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      • Kampu Mera Edition

        A publisher dedicated to promote the works by Cambodian female authors. Phnom Penh, Cambodia.

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      • Al-Kamel Verlag / Manshourat Al Jama

        Manshurat Al Jamal was founded in 1983 by Khalid Al Maaly in Cologne ,in 2008 based in Beirut and a further branch in Bagdad .The program focus on :- Classic ,Modern Arab literature- Fiction short stories poems - Philosophy- Sociology Manshurat Al-Jamal is the publisher of a lot of authors: G.Grass O. Pamuk J. Habermas Robert Musil H.Qureishi G. Sinoue P. Celan W. Gombrowicz J. Derrida M. Horkheimer T. Adorno A. Kristof

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        Humanities & Social Sciences
        April 2024

        An empire of many cultures

        Bahá’ís, Muslims, Jews and the British state, 1900–20

        by Diane Robinson-Dunn

        Based upon extensive archival research and bringing to life the words and actions of extraordinary individuals from the early 20th century, this book calls into question contemporary assumptions about the appreciation of diversity as a solely postcolonial phenomenon. It shows how Bahá'í, Muslim, and Jewish leaders prior to and during WWI found value in the existence of many different religions, races, languages, nations, and ethnicities within the British Empire. Recognition of this heterogeneity combined with sympathy for certain liberal traditions allowed those historical actors to engage with that imperial state and culture in ways that would have an impact on future generations and relevance to modern debates.

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        DEWA PECHIL - A MAK YONG TALE TOLD BY ALI BIN IBRAHIM

        by Patrick Ann Hardwick & Dara Dayana Mohd Jufry; Kamal Nawie

        The Dewa Pechil tale teaches we cannot succeed alone. The loyalty of Cemara Bermas and her followers are needed for Dewa Pechil's revival.   Through the effort of this heroic princess and her followers and their wiliness to abandon a corrupt society, Dewa Pechil is restored and the wilderness is no longer wild. The story reflects important Southeast Asian values of loyalty and community support and sociality as essential for a meaningful life.   This pro-social tale shows that empathy and altruism counter greed and self-interest. for non-Malay, readers the story will introduce traditional Malay cultural values. For insiders, child or adult, it is a message in narrative form from ancestors about how to be Malay.

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        KETUM DARI PERSPEKTIF PSIKOSOSIAL: MANFAAT ATAU MUDARAT

        by Noor Azniza Ishak, Jamaludin Mustafa, Kamal Ab Hamid, Siti Rozaina Kamsani, Grafik UUM (Illustrator)

        Kratom from a Psychosocial Perspective: An Advantage or A Detriment   Kratom leaves have long been used as a traditional vitality drink ingredient for women who have recently given birth. The leaves are boiled, and the resulting water is consumed to restore vitality, as well as to treat gas congestion in the body and relieve back pain. However, the decoction of kratom leaves has been misappropriated and is being sold to the public.   This book is intended as a guide for policymakers, particularly the Ministry of Home Affairs and the National Anti-Drug Agency (AADK), in the formulation of appropriate policies or action plans, as well as the necessary enhancements to the extant prevention programmes. This book also suggests an effective information delivery strategy for addressing the issue of kratom water abuse. In addition, this book was written as a resource for the community to learn about the actual phenomenon of kratom water misappropriation in the community today.

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        August 2021

        Involução e outros contos para um mundo em crise

        Colectânea de contos traduzidos pelos vencedores do Concurso de Tradução Literária 2020

        by Sandra Tamele

        Neste terceiro volume da Colectânea de Contos Traduzidos pelos vencedores do Concurso de Tradução Literária, apresentamos seis contos publicados entre 2017 e 2019 no âmbito do Caine Prize for African Writing e da colectânea New Short Fiction from Africa: ‘Involução’ da autoria da sul-africana Stacy Hardy que aborda abertamente a sexualidade da mulher, também preocupações sociais e políticas, faz alusão a questões como a degradação ambiental, o colonialismo e direitos da mulher, ancorados numa teatralidade conceptual necessária para que o conto não se torne efémero e engaje o sentido de humor do leitor para o aproximar da mente aberta de Hardy. ‘A heroína misteriosa’ ou ‘Mavbanelo na mayi’ em Bitonga, é da autoria da Tanzaniana Lydia Kasese. Ela escreve sobre as expectativas e pressões sociais que levam as mulheres a desejarem concertar tudo. Neste conto Kasese traz destramente à luz questões sobre o abuso de menores e o seu impacto sobre as famílias na Tanzânia e, não só. Alinafe Malonje estreou-se nesta colectânea da Short Story Day com o conto ‘Manutenção de Rotina’, um registo metafísico de um hotel: parte alegoria, parte meditação com um subtil comentário sobre o que significa ser mulher no Malawi. Natasha Omokhodion-Kalulu Banda cria um fabuloso hotel de fantasia que contém realidades sinistras, construindo um persuasivo mundo alternativo. Tariro Ndoro em ‘A lenda das duas irmãs’, ou ‘Xihitana xa vamakwavu na makwavu’ em Changana, traz uma abordagem arrepiante dos perigos da saudade, onde a busca por uma irmã num hotel de luxo em Victoria Falls tem um fim fantasmagórico. Mampianina Randria nos apresenta em ‘O Gatilho’, ou ‘Niyódeké sê xidúvúlá’ em Changana, um conto com um ritmo cerrado e um desfecho totalmente inesperado onde uma mulher que lida com as frustrações de quem entra na vida adulta.

