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      • Martini Maria Cristina | MMC Edizioni

        MMC EDIZIONI is a publishing house based in Rome.Born in 2001 as a generalist, along the time it has specialized almost exclusively in non-fiction, dedicated in particular (but not only) to the city of Rome.The main series, called "A walk with history" offers an alternative vision of the city through the historical reconnaissance and analysis of some of its urban furnishings that are not taken into consideration such as small fountains, clocks, inscriptions, sacred shrines, plaques. This series stands out for a particular graphic style and for the abundance of photographs, specially made for these books.Other series on Rome are instead dedicated to in-depth studies on specific historical and customs themes, or on the mysterious aspects of the city that also reveal its dark side.In the MMC catalogue are other non-fiction books on topics such as Music, Interculture, Anthropology and a series of stories for children encouraging solidarity, non-violence and respect for the environment

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      • Maria Pinto-Peuckmann

        Rights Agent representing German Publishers and Authors in the fields of Business & Management, Finance, Non-Fiction, Self-Help, Sport & Fitness, Society, Ecology, Women Empowerment, IT Subjects, Electrical Engineering and Information Technology, Health, Dementia, Mental Health, and Therapeutic Books for children throughout the world and international publishers for German and Portuguese Language rights.

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      • Biography: arts & entertainment
        January 2021

        The One and Only

        Maria Casarès

        by Anne Plantagenet

        The little-known story of Maria Casarès, a Spanish exile in France, actress, free spirit and Albert Camus’s lover. With her monstrous appetite, raucous laugh and scorching sensuality, Maria Casarès was born and grew up in Galicia, fled Franco in 1936, and came to Paris at 14. She very soon wanted to learn the unforgiving French language, become an actress, express herself physically, dance, love… Nothing could stop her, not rejection from the Conservatoire, nor Paris etiquette. Her talent swiftly earned recognition, and she became one of the greatest tragedians of the second half of the Twentieth Century. She was also Albert Camus’ “One and only”. They had a sixteen-year relationship, a tormented love kept in the shadows, but it flourished through a fascinating correspondence.

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