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Accessible and original analysis of all Jean Renoir's sound films, including those he made in Hollywood - this is the first major study to appear for a number of years and brings new light on some of the director's most celebrated films.. Illuminating account of critical debates concerning Renoir, and focusing on hitherto neglected areas such as gender, nation and ethnicity the book asks us to rethink our understanding of Renoir's political commitment.. Traces his output from the silent period to the age of television, tying his work into a fast-shifting, socio-historical context.. Detailed analyses of his sound films map his evolving style while individual chapters cover Renoir's career and writings, critical debates, the silent and early sound films, the Popular Front period, Renoir amèricain and the later films.
This volume is the first to examine, in either French or English, the films of Jean-Jacques Beineix, often seen as the best example of the 1980s cinéma du look, with cult films, such as Diva and Betty Blue (37º 2 le matin) .. After an introduction which places Beineix in the context of the 1980s and the arguments centering on a postmodern cinema, the volume devotes a chapter to each of Beineix's feature films, including the film which marked his return to feature film making after a break of a decade, Mortel Transfert (2001). Prefaced by an excellent foreword by the director himself, which includes a broad condemnation of French critics. Includes many illustrations direct from the director's own collection, complementing the interviews Powrie made with him and his collaborators.
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This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers. ;
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Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.
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Collects together the best articles by key historians, literary critics, and anthropologists on the cultures of colonialism in the British Empire in the nineteenth and twentieth centuries.. A substantial introduction by the distinguished historian, Professor Catherine Hall, discusses new approaches to the history of empire and establishes a narrative frame through which to read the essays which follow.. The volume is clearly divided into three sections: theoretical, emphasising concepts and approaches; the colonisers 'at home', focusing on how empire was lived in Britain; and 'away' - the attempt to construct new cultures through which the colonisers defined themselves and others in varied colonial sites. A useful guide to recent scholarship on the culture of imperialism. ;
Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.
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Michel Foucault beschreibt Politik nicht als gesonderten Wirklichkeitsbereich, sondern als ein Kräfteverhältnis. Politik ist für ihn zunächst die Fortsetzung des Kriegs mit anderen Mitteln. Später rückt er den Begriff des Regierens ins Zentrum und untersucht Technologien und Rationalitäten der Menschenführung. Er entwirft keine Theorie des Staates, seine Analysen zielen vielmehr auf eine Kritik der politischen Vernunft. Die vorliegende Auswahl aus seinen Schriften und Vorlesungen präsentiert jedoch nicht nur den Analytiker von Machtmechanismen und Wissensformationen, sondern auch den politischen Intellektuellen Michel Foucault. Der Band versammelt neben Grundtexten zu Foucaults politischer Philosophie auch seine Stellungnahmen unter anderem zur Strafjustiz, zur iranischen Revolution und zur Verhängung des Kriegsrechts in Polen. Ulrich Bröcklings Nachwort zeigt die spannungsreiche Entwicklung von Foucaults politischem Denken zwischen Analyse und Intervention.
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illy Jenkins’ career spans the years 1895-1954. He was King of the Cowboys, the most popular act in all Germany, hero of German pulp fiction – the last genuine hero of the “American” Wild West. Yet, like Karl May before him, he never set foot in America...Billy became one of the world’s earliest superstars. He thrilled millions between the two World Wars, built a palatial mansion on the hill in Berlin, complete with a dude ranch in his backyard. In 1932, after joining the Nazi Party, he became their favorite, and soon reached the pinnacle of his success – this, despite the fact that he was half-Jewish! As his star waned, not because he was Jewish but because his name sounded too American as Germany entered World War II, Billy rediscovered his Jewish roots, and… but that’s for the reader to find out.Hugo N. Gerstl, nationally famous American trial lawyer, world traveler and author of the best-sellers Scribe: The Only Female Pope, Amazing Grace: The Woman Pirate, Legacy: The Birth of Modern Turkey, ChildFinders, and Stalemate, which so far have been translated into Portuguese, Czech, and Turkish, lives in Carmel, California with his wife Lorraine, a writer and teacher. Together they have raised five children, now grown. Published By Pangæa Publishing Group,2019. 534 pages – 23 cm x 15 cm
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Pierre und Jean ist einer der berühmtesten Romane von Maupassant neben Bel Ami (it 280), Stark wie der Tod und Ein Leben. Es ist die Geschichte zweier rivalisierender Brüder vor dem Hintergrund der normannischen Küstenlandschaft.Die Brüder Pierre und Jean sind von Kindheit an auffallend verschiedenartig – in ihrem Temperament nicht weniger als in ihrem Äußeren: Pierre, ein scharfer Analytiker mit höchsten Ansprüchen an sich und andere, Jean, eine allseits beliebte Frohnatur. Als ein Freund der Familie eines Tages Jean zum Alleinerben seines Vermögen bestimmt, regen sich in Pierre Mißtrauen und Neid …
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Modern European cinema and love examines nine European directors whose films contain stories about romantic love and marriage. The directors are Jean Renoir, Ingmar Bergman, Alain Resnais, Michelangelo Antonioni, Agnès Varda, François Truffaut, Federico Fellini, Jean-Luc Godard and Éric Rohmer. The book approaches questions of love and marriage from a philosophical perspective, applying the ideas of authors such as Stanley Cavell, Leo Bersani, Luce Irigaray and Alain Badiou, while also tracing key concepts from Freudian psychoanalysis. Each of the filmmakers engages deeply with notions of modern love and marriage, often in positive ways, but also in ways that question the institutions of love, marriage and the 'couple'.
