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Literature & Literary StudiesJune 2022Bulletin of the John Rylands Library 98/1
The Artist of the Future Age: William Blake, Neo-Romanticism, Counterculture and Now
by Douglas Field
This special issue of the Bulletin of the John Rylands Library is devoted to William Blake. It explores the British and European reception of Blake's work from the late nineteenth century to the present day, with a particular focus on the counterculture. Opening with two articles by the late Michael Horovitz, an important figure in the 'Blake Renaissance' of the 1960s, the issue goes on to investigate the ideological struggle over Blake in the early part of the twentieth century, with particular reference to W. B. Yeats. This is followed by articles on the artistic avant-garde and underground of the 1960s and on Blake's significance for science fiction authors of the 1970s. The issue closes with an article on the contemporary Belgian art collective maelstrÖm reEvolution.
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October 2017Die Geschichte der gestiefelten Kitty
by Beatrix Potter, Quentin Blake, Sabine Erbrich
»Es war einmal eine ehrliche, wohlerzogene junge schwarze Katze« … Dass Kitty alles andere als ehrlich und wohlerzogen ist, liegt bei einer Erzählung von Beatrix Potter natürlich auf der Hand. Dass sie ihrem Frauchen, einer liebenswürdigen alten Dame, aber derart hinterlistige Streiche spielt, damit konnte niemand rechnen. Anstatt nämlich brav im Gartenhäuschen zu nächtigen, streunt Kitty in Frack, Pelzstiefeln und mit einer Schrotflinte bewaffnet durch die Wälder und begegnet allerlei fiesen Gestalten wie zwei ungehobelten Frettchen und – zu Kittys großem Entsetzen – schließlich auch dem hundsgemeinen Fuchs Mr. Todd. Zum Glück gibt es da noch ihre Freunde, die Kitty aus dem größten Schlamassel wieder heraushelfen … Eine bisher unveröffentlichte Geschichte von Beatrix Potter - erstmals auf Deutsch Mit Illustrationen des britischen Großmeisters Sir Quentin Blake
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Agricultural scienceJune 1996Biology of Grasses
by Edited by Geoffrey P Chapman
Grasses are put to a multitude of uses by those involved in agriculture and recreation. They are also of importance to environmental biologists, for example those involved in restorative ecology. In this book the biology of grasses is illustrated by many different grass genera and species, drawn from both temperate and tropical zones. Beginning with a discussion of the role of grasses in a changing world, the author provides a thorough treatment of such topics as the generation and dispersal of grasses, their diversity, history, contrasting life styles, ecology and domestication. The text is supported by the inclusion of high quality line drawings and black and white photographs. There is also a thorough glossary of the terminology associated with grass science. This book bridges the gap between introductory textbooks and research and technical papers. It is an advanced level reference text for students and teachers of agriculture, plant biology and ecology. It is of particular importance to all those studying and researching the genetics, physiology and taxonomy of grasses.
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Film, TV & radioJuly 2015Swashbucklers
The costume adventure series
by James Chapman
Swashbucklers is the first study of one of the most popular and enduring genres in television history - the costume adventure series. It maps the history of swashbuckling television from its origins in the 1950s to the present. It places the various series in their historical and institutional contexts and also analyses how the form and style of the genre has changed over time. And it includes case studies of major swashbuckling series including The Adventures of Robin Hood, The Buccaneers, Ivanhoe, William Tell, Zorro, Arthur of the Britons, Dick Turpin, Robin of Sherwood, Sharpe, Hornblower, The Count of Monte Cristo and the recent BBC co-production of The Three Musketeers.
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The ArtsJanuary 2018The Flower of Evil: Illustration Art of Aubrey Beardsley
by by Aubrey Beardsley Edited by Wei Junlin
This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.
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Children's & YAJanuary 2020The Story Told by Zhuka
by Grasya Oliyko (Author), Grasya Oliyko (Illustrator)
The dog Zhuka lives at a gas station with her brother Sirius.They are fed by a nice woman, but one day she disappears. Miserable times await the dogs, because winter is coming, and workers at the gas station decide to get rid of them and take them out as soon as possible. Who knows what would have happened to them if one day a car with a family didn’t stop on the roadside and gave them shelter and love. The story told by Zhuka – the first picture book by the Ukrainian illustrator Grasya Oliyko – is an ingenuous and moving story that will touch the strings of both children’s and adult’s hearts. From 3 to 6 years, 799 words Rightsholders: Ivan Fedechko; ivan.fedechko@starlev.com.ua
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Literature & Literary StudiesSeptember 2022William Blake's Gothic imagination
by Chris Bundock, Elizabeth Effinger
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Children's & YA2014How Many?
