiner Schwester zunächst nach Recknitz, dann nach Güstrow in Mecklenburg. Sein Vater wurde von der Roten Armee interniert und 1948 für tot erklärt. 1953 schrieb er sich an der Universität Leipzig als Germanistikstudent ein und legte sein Diplom über Ernst Barlachs Der gestohlene Mond ab. Bereits während des Studiums begann er mit der Niederschrift des Romans Ingrid Babendererde . Reifeprüfung 1953. Er bot ihn 1956 verschiedenen Verlagen der DDR an, die eine Publikation ablehnten. 1957 lehnte auch Peter Suhrkamp die Veröffentlichung ab. Der Roman wurde erst nach dem Tode von Uwe Johnson veröffentlicht. Der erste veröffentlichte Roman von Uwe Johnson ist Mutmassungen über Jakob. Von 1966 – 1968 lebte Uwe Johnson in New York. Das erste Jahr dort arbeitete er als Schulbuch-Lektor, das zweite wurde durch ein Stipendium finanziert. Am 29. Januar 1968 schrieb er in New York die ersten Zeilen der Jahrestage. Aus dem Leben von Gesine Cresspahl nieder. Deren erste ›Lieferung‹ erschien 1970. Die Teile zwei und drei schlossen sich 1971 und 1973 an. 1974 zog Uwe Johnson nach Sheerness-on Sea in der englischen Grafschaft Kent an der Themsemündung. Dort begann er unter einer Schreibblockade zu leiden, weshalb der letzte Teil der Jahrestage erst 1983 erscheinen konnte. 1979 war Uwe Johnson Gastdozent für Poetik an der Johann Wolfgang Goethe-Universität in Frankfurt. Ein Jahr später erschienen seine Vorlesungen unter dem Titel Begleitumstände. Sein Nachlass befindet sich im Uwe Johnson-Archiv an der Universität Rostock. Rolf Michaelis, geboren 1933, hat 1958 über Die Struktur von Hölderlins Oden promoviert. Er war Feuilletonredakteur bei verschiedenen Zeitungen, u. a. langjähriger Leiter des Literaturteils der Zeit. Buchveröffentlichungen u. a. über Gerhart Hauptmann, Heinrich von Kleist, Federico García Lorca und Uwe Johnson.
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This book: - comprises reflective essays written by internationally-ranked scholars and tourism consultants with extensive experience, particularly in the developing world countries - considers extant themes, issues and challenges related to tourism and development - offers a critical and contemporary perspective on tourism's significance and role in development.
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From the late eighteenth century to the early twentieth century, Liverpool was frequently referred to as the 'second city of the empire'. Yet, the role of Liverpool within the British imperial system and the impact on the city of its colonial connections remain underplayed in recent writing on both Liverpool and the empire. However, 'inconvenient' this may prove, this specially-commissioned collection of essays demonstrates that the imperial dimension deserves more prevalence in both academic and popular representations of Liverpool's past. Indeed, if Liverpool does represent the 'World in One City' - the slogan for Liverpool's status as European Capital of Culture in 2008 - it could be argued that this is largely down to Merseyside's long-term interactions with the colonial world, and the legacies of that imperial history. In the context of Capital of Culture year and growing interest in the relationship between British provincial cities and the British empire, this book will find a wide audience amongst academics, students and history enthusiasts generally.
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This edited collection investigates New Zealand's history as an imperial power, and its evolving place within the British Empire. It revises and expands the history of empire within, to and from New Zealand by looking at the country's spheres of internal imperialism, its relationship with Australia, its Pacific empire and its outreach to Antarctica. The book critically revises our understanding of the range of ways that New Zealand has played a role as an imperial power, including the cultural histories of New Zealand inside the British Empire, engagements with imperial practices and notions of imperialism, the special significance of New Zealand in the Pacific region, and the circulation of ideas of empire both through and inside New Zealand over time. The essays in this volume span social, cultural, political and economic history, and in testing the concept of New Zealand's empire, the contributors take new directions in both historiographical and empirical research.
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This book contributes to the growing literature on the role of the British non-settler empire in the Great War by exploring the service of the Cypriot Mule Corps on the Salonica Front, and after the war in Constantinople. Varnava encompasses all aspects of the story of the Mule Corps, from the role of the animals to the experiences of the men driving them both during and after the war, as well as how and why this significant story in the history of Cyprus and the British Empire has been forgotten. The book will be of great value to anyone interested in the impact of the Great War upon the British Empire in the Mediterranean, and vice- versa.
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Die Suhrkamp-Quarto-Ausgabe versammelt sämtliche Romane von Marguerite Duras, von den Anfängen in den 50er Jahren mit Heiße Küste und Der Matrose von Gibraltar bis zu Der Liebhaber, ihrer Auseinandersetzung mit dem Trauma ihrer Kindheit, und Der Schmerz, dem Protokoll ihres Wartens auf ihren in Buchenwald internierten Mann. Dieser Band bietet im Vergleich zu den Einzelbänden eine Preisersparnis von 69%.
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Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.
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The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control.