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Der vierjährige Charles ist mit dabei, als seine Mutter, Elizabeth II., 1952 gekrönt wird. Fünf Jahre später ernennt die Queen ihn zum Prince of Wales und damit offiziell zum Thronfolger. Der erste Royal mit Hochschulabschluss, der zu Schulzeiten gern Theater spielte, engagiert sich für die Benachteiligten der Gesellschaft und setzt sich sehr früh mit großem Engagement für Umweltschutz, Nachhaltigkeit und einen besseren Umgang des Menschen mit der Natur ein. Anfangs nahm man ihn nicht ernst, denn er war seiner Zeit weit voraus. Nun tritt er in die Fußstapfen seiner Mutter und wird König. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Künstlerin, Pilotin oder Wissenschaftler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
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With 29 contributors from across Europe and beyond, this work represents a unique and important resource that examines the many relationships between tourism and geopolitics, with a focus on experiences drawn from Central and Eastern Europe. It begins by assessing the changing nature of 'geopolitics', from pejorative associations with Nazism to the more recent critical and feminist geopolitics of social science's 'cultural turn'. The book then addresses the important historical role of Central and Eastern Europe (CEE) in geopolitical thinking, before exemplifying a range of contemporary interactions between tourism and geopolitics within this critical region. Edited by a renowned authority on tourism geopolitics, this book: · Provides the most comprehensive overview of tourism and geopolitics available · Applies a range of geopolitical concepts and approaches to empirical experiences of tourism and mobility in Central and Eastern Europe · Embraces contributions from both established and new academic voices. Pursuing innovative analytical paths, the book demonstrates the interrelated nature of tourism and geopolitics and emphasizes the freshness of this research area. Addressing key principles and ideas which are applicable globally, it is an essential source for researchers, teachers and students of tourism, geography, political science and European studies, as well as for diplomatic, business and consultant practitioners. ; This book is a unique and important resource that discusses the relationship between tourism and geopolitics, with a focus on experience from Central and Eastern Europe ; Part I: Introduction and Overviews1: Bringing geopolitics to tourism2: Tourism and geopolitics: the political imaginary of territory, tourism and space3: Tourism in the geopolitical construction of Central and Eastern Europe (CEE)Part II: Reconfiguring Conceptions and Reality4: The Adriatic as a (re-)emerging cultural space5: Crimea: geopolitics and tourism6: The geopolitical trial of tourism in modern Ukraine7: Under pressure: the impact of Russian tourism investment in MontenegroPart III: Tourism and Transnationalism8: Large-scale tourism development in a Czech rural area: contestation over the meaning of modernity9: The expansion of international hotel groups into Central and Eastern Europe after 1989 – strategic couplings and local responses10: Conceptualising trans-national hotel chain penetration in Bulgaria11: New consumption spaces and cross-border mobilitiesPart IV: Borderlands12: From divided to shared spaces: transborder tourism in the Polish-Czech borderlands13: Finnish-Russian border mobility and tourism: localism overruled by geopolitics14: Kaliningrad as a tourism enclave/exclave?15: An evaluation of tourism development in KaliningradPart V: Identity and Image16: Mutli-ethnic food in the mono-ethnic city: tourism, gastronomy and identity in central Warsaw17: Rural tourism as a meeting ground in Bosnia and Herzegovina?18: Interrogating tourism’s relevance: mediating between polarities in Kosovo19: European Night of Museums and the geopolitics of events in Romania20: The power of the Web: blogging destination image in Bucharest and SofiaPart VI: Mobilities21: The role of pioneering tour companies22: The geopolitics of low-cost carriers in Central and Eastern Europe23: Tourism and a geopolitics of connectivity: the Albanian nexus24: Heroes or ‘Others’? A geopolitics of international footballer mobility25: Tourism, mobilities and the geopolitics of erasurePart VII: Conclusions26: In conclusion
