Shared Stories is the in-house rights agency non-fiction and children's and YA titles of the Dutch VBK Publishing Group, representing the publishing houses AnkhHermes, De Fontein, Houtekiet, Kok|Omniboek, Kosmos, Luitingh-Sijthoff, Mozaïek and Ten Have.
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David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
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David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
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EXCAVANDO LA CIUDAD DE DAVID – El lugar en el que comenzף la historia de Jerusalיn Las investigaciones arqueológicas llevadas a cabo en los 150 últimos años han identificado a la colina sudoriental de Jerusalén, fuera de las murallas de la Ciudad Vieja, como la Ciudad de David bíblica. El reconocimiento cada vez mayor de que esta colina es efectivamente la parte más antigua de Jerusalén ha llevado a muchos estudiosos a excavarla. Desde las primeras excavaciones hechas por Charles Warren en 1867 hasta el presente, catorce expediciones arqueológicas han trabajado allí, lo que ha hecho que la Ciudad de David sea uno de los sitios más excavados de Israel. Equipos británicos, alemanes, franceses e israelíes han excavado en el lugar bajo cuatro autoridades diferentes: el gobierno otomano, el mandato británico, el gobierno jordano y el israelí y han producido una asombrosa cantidad de información. Algunos de estos restos son de importancia única, entre ellos el túnel de Ezequías, el sistema de túneles conocido como el pozo de Warren, la inscripción del túnel de Siloé, la inscripción de Teodoto, y el estanque de Siloé. Excavaciones recientes efectuadas en la Ciudad de David han revelado vestigios impresionantes de fortificaciones de la Edad de Bronce Medio alrededor de la fuente de Gihón y restos del estanque de Siloé, que datan del período del Segundo Templo. El túnel de Siloé ha sido ahora ampliamente documentado y estudiado. Este libro comienza por una reseña cronológica de un siglo y medio de excavaciones y de estudio de la colina de la Ciudad de David. Dicha reseña resume la historia de la colina, desde épocas prehistóricas hasta el final del período otomano. Presenta un resumen actualizado de hallazgos arqueológicos pasados y recientes, muchos de los cuales, que se presentan aquí por primera vez, han cambiado drásticamente lo que pensábamos acerca de la historia antigua de Jerusalén. Ronny Reich excava y estudia las antigüedades de Jerusalén hace ya más de cuarenta años. De 1969 a 1978 tomó parte en las excavaciones dirigidas por el catedrático Nahman Avigad en el Barrio Judío de Jerusalén. Desde 1995 ha sido co-director de las excavaciones en la Ciudad de David. El profesor Reich es egresado de la Universidad Hebrea de Jerusalén, donde escribió su tesis de doctorado acerca de los baños rituales judíos en la época del Segundo Templo. Desde 1995 es catedrático de Arqueología en la Universidad de Haifa. En 2000 se le otorgó el Premio Jerusalén de Investigación Arqueológica. 27×22 cm, 382 páginas, edición en tapas duras, numerosas ilustraciones en blanco y negro y en color . por Ronny Reich
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This book provides a careful and systematic analysis of Anthony Ascham's career and writings for the first time in English. During the crucial period between the Second Civil War and the establishment of the English Republic, when he served as official pamphleteer of the Parliament and the republican government, Ascham put forward a complex argument in support of Parliament's claims for obedience which drew on the political thought of Grotius, Hobbes, Selden, Filmer and Machiavelli. He combined ideas taken from these authors and turned them into a powerful instrument of propaganda to be deployed in the service of the political agenda of his Independent patrons in Parliament. This investigation of Ascham's works brings together an intellectual analysis of his political thought and an exploration of the interaction between politics, propaganda and political ideas.
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A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
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First published in 1974, this novel is a semi-autobiographical reflection on the author's experience of having been the subject of Stanley Kubrick's film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess's finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.
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David Myles Robinson was eight years old when he first got hooked on travel. Since then, he’s seen most of the world—all its continents plus, he laments, “far too many places where travel is now off-limits.”After a lifetime of visiting near and far, in heat and in cold, in comfort and in danger, Robinson has put it all together now in this unique collection of the varied travel adventures he’s found—and the lessons he’s learned from them. A Fellini-esque view of the Amazon, a Mercedes caravan to Istanbul, Jane Goodall's amazing chimps—just part of a travel trunk full of experiences guaranteed to keep you seesawing from “Boy, I'd love to do that" to “Sure glad it was him, not me.”In Conga Line on the Amazon, Robinson brings to his first travel book the same gift for intriguing narrative and sharp characterization that has won praise for his six highly successful novels. Some of his tales may be for the strong of heart, but they’re all for the reader with a yen to be entertained by one intrepid man’s adventures and misadventures exploring the strange and wonderful world we live in.
