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View Rights PortalToday's global capitalism runs through digital networks. Its leaders are internet giants such as Google, Apple, Amazon and Tencent. Their technologies are ubiquitous: we carry high-performance computers around in our pockets, manage our lives in the cloud and display them on social media. They have also literally privatised the market, transforming capitalism in the process. Philipp Staab takes us on a virtual tour of modern digital capitalism. He shows how digital surveillance and evaluation practices have proliferated throughout the economy, exacerbating social inequality in the process. What is specific to digital capitalism, Staab argues, is the emergence of 'proprietary markets'. In the past the focus was on producing things and selling them at a profit. Today the meta-platforms extract their profits by owning the market itself.
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
Nur knapp ist Mara einem Bombenattentat in der U-Bahn entgangen. Ihre Mitschüler nennen sie seither „Das Mädchen, das überlebt hat“ und erwarten Betroffenheit von ihr. Aber Mara hat ganz andere Sorgen. Ihre Freundin Sirîn meldet sich immer seltener und scheint plötzlich komplett unerreichbar. Je mehr Mara ihr zu helfen versucht, desto mehr Unverständnis und Ablehnung erntet sie. Was verheimlichen alle vor ihr? Erst als sich ihr Schwarm Chriso in die Suche einschaltet, kommt die erschütternde Wahrheit ans Licht. "Ein Buch, das unter die Haut geht." Corinna Schmitz, Blog „buecherweltcorniholmes“ "Ein Buch, das aktueller nicht sein könnte!" Timo Muth, Blog „rainbookworld“ "Ein Roman, der mich unsagbar berührt und völlig verloren und erschüttert zurückgelassen hat." Susanne Matiaschek, „Magische Momente Alys Bücherblog“ "Wer gerne feinfühlige, spannende, emotionale und lebensnahe Jugendbücher liest, sollte unbedingt zu „Die Stille zwischen den Sekunden“ von Tania Witte greifen. Mich hat die Geschichte komplett von den Füßen gerissen und ich bin in jeglicher Hinsicht begeistert." Blog "Buchstabenträumerei"
Al is an unusual elephant born with the ability to change into different things, including turning into human. His magic tricks helps save other elephants from poachers.
In one faraway land, before fruits were eaten by people, they lived on their own in the Fruit Kingdom. The tale teaches children the health benefits of eating various fruits.
On her ninth birthday, a lonely orphan named Bella gets a visit from a giraffe. The giraffe later takes her to Giraffe Land to meet the queen. While in Giraffe Land, Bella breaks the spell of of a witch who had planned on destroying Giraffe Land.
One day, twin baby owls leave their nest to go look for their mother who had gone to look for food and they got lost...
This picture book describes what some baby animals call their mothers. The book is suitable for ages 0-3.
Alice is a young girl who out of curiosity, follows a tourist car and eventually gets lost. She lives in the forest on her own until she is found by kind gorillas.
This picture book originally written in Kinyarwanda is suitable for ages 0 to 3. Simon does not like to share his book, one day when he stepped out, the family cat stole it. The cat wanted to read it too.
It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
In one village called the Sneezing Village, everyone there sneezed. Children and adults sneezed all the time. The book tells a story of the relationship between people that lived in that village and three unique parrots.
Fifi la footballeuse est une histoire pour enfants qui parle d’une jeune fille passionnée de football.
For many years, Mr. Eagle had been feeding on little chickens until he met a happy family of chickens... What does he do when he meets them?
This baby picture book teaches young children the names of some baby animals and how thier mothers are called. It is suitable for ages 0-3.
This book will bring you closer to heaven. To the light. To beauty. It will help to open distant pages of history and reveal the secrets of sacred art. The temples that rise on the territory of Ukraine, built in different times, in different styles hide many secrets. Many legends are connected with their construction, and many miracles happened during the building and restoration. A special feature of the publication is that an ordinary schoolboy became interested in the history of the temples. He decided to tell about them on his Instagram blog to attract the attention of as many followers as possible. Did he succeed? Read it, take a look at the blog — and find out what happened.
Nina likes to look up in the sky. She sees a number of things up in the sky. This baby picture book is suitable for ages 0-3.