Combel is an imprint of Editorial Casals, SA specialised in pop-up and novelty books. Combel is a publisher of lavishly illustrated children's books since 1989, with a wide range of formats, from books for babies to non-fiction and picture books.
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Krav Maga emerged from the Israel Defense Forces. It was then transformed into an integrated system of self-defense, fighting tactics, and VIP protection that meets the needs of government units as well as civilians, including men and women of all ages. This inventive new Krav Maga title, covering the yet-unknown inner work of the system, has been discreetly prepared over the last few years and relates to our classic bestselling Krav Maga book, How to Defend Yourself against Armed Assault, which has so far been published in twelve languages, including Japanese and Korean. As George S. Patton, the celebrated US Army general, said, “Now if you are going to win any battle you have to make the mind run the body.... When you were younger the mind could make you dance all night, and the body was never tired.... You've always got to make the mind take over...and keep going.” This innovative Krav Maga book depicts cutting-edge techniques and training methods for martial artists, and was tailored for law-enforcement and military personnel. It covers the most sensitive core topics that have proved to be highly applicable in professional and personal situations alike. Combat Mindset & Fighting Stress was prepared by Master Eyal Yanilov, who is the most distinguished successor of Krav Maga’s founder, Imi Sde-Or, and wrote the first Krav Maga book with him. Yanilov coauthored this latest work with his prominent disciple, Dr. Ole Boe, a Norwegian special forces fighter and psychologist. The book’s editor and publisher, Zvi D. Morik—the official publisher of the original Krav Maga series, and a direct student, assistant, and friend of Grandmaster Imi Sde-Or for over thirty years—considers it to be the most pioneering and revolutionary work among current Krav Maga literature. An English-language edition was co-published in spring 2020 with Meyer & Meyer Sport UK. A Chinese edition has been scheduled for publication in Fall 2024.
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Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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What did home mean to British soldiers and how did it help them to cope with the psychological strains of the Great War? Family relationships lie at the heart of this book. It explores the contribution letters and parcels from home played in maintaining the morale of this largely young, amateur army. And it shows how soldiers, in their turn, sought to adapt domestic habits to the trenches. Pursuing the unconscious clues within a rich collection of letters and memoirs with the help of psychoanalytical ideas, including those formulated by the veteran tank commander Wilfred Bion, this study asks fundamental questions about the psychological resources of this generation of young men. It reveals how the extremities of battle exposed the deepest emotional ties of childhood, and went on marking the post-war domestic lives of those who returned. ;
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This book explores the preaching and printing of sermons by royalists during the English Revolution. While scholars have long recognised the central role played by preachers in driving forward the parliamentarian war-effort, the use of the pulpit by the king's supporters has rarely been considered. The Lord's battle, however, argues that the pulpit offered an especially vital platform for clergymen who opposed the dramatic changes in Church and state that England experienced in the mid-seventeenth century. It shows that royalists after 1640 were moved to rethink earlier attitudes to preaching and print, as the unique potential for sermons to influence both popular and elite audiences became clear. As well as contributing to our understanding of preaching during the Civil Wars therefore, this book engages with recent debates about the nature of royalism in seventeenth-century England.
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Universities have a key role to play in contributing to environmental development and combating climate change. The chapters within this volume detail the challenges faced by higher education institutions in considering environmental sustainability, and provide both a broad view of university engagement and a detailed examination of various projects. As part of this series in association with the Place and Social Capital and Learning (PASCAL) International Observatory, the three key PASCAL themes of place management, lifelong learning and the development of social capital are considered throughout the book. While universities have historically generated knowledge outside of specific local contexts, this book argues that it is particularly important for them to engage with the local community and to consider diverse perspectives and assets when looking at issues within an ecological context. The chapters in this volume provide new perspectives and frames of reference for transforming universities by engaging in the development of resilient communities.
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Both India and South Africa have shared the infamy of being labelled the world's 'rape capitals', with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege. Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles. Intimacy and injury is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates this book builds transnational feminist knowledge and solidarity in and across the global south.
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In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
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In the years between the two world wars, fascism triumphed in Italy, Germany, Spain and elsewhere, coming to power after intense struggles with the labour movements of those countries. This book, available in paperback for the first time, analyses the way in which the British left responded to this new challenge. How did socialists and communists in Britain explain what fascism was? What did they do to oppose it, and how successful were they? In examining the theories and actions of the Labour Party, the TUC, the Communist Party and other, smaller left-wing groups, the book explains their different approaches, while at the same time highlighting the common thread that ran through all their interpretations of fascism. The author argues that the British left has been largely overlooked in the few specific studies of anti-fascism that exist, with the focus being disproportionately applied to its European counterparts. He also takes issue with recent developments in the study of fascism, and argues that the views of the left, often derided by modern historians, are still relevant today.
