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Leading Indian academic publisher with 58 years' experience in higher education textbooks in print and digital format.
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Jeffrey Richards is a regular radio and television commentator on popular culture. Covers the period from Ealing Studios to Dad's Army. A great read. ;
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Visitor management may be considered as a component of destination management at all levels of a destination. It involves a wide range of stakeholders. This book demonstrates current knowledge on visitor management. Visitor Management in Tourism Destinations provides insight into critical concepts such as the visitor experience, service quality, the uses of indicators and frameworks, and interpretation. It also addresses current issues including the social and political dimensions of visitor management, the implementation of monitoring, vandalism and augmented reality. Authored by leading international researchers in the field of visitor management research, this book is primarily aimed at researchers and postgraduate students. Key Features: · Considers critical concepts and influential factors in visitor management. · Illustrates current issues in visitor management. · Research-based case studies contribute to an overall understanding of core issues. · Covers the state-of-the-art in guiding and interpretation. ; This book demonstrates current knowledge on Visitor Management and provides insight into conceptual issues. ; PART I: Introduction and Foundation Chapter 1: Introduction to Visitor Management in tourism Destinations Chapter 2: Destination Management and Visitor Management: Non-convergent Literatures but Complementary Activities and Issues Chapter 3: Meeting the Challenge of Managing Visitor Experiences at Tourism Attractions Chapter 4: The Social and Political Dimensions of Visitor Management: Rural Home-based Accommodations PART II: Critical Concepts in Visitor Management Chapter 5: Indicators and Standards-Based Visitor Management Frameworks in Achieving Sustainability at Cultural Heritage Sites Chapter 6: Managing Nature-Based Visitors’ Perceived Service Quality, Satisfaction and Future Behaviour Intention Chapter 7: The Relevance of Visitors’ National Park Affinity for Effective Visitor Management in Protected Areas PART III: Current Issues in Visitor Management Chapter 8: Visitor Monitoring in the Tapajós National Forest, Brazil Chapter 9: Tourist Behaviours, Vandalism and Stakeholder Responses Chapter 10: Augmented Reality Application in Museum Visitor Experiences PART IV: The State of the Art in Guiding and Interpretation Chapter 11: Strategies for Successful Interpretation Techniques in Visitor Attractions: The Operationalization of Guided Tours in Museums Chapter 12: Using Heritage Interpretation to Manage Film-induced Tourism at Heritage visitor Attractions Chapter 13: Theories of Learning and their Application in Interpretation Chapter 14: Critical Reflections on the Role of Interpretation in Visitor Management PART V: Conclusion Chapter 15: Current Knowledge and Future Research Directions in Visitor Management
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Peter Sager erzählt die Lebensgeschichten des Malers Thomas Gainsborough, der dichtenden Bronte-Schwestern, des Lyrikers Dylan Thomas oder des Bestsellerautors Jeffrey Archer in Verbindung mit der Landschaft, in der sie lebten und leben und die Eingang in ihre Werke fand.
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Fattaneh Haj Seyed Javadi, geboren 1945 in Schiraz, lebt in Isfahan. Sie studierte an den Hochschulen für Literatur und Fremdsprachen in Teheran und Isfahan und arbeitete mehrere Jahre als Lehrerin. Anfang der 1990er Jahre übersetzte sie Jeffrey Arthurs Werk Kain und Abel ins Persische. Javadi ist verheiratet und hat zwei Töchter. Nach dem auch in deutscher Übersetzung sehr erfolgreichen Roman Der Morgen der Trunkenheit (1995, Insel 2000) wurde ihr zweites Buch In der Abgeschiedenheit des Schlafs (2002) ebenfalls zu einem Bestseller im Iran.
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Wo liegt die Grenze zwischen legitimer Kritik an Israel und Antisemitismus? Hat sich der Antisemitismus in der Ideenwelt des Islam etabliert? Inwieweit spielen bei linkem Antizionimus antisemitische Topoi eine Rolle? Seit einigen Jahren gibt es eine neue, weltweit geführte Debatte über den Antisemitismus. Nicht mehr Rechtsextremismus und Vergangenheitsbewältigung stehen dabei im Vordergrund, sondern die kontroversen Positionen gegenüber dem Nahostkonflikt. In zahlreichen Originalbeiträgen dokumentiert der Band den internationalen Stand der Debatte erstmals für das deutsche Publikum. Mit Texten von Omer Bartov, Ulrich Beck, Micha Brumlik, Ian Buruma, Judith Butler, Dan Diner, Daniel Jonah Goldhagen, Thomas Haury, Jeffrey Herf, Tony Judt, Gerd Koenen, Matthias Küntzel, Antony Lerman, Andrei Markovits, Michael Walzer, Robert Wistrich und Moshe Zimmermann.
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Gender-based violence (GBV) in travel and tourism is embedded within wider social structures of gender inequalities and discrimination. Even though it is pertinent to study GBV in all its forms, this book focuses on the multiple and interconnected manifestations of violence that women/girls encounter in tourism consumption and production (physical, sexual, emotional or socio-economic), while seeking to open the debate on violence against sexual minorities (LGBT) and discussing men/boys as victims and perpetrators of GBV. By engaging in a critical exploration of the theoretical landscape of GBV and case studies on GBV and sexual harassment, the book adopts a multidisciplinary perspective drawing on feminist, intersectional and post-colonial frameworks, bringing together contributions from academics and practitioners across the globe.
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This book is the first full-length study of contemporary American fiction of passing. Its takes as its point of departure the return of racial and gender passing in the 1990s in order to make claims about wider trends in contemporary American fiction. The book accounts for the return of tropes of passing in fiction by Phillip Roth, Percival Everett, Louise Erdrich, Danzy Senna, Jeffrey Eugenides and Paul Beatty, by arguing meta-critical and meta-fictional tool. These writers are attracted to the trope of passing because passing narratives have always foregrounded the notion of textuality in relation to the (il)legibility of "black" subjects passing as white. The central argument of this book, then, is that contemporary narratives of passing are concerned with articulating and unpacking an analogy between passing and authorship. The title promises to inaugurate dialogue on the relationships between passing, postmodernism and authorship in contemporary American fiction.
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