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      • Gill Books

        Gill Books is an Irish publisher which produces an eclectic list of award-winningand bestselling titles from agenda-setting current affairs to absorbing history, page-turning biography to beautifully produced lifestyle. We are a division of Gill, Ireland’s largest publisher. Its origins date back to 1856 when M.H. Gill & Son, whose portfolio included printing and bookselling, wasfounded in Dublin. The bookshop, which stood on Dublin’s O’Connell Street for123 years and is referenced in James Joyce’s Ulysses, can now be found online at www.gillbooks.ie. In collaboration with some of Ireland’s best writers, brands and a network of creative talents, Gill Books creates a dynamic publishing proposition, which builds on a 150-year heritage whilst looking excitedly to the future.

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      • Gilam Agency - Giovanni Lamanna Agenzia Letteraria

        The Gilam Agency – founded by Giovanni Lamanna – is based in Italy and is specialized in Italian Fiction and Non-Fiction, and Children's Books. We represent about 25 authors, some already established (such as Attilio Del Giudice, Francesco Forlani, Peppe Lanzetta, Gianfranco Pecchinenda, Felice Piemontese, Elena Starace, Giulia Bracco, Roger Salloch), some beginners. We also hold the rights to Non-Fiction books (books about Maria Montessori, pedagogy, sport, social science, philosophy...) The Gilam Agency is partner of some Italian publishers (Neo Edizioni, Lavieri, Funambolo, Dalia, Fefé) in selling translation rights on foreign market. We are also going to represent foreign publishers for selling translation rights in Italy. The Gilam Agency takes part in the most important book fairs and exhibitions in Italy and in Europe. In 2020 the Agency has created a new brand (with its own dedicated staff) for Children's and Illustrated Book Rights (the Wrong Cat Rights Agency).

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      • Trusted Partner
        Die Krone von Camelot
        1986

        Die Krone von Camelot

        Fantasy-Roman

        by Bradshaw, Gillian

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      • Trusted Partner
        Das Königreich des Sommers
        1985

        Das Königreich des Sommers

        Rantasy-Roman

        by Bradshaw, Gillian

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      • Trusted Partner
        She played and sang
        Biography & True Stories
        March 2024

        She played and sang

        Jane Austen and music

        by Gillian Dooley

        Like her much-loved heroine Emma Woodhouse, Jane Austen 'played and sang'. Music occupied a central role in her life, and she made brilliant use of it in her books to illuminate characters' personalities and highlight the contrasts between them. Until recently, our knowledge of Austen's musical inclinations was limited to the recollections of relatives who were still in their youth when she passed away. But with the digitisation of music books from her immediate family circle, a treasure trove of evidence has emerged. Delving into these books, alongside letters and other familial records, She played and sang unveils a previously unknown facet of Austen's world. This insightful work not only uncovers the music closely associated with Austen, but also unravels her musical connections with family and friends, revealing the intricate ties between her fiction and the melodies she performed. With these revelations, Austen's musical legacy comes to life, granting us a deeper understanding of her artistic prowess and the influences that shaped her literary masterpieces.

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      • Trusted Partner
        Greenery
        Literary studies: classical, early & medieval
        July 2013

        Greenery

        by Gillian Rudd

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      • Trusted Partner
        Blaues Blut ist stärker
        January 1998

        Blaues Blut ist stärker

        by Roberts, Gillian

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      • Trusted Partner
        Adam und Übel
        June 2000

        Adam und Übel

        by Roberts, Gillian

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      • Trusted Partner
        Schatten aus der Vergangenheit
        January 1998

        Schatten aus der Vergangenheit

        by Roberts, Gillian

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      • Trusted Partner
        Philadelphia: Wer übrigbleibt, kassiert
        January 1998

        Philadelphia: Wer übrigbleibt, kassiert

        by Roberts, Gillian

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      • Trusted Partner
        Wer übrigbleibt kassiert
        January 1994

        Wer übrigbleibt kassiert

        by Roberts, Gillian

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      • Trusted Partner
        Die Giftküche
        January 1995

        Die Giftküche

        by Roberts, Gillian

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      • Trusted Partner
        Mummenschanz
        January 1998

        Mummenschanz

        by Roberts, Gillian

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      • Trusted Partner
        Thora und der geheimnisvolle Diamant
        August 2011

        Thora und der geheimnisvolle Diamant

        by Johnson, Gillian / Illustriert von Johnson, Gillian; Deutsch Bean, Gerda

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      • Trusted Partner
        Thora und das kleine grüne Einhorn
        December 2006

        Thora und das kleine grüne Einhorn

        by Johnson, Gillian / Illustriert von Johnson, Gillian; Deutsch Bean, Gerda

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      • Trusted Partner
        Thora Meermädchen
        May 2006

        Thora Meermädchen

        by Johnson, Gillian / Illustriert von Johnson, Gillian; Deutsch Bean, Gerda

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      • Trusted Partner
        Screen/Space
        The Arts
        April 2011

        Screen/Space

        The projected image in contemporary art

        by Amelia Jones, Tamara Trodd, Marsha Meskimmon

        Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. ;

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      • Trusted Partner
        The regulation of standards in British public life
        Humanities & Social Sciences
        March 2016

        The regulation of standards in British public life

        by David Hine, Gillian Peele

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      • Trusted Partner
        Greenery
        Literature & Literary Studies
        October 2010

        Greenery

        by Gillian Rudd, Anke Bernau

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      • Trusted Partner
        In Strange Countries: Middle English Literature and its Afterlife
        Literature & Literary Studies
        December 2010

        In Strange Countries: Middle English Literature and its Afterlife

        Essays in memory of J. J. Anderson

        by Anke Bernau, David Matthews

        These essays by senior scholars in medieval studies celebrate the career of J.J. Anderson, editor, critic, and co-founder of the Manchester Medieval Literature and Culture series, who taught in medieval studies at the University of Manchester for forty years. The essays are rooted in medieval literature but frequently range beyond the confines of the Middle Ages. They reflect the breadth of Anderson's own scholarly interests, especially in drama and Arthurian literature. There is a particular focus on Sir Gawain and the Green Knight and Pearl, poems which preoccupied him throughout his scholarly life. There are also new reconsiderations of La?amon's Brut, Mirk's Festial, the Passion plays, and the manuscripts of the Pore Caitif. Moving beyond the traditional purview of medieval literature, several contributors trace the afterlives of medieval themes in later literature. These essays include a consideration of the twinned trajectories of the medieval heroes Robin Hood and King Arthur from medieval literature to modern television, a comparison of La?amon's Brut and Tennyson's Idylls of the King, and a recreation of the Bishop Blase procession which took place in industrial Bradford. Contributors are Rosamund Allen, Ralph Elliott, Alexandra Johnston, Stephen Knight, Peter Meredith, Susan Powell, Gillian Rudd, Alan Shelston, and Kalpen Trivedi. ;

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