Círculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
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Dami Ajayi journeys into emotional borders that reveal the burdens of transitions, offering us lyrical poetry that reinvents perspectives. Here is the poetry of the quotidian, a philosophic and profound interrogation, and relationships, of words, of bodies and their burdens, of times and time. There is poetry here, and it breathes.
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This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts - especially those concerned with translation, transformation and the layering of various pasts - yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.
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Poetry Book of Flor Loynaz, sister of Dulce María Loynaz and a very important figure of the literature of the beginning of the 20th century.
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The lyric poetry describes and praises Yongzhou, a city of Hunan province that is noted for its profound history and breathtaking landscape. The book combines poems composed by the author and various pictures to lead readers to appreciate the beauty of Yongzhou.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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This book object, composed of 30 cards, invites the reader to stop in the poetry that surrounds us.
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In the Zoo: poem-game is a beautiful folding book about animals with educational poems for little children. From 3 to 5 years, 113 words Rightsholders: Diana Semak, bohdanbooksco@gmail.com
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Zhuzhi poem is a kind of literary poems developed from folk songs. Since the mid-Tang Dynasty poet Liu Yuxi learned and sang the Zhuzhi poem, Zhuzhi poem has become a cultural trend that reflects people's sentiments and also a channel for people to express true feelings for thousands of years. The book contains 22 related research papers, including research on the origin of Zhuzhi poems, the relationship between Zhuzhi poems and local culture, the characteristics and expression of Zhuzhi poems, the differences and connections between Zhuzhi poems and folk songs, the comparison between Zhuzhi poems and other poetic styles, and the study of Zhuzhi poems teaching and creation, etc. This book helps readers to deepen understanding of Zhuzhi poems and further realize the beauty.
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Vasyl Stus was not only a poet of rare talent, publicist, translator and literary critic, but he is also a personification of "the voice of conscience in the world of shaky and blurred concepts of honour, truth, decency." He spent nearly half of his life in Soviet detention centres, solitary confinement cells, Mordovian and Kolyma camps and toiling at mines. The Soviet penal system deprived him of family visits, seized his poems, letters and manuscripts, physically abused him and tried to destroy him morally but it never managed to break his spirit.The poems in this collection are the best examples of Vasyl Stus's lyrics. In these lines, civic motives and the artist's pain for the fate of Ukraine are intertwined with a delicate lace of love lyrics and philosophical reflections on life and the purpose of man. Poems are full of hope and unyielding resolve.
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A statement on otherness, a song of love and sincerity, Poème pour une petite fille à l’autre bout du monde is an invitation into the intimate sphere of the poet. It is the figuration of the paternal real brought to its highest point. A father and a little girl meet somewhere, at the other end of a street or a railway station, to talk about friendship, life and their regrets, to take stock of all their failed acts and to give each other reasons to love each other, despite the distance, the disarray and the madness that can arise from absence.
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An Apology for Poetry (or The Defence of Poesy), by the celebrated soldier-poet Sir Philip Sidney, is the most important work of literary theory published in the Renaissance. The new introduction and notes include a wealth of new information and new readings drawing on recent developments in Renassance Studies. Unfamiliar words and phrases are glossed, classical and other references explained, and difficult passages analysed in detail. The first separate edition of Sidney's seminal text to be published for more than a decade. Since 1965 Geoffrey Shepherd's edition of the Apology has been the standard, and this revision of Shepherd's edition, with a new introduction and extensive notes, is designed to introduce Sidney's best-known work to a new generation of readers at the beginning. ;
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"Book of Poetry" is the beginning of ancient Chinese poetry and the earliest collection of poems. A collection of 305 ancient poems from the 11th century BC to the 6th century BC were originally called "Poems" or "Three Hundred Poems". In the Western Han Dynasty, they were revered as Confucian classics and they were called "Book of Poetry". "The Book of Poetry" is divided into three parts: "Wind", "Ya" and "Ode". It is rich in content, reflecting labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and banquet, and even astronomical phenomena, landforms, animals, Plants and other aspects are a mirror of social life in the Zhou Dynasty.
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The first full-length collection of essays on the poetry of Carol Ann Duffy. Duffy's poetry is both respected by academics, and widely read and enjoyed by both children and adults. Approaches Duffy's work from a variety of literary theoretical perspectives, including feminism, masculinity, national identity and post-structuralism. Situates Duffy's work in relation to current debates about the state, value and social relevance of contemporary British poetry. Will become the benchmark anthology on Duffy. ;
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Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.
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Though poets have always written about cities, the commonest critical categories (pastoral poetry, nature poetry, Romantic poetry, Georgian poetry, etc.) have usually stressed the rural, so that poetry can seem irrelevant to a predominantly urban populati. Explores a range of contemporary poets who visit the 'mean streets' of the contemporary urban scene, seeking the often cacophonous music of what happens here. Poets discussed include: Ken Smith, Iain Sinclair, Roy Fisher, Edwin Morgan, Sean O'Brien, Ciaran Carson, Peter Reading, Matt Simpson, Douglas Houston, Deryn Rees-Jones, Denise Riley, Ken Edwards, Levi Tafari, Aidan Hun, and Robert Hampson. Approaches contemporary poetry within a broad spectrum of personal, social, literary, and cultural concerns. Includes 'loco-specific' chapters, on cities including Hull, Liverpool, London, and Birmingham, with an additional chapter on 'post-industrial' cities such as Belfast, Glasgow and Dundee. ;
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Tel Aviv, ein stickiger Sommerabend: Ein bekannter Schriftsteller ist zu einer Lesung eingeladen. Was werden seine Leser, was wird sein Publikum ihn fragen? Das Übliche? Warum schreiben Sie? Sind Ihre Bücher autobiographisch? Was wollten Sie uns mit Ihrem letzten Roman sagen? Was wird er antworten? Das Übliche? Oder wird er sich den Erwartungen widersetzen? Amos Oz erzählt in seinem neuen Roman von einem bekannten Schriftsteller an einem stickigen Sommerabend in Tel Aviv, von der Liebesnacht danach, von den Menschen, die ihm begegnen, bis die Geschichten, die sie alle haben oder haben könnten, sich entfalten und miteinander verknüpfen, bis das, was sich ereignet, und das, was sich hätte ereignen können, ununterscheidbar werden. Verse auf Leben und Tod ist die unkonventionelle Antwort des großen Erzählers Amos Oz auf die Frage nach dem subversiven Wechselspiel von Leben und Literatur.
