Wilfrid Laurier University Press
Wilfrid Laurier University Press is a scholarly press based in Waterloo, Ontario.
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Promoted Content
July 2015Laurent Cantet
by Martin O'Shaughnessy
Laurent Cantet is of one France's leading contemporary directors. In a series of important films, including Human Resources, Time Out, Heading South, The Class and Foxfire, he takes stock of the modern world from the workplace, through the schoolroom and the oppressive small town to the world of international sex tourism. His films drive the hidden forces that weigh on individuals and groups into view but also show characters who are capable of reflection and reaction. If the films make their protagonists rethink their place in the world, they also challenge the positions of the viewer and the director. This is what makes them so worthy of study. Combining a fine eye for detail with broad contextual awareness, this book gives an account of all Cantet's works, from the early short films to the major works. Martin O'Shaughnessy is a leading international writer on French cinema,especially in film and politics.
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The ArtsJanuary 2018Laurent Cantet
by Martin O'Shaughnessy, Diana Holmes, Robert Ingram
Laurent Cantet is of one France's leading contemporary directors. In a series of important films, including Human Resources, Time Out, Heading South, The Class and Foxfire, he takes stock of the modern world from the workplace, through the schoolroom and the oppressive small town to the world of international sex tourism. His films drive the hidden forces that weigh on individuals and groups into view but also show characters who are capable of reflection and reaction. If the films make their protagonists rethink their place in the world, they also challenge the positions of the viewer and the director. This is what makes them so worthy of study. Combining a fine eye for detail with broad contextual awareness, this book gives an account of all Cantet's works, from the early short films to the major works. Martin O'Shaughnessy is a leading international writer on French cinema, especially in film and politics.
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Trusted Partner
April 2015Über die Toleranz
by Voltaire, Laurent Joffrin
Voltaires 1763 erschienenes Plädoyer für Toleranz zwischen den Religionen war nie so aktuell wie heute. Seit den Anschlägen auf die Redaktion der Satirezeitschrift Charlie Hebdo hat sich seine Kritik des religiösen Fanatismus wie ein Lauffeuer verbreitet, er selbst gilt als zentrales Symbol für die Freiheit des Geistes: Voltaire-Plakate, versehen mit dem Slogan »Je suis Charlie«, sind in ganz Paris zu sehen. Seine Streitschrift Über die Toleranz wird zusammen mit Kugelschreibern und Stiften als Mahnmal auf vielen Straßen Frankreichs platziert und ist zur Schullektüre avanciert. 250 Jahre nach ihrem Erscheinen ist Voltaires Kampfansage an den Fanatismus und den Aberglauben brisanter und dringlicher denn je. Höchste Zeit, sie zu lesen! Mit einem Vorwort von Laurent Joffrin (Chefredakteur "Libération")
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Humanities & Social SciencesApril 2023Republican passions
Family, friendship and politics in nineteenth-century France
by Susan K. Foley
Republican passions demonstrates the crucial role of family and friendship networks in the creation of the French Third Republic. Based on the family archives of Léon Laurent-Pichat, journalist, Deputy and Life Senator, this study paints a rich picture of republican intimacy, sociability and political activity during the Second Empire and early Third Republic. It explores republican friendships and family connections as men and women worked together for the cause. In republican circles, as the book illustrates, the intimate and political realms were not separate but deeply intertwined and interdependent.
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Humanities & Social SciencesImages, imaginations et imaginaires (Images, imaginations and imaginaries)
Invention et subversion des identités visuelles en Afrique (Invention and subversion of visual identities in Africa)
by Jean-Bernard Ouédraogo
African modernity is the result of original combinations that involve a figurative dimension. Hidden beneath the overt forms of domination, there is an ongoing, subtle war of signs. These symbolic conflicts manifest themselves in the stage of modernity as a means of creating ordinary social bonds. The competitive construction of this public space begins from the early moments of African incorporation into European imaginaries, with military campaigns serving as the realization of this soon-to-be colonizing imagination. Photographic space becomes a part of this silent process of inventing and/or subverting identities, contributing to the marking of social evolution. The photographs are studied here not to showcase exotic postures of indigenous people, characterized as clumsy and innocent, which underlie a certain primitivist aesthetics, but to facilitate a distancing that allows for the observation of the internal dynamics of contemporary African societies. This approach raises significant epistemological issues that challenge the heuristic function of images, imaginations, and imaginaries. Through the medium of images, this book sheds new light on the distinctions, frictions, and strategies of African modernity, which has been the subject of many misinterpretations.
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Children's & YAFebruary 2021Ridi Regrets His Mistakes
by Ismaël Ouédraogo / Akira Junior
Young Ridi obtained good results in school. As a reward, his parents offered him an invitation to spend the holiday in the village with his grandma. The days spent in such a rural area were so wonderful, until several events unfolded!
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March 2022When the Giraffe still had Admirers
How Four Scientists Stumbled Across Their Discoveries
by Michael Lichtwarck-Aschoff
In “When The Giraffe Still Had Admirers” we get to know Claude Bernard and Louis Pasteur, Antoine Laurent de Lavoisier and Étienne Geoffroy Saint-Hilaire. Lichtwarck-Aschoff takes their lives and discoveries – often resulting from serendipity – as the starting point for his stories. The enthralling read makes literature so eloquent, full of wit and powerful that this author is no longer just an insider tip.
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April 2015Über die Toleranz
by Voltaire, Ingrid Gilcher-Holtey
Voltaires 1763 erschienenes Plädoyer für Toleranz zwischen den Religionen war nie so aktuell wie heute. Seit den Anschlägen auf die Redaktion der Satirezeitschrift Charlie Hebdo hat sich seine Kritik des religiösen Fanatismus wie ein Lauffeuer verbreitet, er selbst gilt als zentrales Symbol für die Freiheit des Geistes: Voltaire-Plakate, versehen mit dem Slogan »Je suis Charlie«, sind in ganz Paris zu sehen. Seine Streitschrift Über die Toleranz wird zusammen mit Kugelschreibern und Stiften als Mahnmal auf vielen Straßen Frankreichs platziert und ist zur Schullektüre avanciert. 250 Jahre nach ihrem Erscheinen ist Voltaires Kampfansage an den Fanatismus und den Aberglauben brisanter und dringlicher denn je. Höchste Zeit, sie zu lesen! Mit einem Vorwort von Laurent Joffrin (Chefredakteur "Libération")
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The ArtsJanuary 2019Postcolonial African cinema
Ten directors
by David Murphy, Patrick Williams
This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.
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The ArtsJune 2011From Perversion to Purity
The stardom of Catherine Deneuve
by Lisa Downing, Sue Harris, author arranging
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Buñuel and Polanski. The Deneuve star persona has attained such iconic status that it now symbolises the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies. ;
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September 2019Halt die Klappe, Kopf!
Ein Selfcare-Buch für Tage, an denen Schokokuchen nicht reicht
by Laurent, Lisa Sophie
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The ArtsMarch 2013Space and being in contemporary French cinema
by James S. Williams
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;