by Halyna Kyrpa (Author), Olha Havrylova (Illustrator)
When children first explore the world, they usually ask many questions. You can try finding answers together with them by reading and looking through the picturebook Скільки?/ How many? The book's interesting questions and beautiful illustrations facilitate a friendly and joyful dialogue between adults and little readers. Скільки?/How many? was originally published as a bilingual picturebook with English and Ukrainian parallel text, which was also helpful for children learning languages. From 3 to 6 years, 199 words (Ukrainian and English) Rightsholders: Oksana Lushcevska, olushchevska@gmail.com
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March 2003Unfolding the South
Nineteenth-Century British Women Writers and Artists in Italy
by Edited by Jane Stabler, Alison Chapman
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Literary studies: plays & playwrightsMay 2017An Humorous Day's Mirth
by George Chapman
by Edited by Charles Edelman. Series edited by David Bevington, Richard Dutton, Alison Findlay, Helen Ostovich
George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth was one of the most popular plays of the Elizabethan era. Not only was it the Rose Theatre's greatest box-office success of 1597, it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day. This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background, and shows that the play would delight the readers and audiences of today as much as those in 1597.
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Children's & YAMarch 2022Ruby Fairygale und die Insel der Magie (Erstlese-Reihe, Band 1)
Fantasy-Abenteuer mit Ruby Fairygale ab 7 Jahren
by Marlene Jablonski, Kira Gembri / illustrated by Verena Körting
Ruby Fairygale and the Island of Magic Ruby Fairygale's first adventure - lovingly and excitingly told, with many atmospheric illustrations• Feel-good fantasy for Story Time, Early Readers and Fans of "Ruby Fairygale"!• Written by Marlene Jablonski (“Liliane Susewind” Chapter book series), based on a synopsis by Kira Gembri• Strong female protagonist and lovingly developed characters, with a high sympathy factor8-year-old Ruby Fairygale lives on a small island near the west coast of Ireland. After school, she always helps her grandmother, who works as a veterinarian. But the two of them have a big secret: they know that there are not only animals on the island, but also magical mythical creatures that need their help.Summer vacation at last! Now Ruby can spend the whole day helping her grandma. The two of them not only take care of animals, but also fairies, goblins and other mythical creatures! It's not easy to keep this secret - especially from Briana, the most unfriendly girl in Ruby's class. When Bri's father's fishing nets are destroyed, Briana suspects a pack of seals and is determined to drive them away. But Ruby suspects that something else is behind this. Something completely magical ... And indeed: a little mermaid had become entangled in the fishing net! Can Ruby still stop Bri without revealing her secret?
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Humanities & Social SciencesMarch 2017The Arctic in the British imagination 1818–1914
by Andrew Thompson, John M. MacKenzie, Rob David
The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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History of Art / Art & Design StylesDecember 2006Model and supermodel
The artists' model in British art and culture
by Edited by Jane Desmarais, Martin Postle and Martin Vaughan
Over the last twenty years there have been flurries of interest in the artist's model, and recent exhibitions have stimulated new activity in this area. Model and Supermodel extends the discussion about the social and cultural significance of the model in British art and culture. A fascinating collection of essays and interviews, it examines the persistent mythology of the artist's model and some of the ambiguities involved in depicting the body. The volume begins with Martin Postle's survey of the profession of the model during the period c.1840-1940. Elizabeth Prettejohn considers the Pre-Raphaelite model and Alison Smith examines the lives of some nineteenth-century models who achieved fame and notoriety in their own right. Jane Desmarais looks at the model from a literary perspective and Reena Suleman presents the work of Edward Linley Sambourne. Michael Hatt's essay examines the aesthetic and ethical aspects of Tuke's use of boy models for his paintings of nude bathers, and William Vaughan reflects on the British figurative tradition from Sickert to Freud. Catherine Wood brings the volume up to date with her essay on the found model in contemporary art, and the volume concludes with two interviews with the artist, Peter Blake, and a life model, Susannah Gregory. The book offers a series of lively takes on the phenomenon of the artist's model. It will make fascinating reading for those interested in modern art and the wider aspects of British culture and society.
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Literature & Literary StudiesApril 2021John Derricke's The Image of Irelande: with a Discoverie of Woodkarne
by Thomas Herron, Denna Iammarino, Maryclaire Moroney, Joshua Samuel Reid
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Children's & YAJanuary 2015Hatless
by Lateefa Buti / Illustrated by Doha Al Khteeb
Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
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Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
