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      • K2 Literary

        A literary agency in Toronto, Canada, representing authors and rights sales for several independent Canadian publishers.

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      • BookEnds Literary

        Since opening its doors in 1999, BookEnds Literary Agency has never strayed from our original goal: Achieving dreams and doing what we love. Representing fiction and nonfiction for adults and children alike, BookEnds agents continue to live their dreams while helping authors achieve theirs.

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      • Trusted Partner
        February 2011

        Davon will ich mich befreien

        Alte Muster endlich loswerden: Realighting® - Die neue Kurztherapie

        by Hack, Ingrid

      • Trusted Partner
        November 2011

        Das Cent-Orakel

        Der einfache Weg zur richtigen Entscheidung

        by Hack, Ingrid

      • Trusted Partner
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      • Trusted Partner

        Dulce María Loynaz. Ensayos (Dulce María Loynaz. Essays)

        by Dulce María Loynaz

        This book join a group of Literary Essays of Dulce María Loynaz.

      • Trusted Partner
        November 2016

        Stasis

        Der Bürgerkrieg als politisches Paradigma

        by Agamben, Giorgio / Italienisch Hack, Michael

      • Trusted Partner
        November 2013

        Opus Dei

        Archäologie des Amts

        by Agamben, Giorgio / Italienisch Hack, Michael

      • Trusted Partner
      • Trusted Partner
        August 2014

        Abul Abaz

        Zur Biographie eines Elefanten

        by Hack, Achim Thomas

      • Trusted Partner
        January 2014

        Von Christus zu Odin

        Ein Karolinger bekehrt sich

        by Hack, Achim Thomas

      • Trusted Partner
        August 2015

        Karolingische Kaiser als Sportler

        Ein Beitrag zur frühmittelalterlichen Körpergeschichte

        by Hack, Achim Thomas

      • Trusted Partner
      • Trusted Partner
        March 2023

        Chinese Martial Arts

        by Born in Changsha, Hunan Province, He Dun is a member of the China Writers Association, vice chairman of the Hunan Writers Association, vice chairman of the Changsha Federation of Literary and Art Circles, and a representative writer of "New Realism".

        Chinese Martial Arts is a literary work that recreates the spirit of the times and the fate of the characters with realistic creative techniques. Liu Qirong, the hero, had been ailing since childhood. In order to keep fit, he began learning martial arts at the age of eight and continued to practice throughout his life.

      • Trusted Partner
        Humanities & Social Sciences
        March 2017

        Study on Literary Anthropology in Shen Congwen's Works

        by He Xiaoping

        This book takes the homogeneous, isomorphic, and mutual relationship of Shen Congwen's aesthetic thoughts, artistic thoughts and cultural anthropological thoughts as the starting point, and then explores the anthropological characteristics of Shen Congwen's works from the perspective of anthropological ontology, methodology and axiology. The following analyses focusing on the expression form, ideological root, and value and significance to literary creation and cultural construction are an extended study of Shen Congwen's cultural thought, aesthetic thought, artistic creation thought and value.

      • Trusted Partner
        Literature & Literary Studies
        January 2017

        Literary and visual Ralegh

        by J. B. Lethbridge, Christopher Armitage

      • Trusted Partner
        June 2023

        Dust between Earth and Heaven

        by Pan Feng has published many essays, stories, and mini-stories in national literary journals, including "Love to the Western Hunan", "Sunshine Journey", "The Cattle", "The Fake Buddha", "The Chess Game", etc.

        The novel, Dust between Earth and Heaven, is a literary work created by Pan Feng, an author born in Hunan, based on his family history, which spans a century.

      • Trusted Partner
        The Arts
        June 2021

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

      • Trusted Partner
        The Arts
        January 2019

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

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