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      • CAMELOZAMPA snc di Segato F. e Saorin S.

        CAMELOZAMPA is an independent children’s books publisher, founded in Italy in 2011 and winner of the BOP 2020 - Bologna Prize for the Best Children’s Publishers of the Year (Europe). Our aim is to publish fresh and inspiring picture books and novels that help young readers in pursuing happiness, understanding diversities, becoming aware of themselves. One of our strong points is the rediscovery of international masterpieces that never appeared on the Italian market or that have not been available for long time. Alongside these redescoveries we carry out a creative production work, thanks to Italian and international authors and illustrators who share with us the fascinating and unpredictable path which leads to the birth of a children’s book. We think independent publishers have the task to cultivate bibliodiversity, in order to get narrations to their readers, through images and words that can amaze, excite, reflect, offer unexpected glimpses and open windows on far-off or nearby different worlds.

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      • De Vecchi/DVE - Confidential Concepts International Ltd.

        We are from De Vecchi Ediciones / DVE, a publishing house with about 4000 titles in Spanish.

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        January 1978

        Camera obscura

        Kleine Prosa

        by Kunert, Günter

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        January 2013

        Camera Obscura

        Die Dunkelkammer in ihrer historischen Entwicklung

        by Breidbach, Olaf; Klinger, Kerrin; Müller, Matthias

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        Children's & YA
        January 2021

        Such a Big Baby Elephant

        by Irina Sonechko (Author), Kateryna Razin’kova (Illustrator)

        This is the story of a little elephant who went for its first walk without its mum. The elephant was happy and felt very much like a grown up! But other animals mocked the little elephant, because it had such a long nose, big ears and it was not small at all. The little elephant was so upset. Good thing Mommy knows how to tell the baby that being an elephant is actually very good!   From 3 to 5 years, 622 words. Rightsholders:  hanna.bulhakova@ranok-school.com

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        Personal & social issues: body & health (Children's/YA)
        2017

        I See That

        by Art studio Agrafka

        This is an educational picture book about sight from the creative studio Agrafka. It is about both things we can see with our own eyes and the mysterious, invisible to the human eye. This book is also about microscopes and telescopes that help us see incredibly small or extremely distant things. It explains that for better eyesight some people need glasses, while those who can’t see at all need a special system and symbols. By reading this book, you will learn how birds and animals see the world, how artists create optical illusions, and about the many millions of hues the human eye can perceive. I See That won the 2018 Bologna Ragazzi Award, the most prestigious award in children’s literature, in the award’s non-fiction category. I See That has been awarded with a Bronze Medal Stiftung Buchkunst in 2019.

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        January 2020

        Ultraviolet Astronomy

        by Joseph A. Angelo, Jr.

        This visually-engaging eBook takes a deep dive into the history and science of ultraviolet (UV) astronomy. Astrophysicists find that UV data are of considerable use when they want to study many of the phenomena that occur in distant galaxies, which are often associated with massive black holes at the centers of galaxies. This eBook describes a variety of discoveries in UV astronomy made by space-based observatories since the beginning of the Space Age up to the present day. Ultraviolet Astronomy features notable missions in UV astronomy such as the International Ultraviolet Explorer (IUE), and specialized astronomical observations involving the Wide Field Camera 3 of NASA’s Hubble Space Telescope.

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        Children's & YA
        2020

        What a Brilliant Idea!

        by Narjes Mohammadi

        Cookie is unhappy with his “big” ears. He decides to wear a mask over his head to hide them. Everyone is amazed by his “brilliant idea” and decides to the same. They’re all hiding something they dislike about themselves, yet no one is distinguishable anymore! This outcome makes Cookie ponder… “What a Brilliant Idea!” is a story about self-esteem, self-image, and self-acceptance. It helps children to understand that no matter how they look like, difference is beautiful and beauty is different. AWARDS & RECOGNITION: COW Design Biennale Little Hakka Picture Book Competition

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        Contour & Confidence

        Mrs Bellas Lieblings-Looks

        by Bella, Mrs

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        Contour & Confidence

        Mrs. Bellas Beauty-Geheimnisse. Mit exklusiven Looks und Insider-Storys

        by Mrs. Bella

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        The Arts
        June 2021

        Lukácsian film theory and cinema

        A study of Georg Lukács' writing on film 1913–1971

        by Ian Aitken

        Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).

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        Literature & Literary Studies
        June 2012

        Authorship and authority

        The writings of James VI and I

        by Jane Rickard

        James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance. Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings in other genres, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James's responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author. Rickard argues that, despite the King's best efforts to the contrary, his writings expose the tensions and contradictions between authorship and authority. This book will be of interest to scholars and students of the reign of James VI and I, the literary and political cultures of late sixteenth-century Scotland and early seventeenth-century England, the development of notions of authorship and the relationship between literature and politics. ;

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        Biography: religious & spiritual
        2019

        Metropolitan Andrey Sheptytsky and the "positive-sum" principle

        by Myroslav Marynovych

        The book contains a thorough analysis of the preaching heritage of Metropolitan Andrey Sheptytsky from the point of view of its compliance (or non-compliance) with the methodological principle, which is now called "positive-sum" or "win-win". The Metropolitan derived the genesis of this way of thinking from theology, and the author finds examples of its application by the Metropolitan himself in the messages of Andrei Sheptytsky in the field of economic relations, national relations, state building, inter-confessional and inter-religious relations. The author supplemented this scientific research with his own vision of what role the positive-sum principle and the formula of Metropolitan Andrey can play in the near future of Ukraine and the world.

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        Humanities & Social Sciences
        March 2017

        Air power and colonial control

        by David Omissi

        Air policing was used in many colonial possessions, but its most effective incidence occurred in the crescent of territory from north-eastern Africa, through South-West Arabia, to North West Frontier of India. This book talks about air policing and its role in offering a cheaper means of 'pacification' in the inter-war years. It illuminates the potentialities and limitations of the new aerial technology, and makes important contributions to the history of colonial resistance and its suppression. Air policing was employed in the campaign against Mohammed bin Abdulla Hassan and his Dervish following in Somaliland in early 1920. The book discusses the relationships between air control and the survival of Royal Air Force in Iraq and between air power and indirect imperialism in the Hashemite kingdoms. It discusses Hugh Trenchard's plans to substitute air for naval or coastal forces, and assesses the extent to which barriers of climate and geography continued to limit the exercise of air power. Indigenous responses include being terrified at the mere sight of aircraft to the successful adaptation to air power, which was hardly foreseen by either the opponents or the supporters of air policing. The book examines the ethical debates which were a continuous undercurrent to the stream of argument about repressive air power methods from a political and operational perspective. It compares air policing as practised by other European powers by highlighting the Rif war in Morocco, the Druze revolt in Syria, and Italy's war of reconquest in Libya.

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