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        Literature & Literary Studies
        October 2012

        Thomas More's Utopia in early modern Europe

        by Terence Cave

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        Literature & Literary Studies
        October 2012

        Thomas More's Utopia in early modern Europe

        by Edited by Terence Cave

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        March 2012

        Unsterblich

        Die Sehnsucht nach dem ewigen Leben als Triebkraft unserer Zivilisation

        by Cave, Stephen / Englisch Bischoff, Michael

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        November 2009

        Nicht denken macht auch nicht schön

        Gehirnjogging für Selberdenker, Welterklärer und Alltagsphilosophen

        by Cave, Peter / Übersetzt von Kösling, Arnd

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        Humanities & Social Sciences
        March 2017

        Acts of supremacy

        by Richard Cave, Brendan Gregory, Michael Pickering, J. Bratton

        At the height of the British Empire's fortunes, the stage represented the most influential form of popular entertainment. Acts of supremacy looks at the way in which this medium was utilised to mould popular concepts of empire and nationhood and the authors convey the significance of all levels of entertainment in shaping English identity and perception of other ethnic groups. The authors go beyond the traditional interpretation of politicians' blatant inculcation of patriotic fervour through plays and jingoistic songs. Additionally, they reveal the complex cultural negotiations that gave ordinary people a sense of their part in the imperial structure. Focusing upon minstrel shows, melodramas, comic routines and songs, the book shows that the public were encouraged to identify themselves with and to internalise the qualities required for empire builders and natural leaders. It concludes that the average British man, whatever his class or country, could come to think of himself as a member of a superior race fit to rule the world. Only Irish drama of the period significantly challenged this pattern. Acts of supremacy should be of interest to students of drama and cultural history as well as social and political historians.

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        Humanities & Social Sciences
        June 2021

        Acts of supremacy

        by J. Bratton, Richard Cave, Brendan Gregory, Michael Pickering

        Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.

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        The Keepers of the Black Cave

        by Hanit Pahima

        Does the phrase “history repeats itself” have any merit? Is it true? Some say it is; some say that historical events repeat themselves endlessly and occur again and again in parallel time loops. Nicole and her brothers do not know for sure. What they do know is that sometimes when history repeats itself, things can go wrong, and they are here to prevent just that. This compelling time-travel novel is the story of Nicole and her family, who have been entrusted to keep history unchanged. Through the black cave at the edge of the forest they jump back in time to an event in history, an event that is about to be changed, about to be altered. Their mission is simple—preserve history as it is, and don’t let loops in time make changes that can affect the future. What would have happened if JFK hadn’t been assassinated? What would be the difference if Elvis hadn’t really died? What would change if one more boy had died in the Holocaust? The three of them have done this for as long as they can remember, and they know their way through history. But what happens when the rules are slightly bent? When someone chooses to interpret the course of history? Use history for their own benefits? Will Nicole and her brothers survive? Will the world survive? What will be the cost? Read The Keepers of the Black Cave to find out.  Hanit Pahima has shifted her career after twenty years in the high-tech industry to pursue her dream of and talent for writing. As a personal travel planner and a dreamer, she combines her adventures in the world, her passion for TV shows and movies, and her vast and cynical imagination to create her stories.  An English-language edition was published in February 2019. 212 Pages,12X20 c

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        Humanities & Social Sciences
        May 2017

        Inventing the cave man

        From Darwin to the Flintstones

        by Andrew Horrall, Jeffrey Richards

        Fred Flintstone lived in a sunny Stone Age American suburb, but his ancestors were respectable, middle-class Victorians. They were very amused to think that prehistory was an archaic version of their own world because it suggested that British ideals were eternal. In the 1850s, our prehistoric ancestors were portrayed in satirical cartoons, songs, sketches and plays as ape-like, reflecting the threat posed by evolutionary ideas. By the end of the century, recognisably human cave men inhabited a Stone Age version of late-imperial Britain, sending-up its ideals and institutions. Cave men appeared constantly in parades, civic pageants and costume parties. In the early 1900s American cartoonists and early Hollywood stars like Charlie Chaplin and Buster Keaton adopted and reimagined this very British character, cementing it in global popular culture. Cave men are an appealing way to explore and understand Victorian and Edwardian Britain.

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        Modern history to 20th century: c 1700 to c 1900
        May 2017

        Inventing the cave man

        From Darwin to the Flintstones

        by Andrew Horrall. Series edited by Jeffrey Richards

        Fred Flintstone lived in a sunny Stone Age American suburb, but his ancestors were respectable, middle-class Victorians. They were very amused to think that prehistory was an archaic version of their own world because it suggested that British ideals were eternal. In the 1850s, our prehistoric ancestors were portrayed in satirical cartoons, songs, sketches and plays as ape-like, reflecting the threat posed by evolutionary ideas. By the end of the century, recognisably human cave men inhabited a Stone Age version of late-imperial Britain, sending-up its ideals and institutions. Cave men appeared constantly in parades, civic pageants and costume parties. In the early 1900s American cartoonists and early Hollywood stars like Charlie Chaplin and Buster Keaton adopted and reimagined this very British character, cementing it in global popular culture. Cave men are an appealing way to explore and understand Victorian and Edwardian Britain.

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