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— Water as a reason for war and a political instrument of power — Unique overview of global water conflicts — Foreword by Wolfgang Ischinger Every year, droughts in African countries cause hundreds of thousands of deaths and much suffering. Europe also experienced drought in 2022's summer of record temperatures. Without water, there can be no life. More and more people are suffering from water shortages. Climate change is fuelling the distribution battles for water; violent conflicts over this precious resource are the order of the day. Whether the protests in Iraq, the war in Syria, in the Himalayas, the Nile conflict and in many other places, water is already a reason for war and is being misused as a political instrument of power. The construction of huge dams, the targeted closure of locks, river diversions, water and land grabbing bring wars over the "blue gold" with them. In a unique overview, journalist Jürgen Rahmig describes the struggle for water in the 21st century. Where do dangers lurk today; where will they be tomorrow, and how can we prevent wars over precious water?
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Naledi is a normal 12 year old girl living in Maun Botswana —normal, that is, until the day Oratile, her bully at school, notices the three scars she has on her arm, scars she got on the day her mother died. Oratile recognizes those scars because she has them too! But how can that be? Slowly the truth about what those scars mean is revealed—Naledi, just like Oratile, is one of the Lionesses, secret female superheroes fighting to keep Earth and its people safe from evil. Her mother gave her those scars as she was dying so that she could pass her Lioness powers to Naledi. Meanwhile, Sheridan, Naledi’s best friend, has uncovered a secret group of scientists working in Maun, the SES, who are working on Earth’s most pressing problems. They’ve developed a forever-energy-producing object, a green diamond, which can solve all of Earth’s energy needs. It seems like a good thing, but if it gets into the wrong hands it could be a very big problem. Unfortunately, the wrong hands are on their way to Earth for that very reason. Naledi quickly starts learning how to be a Lioness but the time is short because evil is coming! That evil is in the form of Verril, an alien leader from the planet Kepler C, who has a single objective: to take over the entire Universe. The problem is Verril needs energy to power her superweapons that will ensure in battle she and the Keplerians will always be the victors. She is coming to Earth to get the forever-energy producing green diamonds. If she’s successful, the end of The Universe, including Earth, will not be far behind. The Lionesses are the only ones who can stop Verril from getting the green diamonds. Naledi will risk nearly everything to keep the green diamonds out for Verril’s evil hands…the question is: will that be enough to save the Universe?
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The hen Lu Xiaohua has a poor memory and lays the eggs everywhere while the mouse Bi Shujia loves eating eggs very much and stares at Lu Xiaohua day and night. One day, Lu Xiaohua lays the eggs in the soybean field and the residents launch a battle of protecting the eggs. Has the eggs been protected? How is the end going? Come and open the book, and let's find out the answer together.
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Widely taught on Film Studies courses and in French Cultural Studies programmesLuc Besson is a popular and respected filmmaker who has achieved international fameA welcome addition to the French Film Directors series.
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"Battle for the City" is a book that was born during the war and became for the ARTBOOKS team a kind of symbol of hope for a victory. The book is created to help children who, against their will, have become participants in this war, to believe that light will defeat darkness, and evil will surely be punished. From 3 to 6 years, 347 words, Rightsholders: Kovalenko Eduard, kovalenko@artbooks-publishing.com,
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The Middle is a story of a journey within a journey. A voracious reader, Azma, whose mind is full of questions as she reads, finds that the more books she consumes, the more the whys and hows in them consume her. One night, a torn scrap of paper floats into her room, carrying an incomplete line within its crinkles. She desperately searches for any missing words to complete the lonely phrase but failing at each attempt, she finally turns to writing her own beginning and end. The pages of The Middle are filled with surreal creatures - formidable, terrifying, looming – and these represent the fears and doubts of a mind struggling to make sense of the worlds captured within those books that only partially satisfy her as a reader. Azma embarks on an incomplete journey, ready to create its origin and end, finally realising the answers to all her impossible questions can only come to her when she writes her own version of the story. It is only then that the haunting creatures begin to soften and harmlessly melt away into themselves. Richa Jha’s lyrical prose and Eva Sanchez Gomez’s breathtaking visual poetry come together to narrate a tale that is both stunning and thought-provoking. For all the restless creative souls out there, The Middle presents an all-familiar trajectory of creating something new.
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— An overall presentation of the history of anti-Semitism based on the latest research — A necessary book that helps to recognise (and combat) anti-Jewish attitudes and patterns of behaviour even in the present day The Hamas attack on Israel is further aggravating the situation in the Middle East, and will continue to intensify anti-Semitism. And this plague, combined with Israel’s denied right to exist; the attacks in Brussels and Paris; the aggressive violence against everything Jewish in the Islamic world – is as dangerous as ever. Hatred of the Jews is old, vast and strong. The anamnesis began 2500 years ago in the Middle Ages, and came to head in the 18th and 19th centuries. It culminated ideologically in the Wannsee Conference, and became murderous in Auschwitz. Historian Sebastian Voigt provides a dense history of the hatred of the Jews – and combines it with a passionate call for courageous resistance.
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