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      • Trusted Partner
        December 2001

        Die Formen des Religiösen in der Gegenwart

        by Charles Taylor, Karin Wördemann, Charles Taylor

        Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.

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        The Arts
        October 2017

        4 saints in 3 acts

        A snapshot of the American avant-garde in the 1930s

        by Patricia Allmer, John Sears

        Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.

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        Humanities & Social Sciences
        March 2020

        Knowledge, mediation and empire

        James Tod's journeys among the Rajputs

        by Florence D'Souza, Andrew Thompson, John M. MacKenzie

        This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.

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        Humanities & Social Sciences
        March 2022

        Civic identity and public space

        Belfast since 1780

        by Dominic Bryan, Sean J. Connolly, John Nagle

        Civic identity and public space, focussing on Belfast, and bringing together the work of a historian and two social scientists, offers a new perspective on the sometimes lethal conflicts over parades, flags and other issues that continue to disrupt political life in Northern Ireland. It examines the emergence during the nineteenth century of the concept of public space and the development of new strategies for its regulation, the establishment, the new conditions created by the emergence in 1920 of a Northern Ireland state, of a near monopoly of public space enjoyed by Protestants and unionists, and the break down of that monopoly in more recent decades. Today policy makers and politicians struggle to devise a strategy for the management of public space in a divided city, while endeavouring to promote a new sense of civic identity that will transcend long-standing sectarian and political divisions.

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        The Arts
        December 2007

        J. M. W. Turner

        The making of a modern artist

        by Sam Smiles, Alan Rutter

        Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;

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        The Arts
        April 2024

        Hyde Park

        by James Shirley

        by Eugene Giddens

        Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the volume unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley.

      • Trusted Partner
        The Arts
        May 2022

        Hyde Park

        by James Shirley

        by Helen Ostovich, Eugene Giddens

        Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue and sport - including foot and horse races - across three love plots. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the Revels Plays edition unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley from the same publishers.

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      • Trusted Partner
        August 2021

        Effektiver Altruismus

        Eine Anleitung zum ethischen Leben

        by Peter Singer, Jan-Erik Strasser

        Wer so viel Gutes wie möglich tun will, sollte besser auf seinen Verstand hören als auf seinen Bauch. Diese simple Idee ist Ausgangspunkt einer neuen sozialen Bewegung – des effektiven Altruismus. Peter Singer, einer ihrer Gründerväter, zeigt, wie effektives Spenden möglich und warum es richtig ist. Sein Buch ist ein Aufruf zu einem in doppelter Hinsicht gelungenen Leben: Indem man für andere das Bestmögliche tut, gibt man dem eigenen Leben Sinn.

      • Trusted Partner
        May 2012

        Geschichten von Shem und Shaun. Tales Told of Shem and Shaun

        by James Joyce, Friedhelm Rathjen, Friedhelm Rathjen

        Lange vor der Veröffentlichung von »Finnegans Wake« (1939) wurden bereits einige Teile daraus separat in Buchform veröffentlicht – darunter nicht nur das berühmte Kapitel »Anna Livia Plurabelle« (1928), sondern auch »Tales Told of Shem and Shaun« (1929). Der Keim der Entstehung dieser drei Geschichten liegt in einer Fehde zwischen den Schriftstellern James Joyce und Wyndham Lewis, die sich bei gemeinsamen Zechtouren durch Paris kennengelernt hatten. Joyce beantwortet eine heftige Attacke Lewis’ auf den »Ulysses« (»ein Monument wie ein Rekorddurchfall«) und auf das entstehende »Finnegans Wake« (»Kinderspielchen à la Gertrude Stein«). Es gibt in »Finnegans Wake« bekanntlich keinen ›eigentlich gemeinten‹ Sinn, sondern ein Geflecht aus vielen fragmentarischen Sinnebenen, die sich gegenseitig ergänzen, durchdringen und auch aufheben; eben dies ist die besondere Qualität des Buches. Ziel des Übersetzers Friedhelm Rathjen war es, so viele der im Original vorhandenen Bedeutungen wie irgend möglich wiederzugeben, und zwar in eben der Abfolge und Verschränkung, in der sie im Original erschienen: »›Finnegans Wake‹ ist ein kühnes Buch für kühne Leser, und das Amt des Übersetzers kann es nur sein, dafür zu sorgen, daß beide zusammenfinden.«

      • Trusted Partner
        April 2008

        Komplexitäten

        Warum wir erst anfangen, die Welt zu verstehen

        by Sandra Mitchell, Sebastian Vogel

        Eine neue Herausforderung für die Wissenschaft: Die Welt ist komplex, also sollten es auch unsere Vorstellungen von ihr sein. Viele Disziplinen der Geistes- und Sozialwissenschaften haben sich lange an diese Maxime gehalten. Die Naturwissenschaften aber haben traditionell nach einfachen, universalen und zeitlosen Gesetzen gesucht. Damit wollten sie die "schwirrende Verwirrung" ("blooming, buzzing confusion", William James) erklären, die die ungeschulten Sinne dem Geist präsentieren. Aber dieses Unternehmen ist gescheitert. Sandra Mitchell zeigt, daß uns die Komplexität der lebendigen Welt dazu zwingt, unsere Denkmodelle radikal zu revidieren und nach einer adäquateren Erkenntnislehre zu suchen. Dazu hat die Systemtheorie Vorgaben geliefert, die seit einigen Jahren von der Komplexitätstheorie spezifiziert worden sind. Komplexe Systeme – wie die Welt, in der wir leben – zeichnen sich unter anderem durch Emergenz und Relationen aus: Was auf der Makroebene sichtbar wird, ist erst durch Wechselwirkungen zwischen den Elementen des Systems zu erklären. Wohin zum Beispiel ein Vogelschwarm fliegt, hängt nicht nur von den Individuen ab, sondern vor allem von Feedbackprozessen zwischen ihnen. Mitchell fordert deshalb: Wer die Welt verstehen will, muß auch verstehen lernen, warum das Ganze tatsächlich mehr ist als die Summe der einzelnen Teile.

      • Trusted Partner
        The Arts
        February 2024

        John Ford's America

        by Jeffrey Richards

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        Literature & Literary Studies
        May 2000

        Henry V

        by James Loehlin

        This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;

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        Humanities & Social Sciences
        March 2017

        The Arctic in the British imagination 1818–1914

        by Andrew Thompson, John M. MacKenzie, Rob David

        The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.

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