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      • Sirkel Forlag

        Sirkel Forlag was set up in 2016 as an author´s cooperative enterprise. As of today, we represent six authors and have a catalogue of eight books, including poetry, non-fiction, an illustrated children’s book, a screenplay and four novels. Two of our novels have been supported by the Norwegian Arts Council.   While our main mission is to promote innovative and independent authorship in Norway, we also hope to reach readers abroad through high-quality translations.

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        Technology, Engineering & Agriculture
        September 2018

        Nursery Screening for Ganoderma Response in Oil Palm Seedlings

        A Manual

        by Miranti Rahmaningsih, Ike Virdiana, Syamsul Bahri, Yassier Anwar, Brian P Forster, Frédéric Breton, Brian P Forster, Peter D. S. Caligari

        This is a hands-on, practical guide covering seedling screening for disease response in oil palm for pathology, breeding and genetics. Oil palm is the top oil crop in the world and Ganoderma is the most devastating disease of oil palm. The authors are all actively engaged in oil palm seed production and breeding and bring together the many aspects of seedling disease testing in to one integrated manual. Presenting sound practices based on scientific innovation and knowledge, this guide provides techniques integrated with expertise and also looks towards future possibilities. Promoting green, eco-friendly agriculture, this book covers: Health and safety considerations Media preparation for in vitro culture Collecting isolates and culture preparation Preparation of Ganoderma inoculum Nursery inoculation Scoring response Based on experience and protocols, this is an invaluable manual for students and researchers in agriculture, plant breeders, growers, traders and production companies interested in the practicalities of oil palm pathology. It provides a resource for training, a knowledge base for people new to oil palm and a reference guide for managers, to ensure best practices in maximising sustainability and production of this important crop.

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        Technology, Engineering & Agriculture
        November 2019

        Field Trials in Oil Palm Breeding

        A Manual

        by Baihaqi Sitepu, Umi Setiawati, Fazrin Nur, Nur D Laksono, Yassier Anwar, Pujo Widodo, Brian P Forster, Dan Dwarko, Brian P Forster, Peter D. S. Caligari

        This is a hands-on, practical guide to describe field trials in oil palm. The location for field trials is key, as is land preparation. Other logistics include the germination of seeds from crossing programmes, planting in a nursery and well-grown seedlings for field planting. The trial design needs to be translated into field lay out. Field planting is a critical point requiring plant care, good labelling, field lining and a system of checks, and must be timed to the rainy season. Recording of trials starts 1 year after planting for crown disease assessment and continues for yield approximately 30 months after field planting. Growth measurements also begin 30 months after planting. Tests for oil yield and quality are carried out one year after yield recording.

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        Technology, Engineering & Agriculture
        August 2019

        Nursery Practices in Oil Palm

        A Manual

        by Brian P Forster, Peter D. S. Caligari, Nur D Laksono, Umi Setiawati, Fazrin Nur, Miranti Rahmaningsih, Yassier Anwar, Heru Rusfiandi, Eben Haeser Sembiring, Brian P Forster, Avasarala Sreenivasa Subbarao, Hafni Zahara

        This is a hands-on, practical guide to general and specific practices in oil palm nurseries to produce healthy, vigorous and uniform plants ready for field planting. There are two nursery stages, a pre-nursery and a main nursery. The pre-nursery receives both germinated seeds and tissue culture produced plantlets (ramets) which are planted in small pots in a relatively small area in which shade and humidity can be controlled. Once seedlings and ramets are established they are transferred to the main nursery, potted-on and grown on to produce field-ready plants.

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        Picture books

        The Lilac Girl

        by Ibtisam Barakat (author), Sinan Hallak (illustrator)

        Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat.   The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac.   As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.

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        Children's & YA

        The Dinoraf

        by Hessa Al Muhairi

        An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family?  The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.

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        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

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        In the Footsteps of Enayat Al-Zayyat

        by Iman Mersal

        ‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives.   The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy.   The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.

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        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

      • Trusted Partner
        January 2013

        The Madmen of Bethlehem

        by Osama Alaysa

        Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people.   This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations.   Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written).   The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places.   The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form.   The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes.   The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.

      • Trusted Partner
        Fiction
        2022

        The End of the Desert

        by Said Khatibi

        On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.

      • Trusted Partner
        Pest control
        June 2015

        Biocontrol Agents of Phytonematodes

        by Mahfouz Abd-Elgawad, Christian Cumagun, M K Dasgupta, Pedro Luiz Martins Soares, K Devrajan, Masanori Koike, Ioannis Giannakou, E A Tzortzakakis, Fernando da Silva Rocha, Fábio Alves, Ioannis Vagelas, Moussa Lobna, Uri Gerson, A H Wani, C Sankaranarayanan, Anwar L Bilgrami, Mohammad Reza Moosavi, Kamal Kishore Chaudhary.

        Highlighting the use of biocontrol agents as an alternative to chemical pesticides in the management of plant parasitic nematodes, this book reviews the current progress and developments in the field. Tactful and successful exploitation of each biocontrol agent, i.e. nematophagous fungi, parasitic bacteria, predaceous mites, rhizobacteria, mycorrhiza and predaceous nematodes, has been described separately. The contributors are 23 eminent nematologists and their information has been compiled in 19 chapters.

