DeA Planeta Libri’s products include books for children (fairy tales, boardbooks, novelties, non fiction, ativity etc.), MG& YA fiction, non ficton and essays and it operates with the brands DeA, De Agostini, DeA Planeta, UTET, AMZ, Abracadabra. Our foreign righst catalogues are available on: https://www.deaplanetalibri.it/aiuto/foreign-rights
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Is deafness a disability to be prevented or the uniting trait of a cultural community to be preserved? Combining the history of eugenics and genetics with deaf and disability history, this book traces how American heredity researchers moved from trying to eradicate deafness to embracing it as a valuable cultural diversity. It looks at how deafness came to be seen as a hereditary phenomenon at all, how eugenics became part of progressive reform at schools for the deaf, and how, from the 1950s on, more sociocultural approaches to disability and minority led to new cooperative projects between professionals and local signing deaf communities. Analysing the transformative effects of exchange between researchers and objects of research, this book offers new insight to changing ideas about medical ethics, reproductive rights, the meaning of scientific progress and cultural diversity.
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Disability and the Victorians brings together in one collection a range of topics, perspectives and experiences from the Victorian era that present a unique overview of the development and impact of attitudes and interventions towards those with impairments during this time. The collection also considers how the legacies of these actions can be seen to have continued throughout the twentieth century right up to the present day. Subjects addressed include deafness, blindness, language delay, substance dependency, imperialism and the representation of disabled characters in popular fiction. These varied topics illustrate how common themes can be found in how Victorian philanthropists and administrators responded to those under their care. Often character, morality and the chance to be restored to productivity and usefulness overrode medical need and this both influenced and reflected wider societal views of impairment and inability.
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Poetic,colorful ceramicsare the great invention and wisdom crystallization of the Chinese nation. Changsha colorful ceramics belong to both China and the world, and it is the way leading to the world.
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An educational picture book about hearing, sound and silence, about voice and silence, about the sounds we hear and don't hear. About how important it is to listen and hear each other. This book will "sound" for you with many voices, bright colors, interesting facts and expressive visual images. Immerse yourself in the world of different sounds symbolically reproduced on paper - the world of noise and music, sounds of the city and nature; find out which sound is the oldest in the universe, who has the best hearing and which piece of music is the quietest. How deaf people communicate and how important silence is in our lives. Readers will get to know the main characters, who will guide them page by page through the entire book.
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LIU Wen, winner of Hong Kong Youth Literary Awards, records stories about love, growing-up and courage of life in a huge, indifferent city.
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Little Lotus tells the story of the growth of a little girl named Lotus. She was born in an impoverished and backward family, where her grandfather prefers boys to girls, her mother is always busy and indifferent, and her father is often outside home during Lotus’childhood. Therefore, Lotus has grown into a sensitive and stubborn girl. However, her grandmother is a loving and wise person, who has taught Lotus the importance of kindness, tolerance and diligence. It is her grandmother who lights up Lotus’early life. Little Lotus focuses on the growth of children in China’s countryside by incorporating the author’s personal experiences, and presents different facades of a Chinese-style childhood.
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This is a classic novel constructed by literature on the mundane world of the countryside. In the eyes of the world, Shangtang is just a little-known and insignificant village on a vast map; in the author's writing, it is an existence worth treating as a life, and a microcosm of contemporary Chinese rural areas. From a bird’s-eye panoramic perspective, the work describes its geography, politics, transportation, communications, education, trade, culture, marriage, and history in turn. It is mixed with natural depictions of rural landscapes such as houses, streets, old wells, and roads. The vivid silhouettes of the characters, they live and die in love and hatred, and indifferent life and death, all their weaknesses and virtues are swayed freely on them, forming the spiritual territory of Shangtang.
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In a critical reassessment of chinoiserie, a style both praised and derided for its triviality, prettiness and ornamental excesses, Stacey Sloboda argues that chinoiserie was no mute participant in eighteenth-century global consumer culture, but was instead a critical commentator on that culture. Analysing ceramics, wallpaper, furniture, garden architecture and other significant examples of British and Chinese design, this book takes an object-focused approach to studying the cultural phenomenon of the 'Chinese taste' in eighteenth-century Britain. It is essential reading for anyone interested in the critical history of design and the decorative arts in the period, and students and scholars of art history, material culture, eighteenth-century studies and British history will find a novel approach to studying the decorative arts and a forceful argument for their critical capacities.
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Brothers Anton and Tolik reunite at their family home to bury their recently deceased mother. An otherwise natural ritual unfolds under extraordinary circumstances: their house is on the front line of a war ignited by Russian-backed separatists in eastern Ukraine. Isolated without power or running water, the brothers’ best hope for success and survival lies in the declared cease-fire - the harvest truce. But such hopes are swiftly dashed, as it becomes apparent that the conflagration of war will not abate. Serhiy Zhadan’s A Harvest Truce stages a tragicomedy in which the commonplace experiences of death, birth, and the cycles of life marked by the practices of growing and harvesting food are rendered futile and farcical in the wake of the indifferent juggernaut of war.
