Bis der Wind sich dreht - Wege raus aus dem Konflikt Konfliktmanagement einmal anders - Ein Roman und Ratgeber in einemTeil 1: Geschichten aus der Arbeitswelt, die jeder kennt. Konflikte mit den Kollegen, Vorgesetzten oder im Team. Ein geheimer Briefeschreiber der Sichtweisen verändert und Konflikte löst. Teil 2: Ein Workbook, ein Ratgeber mit Hilfsmitteln und Lösungsmöglichkeiten in Konfliktsituationen
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Peter Lang Group specializes in the Humanities and Social Sciences, covering the complete publication spectrum from monographs to student textbooks.
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Maher realizes one day he is an only child with no siblings. He starts to feel a bit lonely, and wishes he had siblings - like his friends and cousins. Luckily, his toys are here and now it’s time to show Maher what it means to be surrounded with brothers and sisters.It’s a heartwarming story that shows how rich and powerful the imagination of an only child can be.
You may be both different and the same as all the other children.This is what this book tackling the Down Syndrome explains, through the story of a child who just wants to be friends with everybody else.
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Despite its small size, it managed to take its place among the best modern literature books in recent years. From the title and cover, going through its amazing preface and eloquent language, and to the element of surprise and unexpected ending. Abdallah Al-Zioud was able to make the reading journey of this novel a meaningful journey despite its shortness; a journey introduces readers to new terms that manipulate their imaginations and puts them in the eye of the event through a visual language that conveys the reader from paper to the visual world of the novel. It teaches them some of writing tricks and simplifies what seems complicated at the beginning so that the reader believes in its ordinary before discovering that he has fallen victim to fraud.I can say that the most beautiful thing about this novel is that it was not written in a style and did not follow a context. it rebelled against the ordinary, uniquified in style, and combined simplicity and complexity in a way predicting an amazing ability and counted in its writer favor.
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Amin, a little boy, is the narrator of this story. Ill with the vitiligo disease, which causes his skin to have large white stains, Amin struggles in school.As Amin describes his daily challenges, young readers gain a better understanding of his behaviors and learn valuable lessons about tolerance and acceptance. As his parents say, what matters is that he has a white heart, pure and kind
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The white paper felt sad for being left blank. But its feelings changed when it saw the writer’s hand waking the sleeping pen up, and drawing letters and words on its white page.
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If you are not ready to face your reality, if you are running away from yourself and avoid facing yourself, then this book is not for you! In this book, you will be shocked by discovering many things and facts that you thought were part of the postulates of life. Also, this book will deal with many bold and realistic matters in our Arab societies that were not discussed in detail in the past, and it will be enough to cause a bout of awareness within you.Get ready for a unique journey that will enable you to see things differently, know your true self, your psychological complexes, and how to have a decent and real life.The book addresses the following points: How are we indoctrinated intellectual legacies? And to what extent does the influence of parents in shaping our id entity and our reactions? A detailed psychological analysis of the most important psychological complexes that exist in the aspects of relationships, work, money, Authority, love, and others. A detailed explanation of the methods of deception and emotional manipulation in relationships. How do we become mature? Why are we afraid of confrontation and expressing our thoughts? How do we overcome our fears? The relationship between the psychological complexes and gender.And many other things.
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The novel poses the problem of identity, as it is the essence of the psychological and intellectual conflict of the main character (Hassoun), who is disputed by two contradictory identities; He was born in the land of Yemen from a Muslim father and a Jewish mother and carried the inheritance of the two religions and their old and new conflict.Hassoun's internal journey continues with his own human crises and transformations that he witnesses along with his external journey through various societies that he went through in transitional stages of their history. Over two thousand seven hundred years, Hassoun seeks to discover himself and reach his identity by retiring at times, and by experimenting at other times, thus he goes through multiple experiences to get closer to himself.
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A hospital somewhere in remote South Sudan. A place where peoples’ lives are marked by extreme poverty, war, violence, the climate crisis and the daily struggle for survival. How does it feel to be human under these conditions? What moves someone to voluntarily go where nobody would want to? Andreas Lutz takes you on a journey to a project run by the humanitarian aid organization Médecins Sans Frontières in the northeast of South Sudan. Impressed by encounters with people who live under the precarious conditions of this crisis zone, he writes about his experiences as a caregiver and, among other things, about how healthcare provision works with very limited resources.