      • Biography & True Stories

        His Daughter.. Roqayya Anwar El Sadat

        by Roqayya El Sadat

        She is her "Father's Daughter" ... That's how her motherdescribed her when she was warning her sister not to tellher anything about what happened. In fact, she wasn't onlyher father's daughter, but she was his love and inheritedeverything from him, even the tone of his voice. She isRoqaya, the eldest daughter of President Anwar El-Sadat,whom he gave the nickname "Raqa" which remained withher even when she became a grandmother. She decided toopen her memory box and reveal many secrets about herfather's life, and his assassination plot which goes beyondthe extremist Islamic groups.

      • Health & Personal Development

        The Art of Solitude: What I Think About When I'm on My Own

        by Desi Anwar

        If there is one thing that the Covid 19 Pandemic has taught us, it is how to deal with being alone. Quarantine and Social Distancing, while keeping us away from each other, has forced us to confront that person we normally have the least time for. Which is our own Self. The Self that we have neglected and ignored during our busy lives interacting with the outside world. In this book, a compilation of musings and random thoughts that the author captured during the time of the Corona, Desi Anwar tries to show that solitude is neither a torment nor an affliction to be feared and avoided. Indeed, when embraced in its fullness, solitude becomes an art that is both enlightening and therapeutic.

      • Health & Personal Development

        OFFLINE Finding Yourself In The Age of Distractions

        by Desi Anwar

        This collection of reflections is to remind us of some of the things we can turn our distracted minds to, when we can direct our attention to what are in front of us, above us, and more importantly, within us, using all the senses that we were all born with. They are a rediscovery of some of the things we have forgotten how to do or have put aside in favour of our all consuming electronic toys, and an attempt to help us reconnect once more with our senses and our natural gifts.So, why not put your smart phones, tablets, games, gadgets and anything with a screen, down for a few minutes. Take a deep breath and look up. Because at the end of the day, it is not just any journey we are making, but a journey to discover and appreciate who we are and what makes us human.

      • Children's & YA

        For Her Sake

        by Abeer Anwar

        When Muhanad stood on stage in front of a largeaudience, he wasn't thinking about anyone but hissister Nayera, who was sitting in the first row. He wasusing sign language to explain the play to her despiteof everyone's objection. After the play was cancelled,when everyone knew that Nayera is deaf, they alllearned sign language from her brother to make herhappy.

      • Children's & YA
        November 2020 - April 2021

        I Will Live at Peace

        by Dr. Issam Smeir, Luma Azar. Illustrator: Hanane Kai

        AMAL (Hope) Series Almost 500 million children live in an area of conflict or disaster, 50 million of them were displaced. Prolonged exposure to war and uncertainty put many children in a state of ‘toxic stress’, with hugely detrimental effects. If left untreated, the long-term consequences are likely to be even greater, affecting children’s mental, emotional, and physical wellbeing for the rest of their lives. A series of nine specialized books dealing with the topic of Post-Traumatic Stress Disorder (PTSD). This Bibliotherapy series was written and designed based on PTSD therapy modality directed at children who suffer psycho-social challenges. The books are written in an adventurous style with a clinical connection that introduces the child to various symptoms, providing methods for dealing with them. It also presents coping mechanisms that help the child deal with the symptoms to have improvements throughout the stages of treatment. It also includes activities at the end of each book for caregivers to use with the child. Story 2: I Will Live at Peace Ever Since the terrible thing happened to Saleem and his family, he has been seeing nightmares which affected his ability to concentrate on his studies. And therefore, Saleem gets scared all over again and relives the incident every time he is reminded of the incident: any image, or sound, or scent, even any word. One day Saleem meets someone who has also gone through a terrible thing, and that person had felt exactly like he is feeling. From this experience, Saleem realizes that not everything that scares him is real danger and remembering the terrible incident, is by no means a re-occurrence of it. Saleem feels relieved now; he understands that he can live at peace without constant fear.

      • Tuhaf al-Uqul: Meisterwerke der Intellekte

        by Scheich Hassan ibn Schu’ba al-Harrani

        Tuhaf al-UqulMeisterwerke der Intellekte aus den Weisheiten und Predigten der Familie des Gesandten (a.) Von Scheich Hassan ibn Schu’ba al-HarraniÜbersetzt von Sayed Mohamed Amer „Wir entdeckten ein altes Buch, dessen Stil auf die bedeutende Stellung seines Verfassers hinwies; zumeist handelt es sich um Predigten und allgemein bekannte Grundsätze, die für die Richtigkeit ihrer Überlieferungskette keine weiteren Belege erfordern.“ – Allama Muhammad Baqir Madschlisi (17. Jahrhundert, bekannt für sein Sammelwerk Bihar-ul-Anwar) über das Buch Tuhaf al-Uqul Dieses Sammelwerk der Worte des heiligen Propheten (s.) und der Imame (a.) sowie der Worte von Jesus (a.) ist über eintausend Jahre alt. Es vereint Ausführungen, Dialoge, Dispute, berühmte Ansprachen, Kurzüberlieferungen und historische Begebenheiten der Gottnahen (a.). Mit der umfangreichen Einleitung sowie den zahlreichen Fußnoten bietet sich sowohl dem theologisch als auch dem historisch interessierten Leser ein einmaliger Zugang zu den Ahl al-Bait (a.) und ihren ethischen Lehren des reinen Islam. Autor: Scheich Hassan al-HarraniFormat: 15,5 x 24 cm, HardcoverSeiten: 616Ort, Jahr:  Bremen, 2018ISBN 978-3-946179-10-8 http://www.irankultur.com

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