Hobby Japan Co., Ltd.
We release over 300 publications of various genres and formats every year
View Rights PortalWe release over 300 publications of various genres and formats every year
View Rights PortalThere is evident lineage between the concepts of teaching English as a foreign language (TEFL) and tourism, represented through evocative marketing material, the commoditisation of the TEFL product, teacher motivations and experiences. Yet, to date there has been no recognition of these links within industry or academia. This book introduces the concept of 'TEFL tourism', outlining the scale of the sector and the rapid commercialisation of TEFL teaching across the world, locating it as an emerging form of niche tourism. The text outlines the organisation types and geographical locations, emphaphising the commodification of English language teaching. It also outlines the types of TEFL tourists, the complexities of international education, links with various tourism forms and sustainability considerations of the industry. First book of its kind Case-studies throughout add context to the theoretical presentation of the industry Presents relevant industry statistics Addresses sustainability and stakeholders The book will appeal to tourism academics and students, in particular those with interests in educational and volunteer tourism as well as sustainable tourism and commodification.
Tony Richardson was a key figure in British cinema of the 1950s and 1960s. Having established himself in the theatre with the first production of John Osborne's landmark play Look Back in Anger, he became a central director in the New Wave, bringing greater realism to British cinema. He went on to make some of the most significant films of the 1960s including the multi Oscar-winning Tom Jones. This detailed and authoritative account of Richardson's career provides a reassessment of his achievements. As well as looking at his best known films, it considers neglected works such as Ned Kelly and Joseph Andrews, illustrating how Richardson remained a champion of the socially marginalised. In mapping out his life and work, from the English Stage Company to his final films in America, Shail re-establishes Richardson's at the front rank of British film directors, confirming his contribution to a period of dynamic change in British culture. ;
Encyclopaedia of the Peoples of China is a global project undertaken by Yilin Press and the UK publisher Greene Media. This beautifully illustrated book presents a panorama of life styles, customs, traditions and cultures of the 56 ethnic groups of China, interwoven with the history of how they came to be a great nation. The book combines the wisdom and efforts of many experts of England and China, including Prof. ZHANG Haiyang of Minzu University in China and Prof. Paul Richardson of Oxford Brookes University in the UK. This is a project sponsored by the Chinese Government, with the mission of comprehensively introducing some of the most fundamental elements of Chinese history and culture to readers both in and outside China. It is also hoped that the book will help more western readers better understand China. For this purpose, the structure and layout of the book are tailored for western readership. It strives to present the rich and colorful nature of Chinese culture in a smooth and easy to understand fashion. The ultimate goal is to contribute to world peace and mutual understanding among the nations in this age of globalization.
Veterinarians are increasingly aware of the need to recognise they are working in a business enterprise. From operating as small practices twenty years ago, veterinary businesses are now run along sophisticated models and operate out of multi-million pound hospitals. Drawing together the latest information on practice management, this textbook provides practical and straightforward coverage of major elements, including client relationships and staff management, business and financial procedures, computer systems and project management. This book covers practice management topics as taught in veterinary schools worldwide, providing students with a textbook resource in this increasingly important subject. It is also a valuable source of information for newly qualified veterinarians, veterinarians interested in practice management and veterinary practice managers.
The debate on the English Revolution is firmly established as an essential guide to the literature in its field and appears here in a much revised third edition. Three new chapters are included on twentieth-century historians' treatments of social complexities, politics, political culture and revisionism, and on the Revolution's unstoppable reverberations. All the other chapters have been amended and recast to take account of recent publications. The book provides a searching re-examination of why the English Revolution remains such a provocatively controversial subject and analyses the different ways in which historians over the last three centuries have tried to explain its causes, course and consequences. Claredon, Hume, Macaulay, Gardiner, Tawney, Hill, and the present-day revisionists are given extended treatment, while discussion of the work of numerous other historians is integrated into a coherent, informative readable survey. ;
»Als im Ballsaal des Kasinos von S. Tahla Michael Richardson von der neunzehnjährigen Lola, seiner Verlobten, sich abwandte, den ganzen Abend lang mit Anne-Marie Stretter tanzte und mit ihr zusammen im Morgengrauen das Tanzparkett verließ, brach Lolas Welt zusammen. In ihren Trümmern irrt die Älterwerdende, sieht die Menschen sich ihr nur schemengleich nähern ... Die Verzückung hat sie in sich selbst verschlagen, hat ihr die Welt entfremdet, aber zugleich auch sie des Verständnisses ihrer selbst beraubt. Die Freunde nennen sie gelegentlich verrückt, niemand kann ausmachen, woran er mit ihr ist, die emigrierte ins Innerste ihres Herzens und sich dort einschloß.« Georges Schiocker, Hessischer Rundfunk
Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.