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A text that transcends literary genres, this book concludes a path that runs through the author’s previous books: Al Ike fe Al Mabahej was Al Ahan (The Ike in the Joys and Sorrows) 2002, Kitab Al Ghewaya (The Book of Seduction) 2007, and Al Aar men Al Difatayn... Abeed Al Azmenah Al Hadethah fee Marakeb Al Tholomat (Shame on the Two Banks: Slaves of Modern Times in the Boats of Darkness) 2011. The theme of the book focuses on travel as a human activity and an example of human life. Hence the novel’s philosophical approach manifests itself as an examination of the different stages of travel as a metaphor for man’s journey from life to death. With this philosophical view the writer's prose fuses with cities and travel experiences, diving deep to describe the souls of the cities, going far beyond what can be captured by a camera. The book contemplates the styles of architecture and the meanings they represent, reflecting on the meaning of beauty and perfection, as well as the nature of aggression that resides in them. It reflects, too, on the meaning of living on an island and the symbolism of water, which makes travel a unique experience that increases the depth of life and compensates us for our short existence. The writer examines his visions by invoking publications that highlight travel, including The Thousand and One Nights, which he considers to be a travel book.
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Kurt Wölfels Analysen gewinnen ästhetische Instruktivität dadurch, daß sie sich auf zentrale, ästhetisch relevante Aspekte der Prosa Jean Pauls konzentrieren Sie behandeln u. a. Jean Pauls Witz, seine Hinwendung zur sogenannten zweiten Welt, seinen poetischen Republikanismus, seine Kritik am Ästhetizismus, seine rhetorische Umbildung des Dialogs und die verschiedenen Formen seines Verhältnisses zur Natur.
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Serhiy Zhadan's new book, "Vyshyvanyi. The King of Ukraine", is a story that is always relevant, especially nowadays. It is a story of love for Ukraine. Austrian Archduke Wilhelm Franz von Habsburg-Lothringen, known as Vasyl Vyshyvanyi, played a prominent role in the Ukrainian national liberation movement. Zhadan speaks about the project: "The figure of Vyshyvany is non-trivial, interesting, and deserves all kinds of mentions and study. The coming of Vyshivany to Ukrainianness and acceptance of his identity is not a fictional story. It is interesting to learn how many people are discovering Ukraine, Ukrainian history, Ukrainian culture, and the Ukrainian language." The book has already found its supporters and even received an award in the "Best Book Design 2020" competition, held by the "Book Arsenal" International Festival in cooperation with the Goethe Institute in Ukraine. This award is fully justified: the creative tandem of Zhuk&Kelm artistic talent has created a real gem. Designer Nadiya Kelm wrote about the work: "Vyshyvany got his nickname from Ukrainian soldiers because he liked to dress up in embroidered clothes. This was the starting point for the visual concept of the book. We took a very geometric embroidery scheme, which grows with each section, revealing more and more of the portrait of the Vyshyvanyi. The perforated pages allude to the Ukrainian vytynanka (paper cut ornament)".
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This collection includes the best short prose by the most successful Ukrainian female author. The reader will find here both recognized masterpieces that have been translated into many languages and sperformed on numerous European stages ("Alien", "Girls", "The Tale of the Guelder Rose Flute"), and little-known youthful attempts in various prose genres. The book concludes with a recently written story, which sums up the history of an entire generation, the "deferred war generation", through the drama of the misunderstanding between a mother and her daughter.
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This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'. ;
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This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.