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Katja wächst als Tochter russisch-britischer Emigranten in Tientsin in China auf. Es sind die 1940er Jahre und später, die Spuren von Krieg und Gewalt überall spürbar. Als junges Mädchen wird sie die Entscheidung treffen, fortan in der Sowjetunion zu leben, und reist mit dem Zug nach Taschkent. Während draußen Schnee und Landschaft vorbeiziehen, wallen in ihr die Erinnerungen an das privilegierte Leben in der ausländischen Konzession auf, an die Wunder und Wunderlichkeiten, die Drachen, Stoffe, Texturen, an das oft rätselhafte Verhalten der Erwachsenen, deren Leben von der Geschichte durchgewirbelt wurde. Und dann ist da noch der Erzähler, der die sanften, auch absonderlichen Bilder jener russischen Kindheit in China immer wieder mit der eigenen im trüben sowjetischen Plattenbau verschaltet, als die Moskauer »Patriarchenteiche« gerade zu »Pionierteichen« geworden waren. In seinem letzten Roman erforscht Dmitri Prigow den fremden Kontinent einer Kindheit und birgt die kindliche Wahrnehmung, Welterfahrung, in wunderbar zarte poetische Bilder.
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Using music as a thread that connects the past to the present, this novel explores what happens when traditional and cultural heritage clash with modernity. The characters face the impact of modernization on heritage and arts versus the need to protect and preserve their traditional culture and must choose between the pursuit of materialism versus spiritual balance. Al Qarmalawi writes about a wide range of music from Sufism to the present era of electronic musical arts, and Summer Rains addresses the current Arab youth crisis, in which young people find themselves torn between fundamentalism and modernity. (An extended English-language report on this book will be available soon.)
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An uplifting tale about the power of friendship, finding your place in the world, and realising your dreams while remaining true to who you are. Tumbledown is a little demolition truck growing up in a loving family. His parents go to work every day demolishing buildings with their big wrecking balls. But soft-hearted Tumbledown doesn’t like to destroy. He’d rather build things. He dreams of being a cement mixer. When Tumbledown cries, his wrecking ball swings out and destroys everything it touches. When Tumbledown laughs, his wrecking ball swings out and destroys everything it touches. His soft heart can’t skip a beat without leaving a trail of destruction. At school other students laugh at him, but still he won’t let go of his dream. When Tumbledown makes friends with a feisty troop of metal springs, they hatch a plan to save him from himself. They fan out over his wrecking ball and every time it swings they do their best to absorb the shock. The day comes when the worn-out springs turn to the Wise Old Crane for help. Tumbledown can never be a cement mixer, but maybe there are other ways, better suited to his nature. After some search, the Wise Old Crane finds a new job for Tumbledown at a construction site using his wrecking ball to smooth out the cement on the ground. It’s hard work but Tumbledown is finally happy, and he grows stronger and more skillful with every passing day.
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Can you imagine entering a crypt to find yourself in a strange land whose people deal with intelligence units? You work and do not take your wage in cash, but rather your intelligence units increase, and if you buy something, they decrease. It is the wondrous land of Zeekola, where there is no place for lazy ones. Whoever runs out of units will be killed. A strange adventure in which the novel takes us with its hero Khaled, who suddenly finds himself there to get to know that country. We live with its people, witness his meeting with the doctor Aseel, and go with him on a path he never choose.
