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      • Nostra Ediciones

        Nostra Ediciones is an independent Mexican publishing house founded in the year 2000. Its main editorial line is directed to children and young readers. Its books reflect a concern for the distribution of knowledge, literary contents and quality visual proposals. This effort has resulted in Nostra’s yearly success in having its books selected for Mexico´s National Reading Program and of favourite books by A Leer/ibby Mexico. From 2009 to 2014, Nostra organized the Invenciones International Contest for Childen’s and Young Fiction and Picture books, sponsored by Fundación Telmex with the collaboration of A Leer/ibby Mexico and the Guadalajara International Book Fair.

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        Humanities & Social Sciences
        July 2022

        Imperial nostalgia

        by Peter Mitchell

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        Literature & Literary Studies
        March 2017

        Night Watchman: A Selection of Poems by Yu Kwang- chung

        by Yu Kwang-chung

        This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author,combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.

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        Personal & social issues: death & bereavement (Children's/YA)
        August 2018

        Navegante

        by Andrés López Martínez

        What happens when a mother dies? Death affects us in many ways, because of the absence and the emptiness it provokes. Sometimes the sadness is such that it makes us wonder through life aimlessly. Then we settle in nostalgia.

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        Humanities & Social Sciences
        April 2023

        The fall and rise of the English upper class

        Houses, kinship and capital since 1945

        by Daniel R. Smith

        The fall and rise of the English upper class explores the role traditionalist worldviews, articulated by members of the historic upper-class, have played in British society in the shadow of her imperial and economic decline in the twentieth century. Situating these traditionalist visions alongside Britain's post-Brexit fantasies of global economic resurgence and a socio-cultural return to a green and pleasant land, Smith examines Britain's Establishment institutions, the estates of her landed gentry and aristocracy, through to an appetite for nostalgic products represented with pastoral or pre-modern symbolism. It is demonstrated that these institutions and pursuits play a central role in situating social, cultural and political belonging. Crucially these institutions and pursuits rely upon a form of membership which is grounded in a kinship idiom centred upon inheritance and descent: who inherits the houses of privilege, inherits England.

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        Humanities & Social Sciences
        June 2024

        Cairo collages

        by Mona Abaza

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        Literature & Literary Studies
        December 2023

        Fantasies of music in nostalgic medievalism

        by Helen Dell

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        The Arts
        November 2006

        Spanish visual culture

        Cinema, television, internet

        by Paul Julian Smith, Susan Williams

        This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;

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        The Arts
        May 2021

        Development, architecture, and the formation of heritage in late twentieth-century Iran

        A vital past

        by Ali Mozaffari, Nigel Westbrook

        This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.

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        Classic fiction (pre c 1945)
        2020

        Aeneid

        by Ivan Kotlyarevsky

        "Aeneid" is a Ukrainian burlesque-travesty poem written by the writer Ivan Kotlyarevsky, based on the plot of the classic poem of the same name by the Roman poet Virgil. It consists of six parts, in contrast to the twelve parts of Virgil. Written in four-foot iambic. The poem was written during the formation of romanticism and nationalism in Europe, against the background of nostalgia of the Ukrainian elite for the Cossack state, which was liquidated by Russia in 1775-1786. The Aeneid is the first large-scale monument of Ukrainian writing in the spoken Ukrainian language. The poem initiated the formation of modern Ukrainian literature.

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        Children's & young adult: general non-fiction
        2020

        Union of Soviet Things

        by Petro Yatsenko

        The soviet realia are not entirely clear to modern adolescents. Childhood in the late Soviet Union was not like it is now. Back in those days, everything was different and even scary to some point: a premonition of the nuclear war, propaganda, shortages, and confusing household items. The main characters of the book, a teenage Matvii and his father Petro, go to Lviv to visit their grandmother. There are still heaps of Soviet things in her ceiling cabinet and they are good at telling stories. Paretns are good at this as well, if you ask them well. The book gives a reason to talk about feelings of nostalgia and values.

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        February 2023

        We're Staying!

        Why women won't be driven out of the Catholic Church

        by Elisabeth Zoll (ed.)

        — The book beyond the synodal path — Leaving is not an option for the authors of this book — 17 credible examples of consistency and daring Can the Catholic Church still be saved? There have been huge numbers of resignations; the reasons for them are well known. And yet! Committed Catholics from the worlds of politics, business, culture and society oppose this. They share how, despite their disappointments, even their anger, they are still able to find their way in the Church, walking tall and with inner freedom. These are encouraging examples of decidedly critical women who assert themselves – and who are not going anywhere: "Now, more than ever before, we need women – and men – who are prepared to confess their faith with confidence." Not out of nostalgia or any diffuse incense feelings, but out of conviction, because their faith means a lot to them.

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        Humanities & Social Sciences
        April 2003

        Step-daughters of England

        British Women Modernists and the National Imaginary

        by Jane Garrity

        Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.

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        The Arts
        July 2012

        Negotiating the auteur

        Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux

        by Julia Dobson, Diana Holmes, Robert Ingram

        This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts. ;

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        Fiction
        2022

        Rejoice, My Heart

        by Alawiya Sobh

        Ghassan, a musician and Oud player, leaves for New York, fleeing the Lebanese civil war after his extremist bother, Afif, murdered his older and pacifist brother Jamal, who sought to open the door to Muslim-Christian dialogue. In New York, Ghassan struggles to erase all his memories but his thoughts would always bring him back to his hometown, Dar El Ezz, as it was long before the war. ///Soon, he falls in love with and marries Kristin, becomes more emotionally stable, and embraces American culture. But when he must return to Lebanon for his father’s funeral, nostalgia for his homeland and a series of events force Ghassan to face a convergence of two cultures. ///“Efrah Ya Qalbi” (Rejoice, My Heart!) is a novel about love, music, identity, one’s sense of belonging, brotherly conflicts, and the diaspora. It dives into the lives, troubles, and dilemmas of the characters. ///The stories intertwine amid a fascinating narrative, thus revealing the turmoil and troubles of the Lebanese community torn by wars and outbursts. The novel also addresses the relationship between the East and the West, where struggling and cracked identities are silenced and offers a new vision through analysis and narration.

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