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        Children's & YA
        2017

        My Name is Mariam

        by Nadiyka Herbish (Author), Mariya Foya (Illustrator)

        Mariam has lost her home in every sense: she ended up in a foreign country, faced hostility generated by stereotypes, experienced a bitter loss. All the same, she also got the two most valuable gifts, love and her life. When a war starts, those people who manage to escape its flames have nothing but memories, love, and burning desire to protect the people dear to them. Eventually, it is from these seeds that a whole new world can grow. All you need is a bit of “good soil” and support from the people around you.   From 6 to 12 years, 6700 words. Rightsholders: info@vivat.factor.ua or miroshnik@vivat.factor.ua

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        Plant pathology & diseases
        September 2009

        Molecular Plant-Microbe Interactions

        by Carole Beaulieu, Charles Després, Darrell Desveaux, Patrice Dunoyer, Peter Moffett, Fengming Song, Rajagopal Subramaniam, Adrián A Vojnov, Hirofumi Yoshioka, Erin Zimmerman, Abdelbasset El Hadrami. Edited by Kamal Bouarab, Normand Brisson, Fouad Daayf.

        Plants have evolved both general and highly specialized defence mechanisms that function to prevent diseases caused by the majority of microbial pathogens they encounter. Highly specialized defence is governed by specific interactions between pathogen avr (avirulence) genes' loci and alleles of the corresponding plant disease resistance (R) loci. These defences can be very dynamic as microbes from the same species can act differently in their co-evolution with the specific host plant, which in turn has similarly evolved its response to external threats. There have been major developments in the field of plant-microbe interactions in recent years, due to newly developed techniques and the availability of genomic information. Molecular Plant-Microbe Interactions explores these new discoveries, focusing primarily on the mechanisms controlling plant disease resistance, the cross-talk among the pathways involved and the strategies used by the pathogens to suppress these defences. By exploring developments in plant defences, pathogen's counter-defences and mutually beneficial plant-microbe interactions, this book will be useful for researchers and students in plant pathology and plant biology-related areas.

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        Children's & YA

        Brushing Teeth is Fun

        by Wikan Satriati

        Tiwo knows he has to brush his teeth every day. But sometimes Tiwo forgets to do it. Until one day he got a toothache. The dentist tells Tiwo not to forget to brush his teeth. Will Tiwo learn his lesson and start to brushing his teeth dilligently?

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        January 2013

        The Madmen of Bethlehem

        by Osama Alaysa

        Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people.   This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations.   Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written).   The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places.   The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form.   The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes.   The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.

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        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

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        In the Footsteps of Enayat Al-Zayyat

        by Iman Mersal

        ‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives.   The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy.   The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.

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        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

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        Picture books

        The Lilac Girl

        by Ibtisam Barakat (author), Sinan Hallak (illustrator)

        Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat.   The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac.   As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.

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        Children's & YA

        The Dinoraf

        by Hessa Al Muhairi

        An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family?  The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.

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        Fiction
        2022

        The End of the Desert

        by Said Khatibi

        On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.

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        Pest control
        June 2015

        Biocontrol Agents of Phytonematodes

        by Mahfouz Abd-Elgawad, Christian Cumagun, M K Dasgupta, Pedro Luiz Martins Soares, K Devrajan, Masanori Koike, Ioannis Giannakou, E A Tzortzakakis, Fernando da Silva Rocha, Fábio Alves, Ioannis Vagelas, Moussa Lobna, Uri Gerson, A H Wani, C Sankaranarayanan, Anwar L Bilgrami, Mohammad Reza Moosavi, Kamal Kishore Chaudhary.

        Highlighting the use of biocontrol agents as an alternative to chemical pesticides in the management of plant parasitic nematodes, this book reviews the current progress and developments in the field. Tactful and successful exploitation of each biocontrol agent, i.e. nematophagous fungi, parasitic bacteria, predaceous mites, rhizobacteria, mycorrhiza and predaceous nematodes, has been described separately. The contributors are 23 eminent nematologists and their information has been compiled in 19 chapters.

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