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Archaeological research over the past 150 years has identified Jerusalem’s southeastern hill, outside the Old City walls, as the biblical City of David. The growing realization that this hill is indeed the most ancient part of Jerusalem led many scholars to excavate it. Since the first excavation by Charles Warren in 1867 to the present, fourteen archaeological expeditions have dug here, making the City of David hill one of the most excavated sites in Israel. British, German, French, and Israeli teams have dug here under four different governments (Ottoman, British Mandate, Jordanian, and Israeli), producing an impressive quantity of data. Some of these remains are uniquely important, including the Siloam Tunnel, the Warren’s Shaft system, the Siloam Inscription, the Theodotos Inscription, and the Pool of Siloam. Recent excavations at the City of David have uncovered impressive remains of Middle Bronze Age fortifications around the Gihon Spring and remains of the Siloam Pool dating to the Second Temple period. The Siloam Tunnel has now been thoroughly documented and studied. This book begins with a chronological survey of a century and a half of excavation and study of the City of David hill. It then summarizes the history of the hill, from prehistoric times to the end of the Ottoman period. It presents an up-to-date summary of past and recent archaeological discoveries, many of which, presented here for the first time, have dramatically changed our thinking about Jerusalem’s ancient history. Ronny Reich has been excavating and studying Jerusalem’s antiquities for over forty years. From 1969 to 1978 he participated in the excavations directed by Professor Nahman Avigad in Jerusalem’s Jewish Quarter. Since 1995 he has been co-director of the City of David Excavations. Professor Reich is a graduate of the Hebrew University of Jerusalem, where he wrote his Ph.D. dissertation on Jewish ritual baths in the Second Temple period. Since 1995 he has been a professor of archaeology at the University of Haifa. In 2000 he was awarded the Jerusalem Prize for Archaeological Research. 27 × 22 cm., 382 pages, hardcover, numerous black & white and color illustrations.
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Capoeira, an original Afro-Brazilian discipline, is not so easily defined due to its numerous facets, as a deadly martial art, an exotic dancing discipline, inspired by an ancient far-away culture. Nearly four hundred years of slave trade brought to Brazil an envyingly cultural heritage, composed of a continuous influx of different ethnic groups, which, concomitant with the different native, African and European regional expressions and its rich constant geopolitical changes, has produced a singular, colorful and vibrant multicultural and multiethnic society engaged in their new Brazilian identity. From the XVIII to the XIX century, the harsh conditions with which black slaves were treated led to increasing numbers of slave revolts in the Americas, where escaped slaves forming independent Maroon communities in French, Hispanic, British and the Netherlands Antilles, and the Quilombola communities in Brazil, organized fighting guerrilla wars against the plantation masters and owners, giving rise to campaigns against slavery in Europe and the abolition of slavery in the Americas. Capoeira became the result of Brazil’s own diasporic experience, a branch of a large tree which grew into a unique and complex social art that cannot be dissociated from its historical and anthropological perspectives. The Amazing History of Capoeira, written by expert Brazilian capoeira Mestre Ricardo Cachorro, unveils the Age of Exploration and the resulted Atlantic slave trade, unfolding African slavery in Europe as early as in the 15th century, much before black slaves were taken to the New World. The enchanting saga of the Akindele family from the beautiful Yoruba kingdom of Adágún L}wá will take you deeply into pre-colonial Africa and to the lands of newly explored Bahia de Todos os Santos in 1531, where the almost sacred history of capoeira began. From the new findings in Africa to the discoveries in Brazil, this captivating book navigates through the Feitorias and Capitanias – the sugarcane mills of the 17th century – the real and virtually unknown cradle of capoeira. It brings to surface beautiful historic and cultural aspects of the colonial periods with its arts, music and religion, the African melting pot which was formed from the blend of ancient African cultures and the new Afro-Brazilian rural and urban settings and, finally, the old and the modern founders of capoeira. The Amazing History of Capoeira is a delicious treat for all Capoeira's lovers, practitioners, and instructors who want to know more about this original Afro-Brazilian discipline, as well as students of history, anthropology, art, music, theatre, and related fields – all the way from the academic researcher to the curious history & culture lover. An English-language edition was published in fall 2012. 224 pages, 16.5X24 cm with full-color photographs& B/W illustrations. And if it also makes you desire to actually practice the art of capoeira in the roda, you will be most welcome then to read: UNKNOWN CAPOEIRA: Secret Techniques of the Original Brazilian Martial Art
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»Wer den Chor der Mäuse nicht hört, braucht nicht mit mir befreundet zu sein.« Clemens J. Setz ist der Autor bahnbrechender Romane wie Die Stunde zwischen Frau und Gitarre, aufregender Erzählungsbände wie Der Trost runder Dinge, von Gedichten, Theaterstücken, Drehbüchern, Nacherzählungen und Essays. Er ist Übersetzer, ein Freund der Plansprachen, des Obertongesanges, der Ziegen und der Hasen. Er ist Träger des Georg-Büchner-Preises, des Kleist-Preises, des Berliner Literaturpreises. Außerdem ist er ein Poet der Kurznachrichtendienste und noch einiges mehr. In seiner radikalen Vielfältigkeit und vielfältigen Radikalität ist er eine herausragende Figur der Gegenwartsliteratur. Für Fans der Setz’schen Werke und seiner Person ist dieses hochwertige Plakat mit einem Porträt des Dichters gedacht, aufgenommen vom Berliner Fotografen Max Zerrahn. Poster auf stabilem GalaxyArt-Papier im DIN-A1-Format
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ABBA ABBA is one of Anthony Burgess's most original works, combining fiction, poetry and translation. A product of his time in Italy in the early 1970s, this delightfully unconventional book is part historical novel, part poetry collection, as well as a meditation on translation and the generating of literature by one of Britain's most inventive post-war authors. Set in Papal Rome in the winter of 1820-21, Part One recreates the consumptive John Keats's final months in the Eternal City and imagines his meeting the Roman dialect poet Giuseppe Gioachino Belli. Pitting Anglo-Italian cultures and sensibilities against each other, Burgess creates a context for his highly original versions of 71 sonnets by Belli, which feature in Part Two. This new edition includes extra material by Burgess, along with an introduction and notes by Paul Howard, Fellow in Italian Literature at Trinity College, Cambridge.
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This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films. Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958). ;