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Was ist ein Medium? Die zeitgenössische Mediendebatte rekonstruiert Medien zumeist in Begriffen technischer Mittel und Apparate und (v)erklärt sie zum archimedischen Punkt unseres Weltverhältnisses. Das neue Buch von Sybille Krämer unternimmt einen Perspektivenwechsel: Was bedeutet es, wenn wir Medien nicht als Mittel, sondern als Mitte und Mittler bestimmen? Die Antwort darauf wird durch das »Botenmodell« gegeben, das Übertragung als ein kulturphilosophisches Schlüsselkonzept ausweist. Der Bote erscheint in diesem Zusammenhang als die Figur eines Dritten, der zwischen heterogenen Welten plaziert ist und damit Kommunikation und Austausch ermöglicht. Die kulturstiftende Leistung des Übertragens wird am Beispiel der imaginären Figur des Engels, der Krankheitsübertragung durch Viren, der Eigentumsübertragung durch Geld, der Sprachübertragung in der Übersetzung, der Gefühlsübertragung in der Psychoanalyse und schließlich der Übertragung von Wahrnehmung und Wissen durch Zeugen analysiert. "Aisthetisierung" – im Sinne des Wahrnehmbarmachens eines Abwesenden bzw. eines Unsinnlichen – erweist sich dabei als die Elementaraufgabe von Medien. Sybille Krämer will mit ihrem Buch den Boden bereiten für eine kritische Auseinandersetzung mit unserem demiurgischen Selbstverständnis als Homo faber bzw. Homo generator. Was bedeutet es, wenn wir uns eher als Bote denn als Macher und Konstrukteur begreifen?
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When a travel adventure becomes a journey to yourself! For all readers who long to follow the wide world’s call to freedom. Especially for all the WOODWALKERS fans who have grown up. An unforgettable experience is waiting for Lily: she is off to work on a farm in Namibia where they work to protect endangered cheetahs. The German vet’s daughter will help care for injured big cats, raise orphaned young animals and assist with field research in the bush. A dream comes true for her! Lily’s trip goes well until she falls in love with Eric, the son of a neighbouring farmer. His strange family and their secrets plunge her life into chaos. Katja Brandis, whose WOODWALKERS series regularly conquers the bestseller lists by storm, is back with an environmental novel about the protection of cheetahs in Namibia. Authentic, sympathetic and completely devoid of kitsch sunset pathos.
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The life of poet Hafez Al-Shirazi forms the background from which this novel draws its great ideas about life, love and poetry. And although this book is based on the visions of this great poet, it is not a heterosexual biography of his life but rather an imagined novel inspired by his poetry. The events of the novel take place in one night when Hafez dies, only to be born again. Throughout the long night, the author reviews stories, conflicts and milestone events in history, and Hafez has the chance to meet the poles of Sufi love in multiple chronological paths within the novel. He contemplates the black death and is defeated by the Farsi language with his early failures in poetry, but he finds salvation in the Arabic language by memorising the entire Qur’an. As a result, Shams Al-Din chooses another name inspired by him: Hafez, who the world will embrace until the Shiraz baker becomes a minister, on a human journey in which the Shirazi tests and loses everything successively.
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An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family? The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.
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"im felderlatein", das heißt: im Acker einer Sprache sein, ein Streifzug zugleich durch die Legende einer Landschaft, wie sie zu Ohren kommt, beim Gehen, im Flüstern, beim Schweigen. Lutz Seilers neue Gedichte, entstanden zwischen 2004 und 2010, unternehmen Expeditionen ins Grenzland rund um Berlin, mitten in den »satzbau dieser gegend«, die gezeichnet ist vom Wechsel der Zeit. Mit jedem Schritt auf diesem Weg erweist sich die musikalische Kraft der Gedichte – im felderlatein trifft Lutz Seiler den Ton für die ernsthaftesten Übertreibungen der Poesie: Für die wundersame Geschichte der »ersten zärtlichkeit«, geschehen zu einer Zeit, als die Schatten noch »kleine schwarze zahlungseinheiten« waren. Oder für die Odyssee der »fussinauten«, den Argonauten ebenbürtig an Treue und Beständigkeit. Und nicht zuletzt für die Geschichte der schönen, verstoßenen Aranka, die »aus den kniekehlen gesungen hat«. Legenden im felderlatein. Die neuen Gedichte des Ingeborg-Bachmann-Preisträgers Lutz Seiler »Man liest diese schönen und wichtigen Gedichte nicht so bald aus.« Frankfurter Allgemeine Zeitung
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Below the earth and above the sky. The two arcs between which a human lives his life and rotates through them. Who is more truthful than history if we look at human life as a whole? How does love attract him, how does authority blind him, how does inattention obliterate him, so he thinks of himself as the highest, and the law of time falls into the mud with him. Who is truer than history? With these tales, I only wrote about human.
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
