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      • Gallimard Jeunesse

        Founded in 1972, Gallimard Jeunesse now boasts a list of more than 4,000 titlesin both fiction and non-fiction, for young readers of all ages and reading levels,from the very first books for babies to great literary classics and bestsellingcontemporary titles. Over the years, our output has been a major stimulus for the children’s book industry in France, with readers, parents, booksellers, librarians and teachers trusting us to provide books of the highest quality in both print and digital format. Our list has a worldwide reputation for excellence and creativity.

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      • Sanjay Sharma

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      • Trusted Partner
        Du bist einzigartig!
        July 2020

        Du bist einzigartig!

        Dein Buch zum Ausfüllen, Kritzeln und Glücklichsein

        by Lyn, Jenipher / Illustriert von Lyn, Jenipher

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      • Trusted Partner
        Die Töchter der Heilerin
        May 2012

        Die Töchter der Heilerin

        Historischer Roman

        by Sharratt, Mary / Übersetzt von Röhl, Barbara

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        Science and society in southern Africa
        Humanities & Social Sciences
        March 2017

        Science and society in southern Africa

        by Saul Dubow

        This collection, dealing with case studies drawn from South Africa, Zimbabwe, Mozambique and Mauritius, examines the relationship between scientific claims and practices, and the exercise of colonial power. It challenges conventional views that portray science as a detached mode of reasoning with the capacity to confer benefits in a more or less even-handed manner. That science has the potential to further the collective good is not fundamentally at issue, but science can also be seen as complicit in processes of colonial domination. Not only did science assist in bolstering aspects of colonial power and exploitation, it also possessed a significant ideological component: it offered a means of legitimating colonial authority by counter-poising Western rationality to native superstition and it served to enhance the self-image of colonial or settler elites in important respects. This innovative volume ranges broadly through topics such as statistics, medicine, eugenics, agriculture, entomology and botany.

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      • Trusted Partner
        Auto/biography and identity
        The Arts
        May 2009

        Auto/biography and identity

        by Kate Dorney, Maggie B. Gale, Viv Gardner, Maggie B. Gale

        This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act. 'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. ;

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      • Trusted Partner
        Phantom der Lust
        August 2008

        Phantom der Lust

        by Gale, Colette

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      • Trusted Partner
        The four funerals in Beowulf
        Literature & Literary Studies
        October 2009

        The four funerals in Beowulf

        by Gale Owen-Crocker

        It is well known that the old English poem Beowulf begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then probes its darker side. The author's unique knowledge of Anglo-Saxon culture provides constant surprises and enlightenment. This book will be invaluable to all students of the poem for its fresh and detailed reading, its identification of a coherent structure and its establishment of the integrity of the surviving texts. ;

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      • Trusted Partner
        Stage women, 1900–50
        The Arts
        July 2019

        Stage women, 1900–50

        by Maggie B. Gale, Kate Dorney, Maggie B. Gale, Kate Dorney

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      • Trusted Partner
        Performing the testimonial
        The Arts
        July 2020

        Performing the testimonial

        by Amanda Stuart Fisher, Maggie B. Gale

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      • Trusted Partner
        Street theatre and the production of postindustrial space
        The Arts
        July 2019

        Street theatre and the production of postindustrial space

        by David Calder, Maggie B. Gale

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      • Trusted Partner
        Women, theatre and performance
        Literature & Literary Studies
        April 2001

        Women, theatre and performance

        New histories, new historiographies

        by Kate Dorney, Maggie B. Gale, Susan Williams

        The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;

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      • Trusted Partner
        Tourism and Visual Culture, Volume 2
        Tourism industry
        June 2010

        Tourism and Visual Culture, Volume 2

        Methods and Cases

        by Edited by Peter M Burns, Jo-Anne M Lester, Lyn Bibbings.

        The study of tourism as a complex social trend is growing in importance as it receives recognition as a force far more significant than economic, environmental, and social analyses convey. This volume explores tourism as a significant phenomenon in both generating and receiving societies, examining methods and cases that demonstrate, develop, and affirm tourism's essentially visual nature. Tourism-related methodologies such as photographs, souvenirs and advertising material are used to discuss findings.

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      • Trusted Partner
        Plays and performance texts by women 1880–1930
        March 2012

        Plays and performance texts by women 1880–1930

        by Maggie B. Gale, Gilli Bush-Bailey

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      • Trusted Partner
        Entfesselte Lust
        May 2009

        Entfesselte Lust

        Die erotische Geschichte des Grafen von Monte Christo

        by Gale, Colette / Deutsch Sabinski, Johannes

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      • Trusted Partner
        Queer exceptions
        The Arts
        December 2018

        Queer exceptions

        by Stephen Greer, Maggie B. Gale

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      • Trusted Partner
        Stage rights!
        The Arts
        January 2019

        Stage rights!

        by Naomi Paxton, Maggie B. Gale

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      • Trusted Partner
        Witness onstage
        The Arts
        October 2019

        Witness onstage

        by Molly Flynn, Maggie B. Gale

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      • Trusted Partner
        Willkommen im Paradies
        January 1995

        Willkommen im Paradies

        Roman

        by Gale, Patrick / Englisch Herbert, Frank

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      • Trusted Partner
        Female performance practice on the fin-de-siècle popular stages of London and Paris
        Literature & Literary Studies
        November 2007

        Female performance practice on the fin-de-siècle popular stages of London and Paris

        by Catherine Hindson, Kate Dorney, Maggie B. Gale

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