McGill-Queen's University Press
Livres Canada Books
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View Rights PortalCambeva's workshop is the first of four books of the collection "Presente de Vô" in partnership with Grupo Ponto de Partida. The book is a mixture of colours and elements that highlight the memory of the world, in which seekers of memories have the mission of bringing light and life to objects found in the travels of two characters: Zalém and Calunga. Cambeva is a restorer who, when the world lost its embrace, tried to reinvent it; he is the grandfather who mends dreams, forgotten things and lost emotions, to whom the seekers ask for help to fix something. In a magical universe, full of children, grandchildren, stories and memories of his lineage of restorers, when faced with this request for restoration, he makes room to bring back an emblematic figure who can no longer sing. A story about memories, care and affection...
Haroldo, a minho, who as he relates to other animals in the garden brings to light issues such as friendship and respect, mixing a harmonic field with an inside-out view of the garden of a house inhabited by some strange animals, among them the (human) balance-beast.
This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria & Albert Museum, London. The collection uses newly accessible family archives to explore the intensely complex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond.
Ultraviolet-B radiation (UV-B) has profound effects on plant growth and development, and exposure varies with ozone depletion and across geographic regions, with ecosystem and agricultural consequences. This book deals with large-scale impacts but also how UV-B affects plants at the molecular level is also fascinating, and the UV-B photoreceptor has only recently been characterised. While UV-B radiation can be damaging, it also has a more positive role in plant photomorphogenesis. Consequently UV-B treatments are being developed as innovative approaches to improve horticulture. This book is a timely synthesis of what we know and need to know about UV-B radiation and plants.
Humans, who hold the power and exercise it for their own benefit, do not see the other beings of that universe. The invisibility and the political and social relations of micro and macro powers are intertwined in the maximum of coexistence and coexistence between different beings in a common territory.
The name of this book is Oikoá, which means life in the language of the Guarani Mbya people. This name was chosen because the indigenous peoples have been the guardians of life on planet Earth: it is in their territories that there are more types of trees and plants, animals, fish, birds, insects, and where the rivers and forests are best preserved.
Coexistence, harmony, respect, existence and resistance are central themes of the book Pode me chamar de Dodô, written by Daniella Michelin and illustrated by Elisa Carareto.
This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act. 'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. ;
Patricias Schwester ist während eines Praktikums in Schweden spurlos verschwunden. Jetzt, dreißig Jahre später, erhält sie einen anonymen Brief mit Madeleines Kette darin. Kurzentschlossen verlässt Patricia ihre Farm in Amerika und reist nach Schweden.Im kleinen Strandort angekommen, mietet sie sich in einer gemütlichen Pension ein. Bald lernt sie auch die Frauen eines Buchsalons kennen, die die begeisterte Leserin prompt in ihren Kreis aufnehmen. Bei Kaffee und Kuchen, bei Gesprächen über Literatur, Liebe und alltägliche Probleme fühlt Patricia sich rundum wohl. Doch einige Frauen scheinen mehr über ihre Schwester zu wissen, als sie zugeben – und um Frieden zu finden, ist Patricia entschlossen, die Wahrheit ans Licht zu bringen. Frida Skybäck erzählt charmant, mit Humor und Hoffnung von begeisterten Leserinnen, von alten Wunden und neuen Anfängen.
Patricias Schwester ist während eines Praktikums in Schweden spurlos verschwunden. Jetzt, dreißig Jahre später, erhält sie einen anonymen Brief mit Madeleines Kette darin. Kurzentschlossen verlässt Patricia ihre Farm in Amerika und reist nach Schweden.Im kleinen Strandort angekommen, mietet sie sich in einer gemütlichen Pension ein. Bald lernt sie auch die Frauen eines Buchsalons kennen, die die begeisterte Leserin prompt in ihren Kreis aufnehmen. Bei Kaffee und Kuchen, bei Gesprächen über Literatur, Liebe und alltägliche Probleme fühlt Patricia sich rundum wohl. Doch einige Frauen scheinen mehr über ihre Schwester zu wissen, als sie zugeben – und um Frieden zu finden, ist Patricia entschlossen, die Wahrheit ans Licht zu bringen. Frida Skybäck erzählt charmant, mit Humor und Hoffnung von begeisterten Leserinnen, von alten Wunden und neuen Anfängen.
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.