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      • Al-Alia Publishing House

        Al-Alia Publishing House produces stories for children. Not only the child enjoys the new experience of reading Alia presents, but so as everyone else.

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      • Frayed Edge Press

        Frayed Edge Press is a small independent publishing house based in Philadelphia. We publish literary fiction and poetry, as well asnon-fiction titles in history and political science. We also publish the Street Smart Series of Short Fiction, consisting of contemporary, urban-set novelette-length works. We especially welcome marginalized voices, both historical and contemporary, including women, people of color, ethnic and religious minorities, the LGBTQ+ community, and progressive political viewpoints. We particularly seek to publish works that wrestle with important questions challenging contemporary society, including political and environmental concerns, civil rights, women's rights, and sustainability.

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      • Trusted Partner
        Politics & government
        November 2006

        The European Union and the regulation of media markets

        None

        by Alison Harcourt

        National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions. Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union. This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.

      • Trusted Partner
        Literature & Literary Studies
        May 2009

        Illegitimate Power

        Bastards in Renaissance Drama

        by Alison Findlay

        In Renaissance Drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide rage of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crises in early modern England, reading them in relation to witch craft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstanding heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. ;

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        Literature & Literary Studies
        October 2009

        Dante and the Victorians

        by Alison Milbank

        In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. ;

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        The Arts
        March 2005

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;

      • Trusted Partner
        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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        December 2004

        Edgar Allan Poe - Folge 5

        Sturz in den Mahlstrom. Hörspiel

        by Poe, Edgar Allan / Gelesen von Pleitgen, Ulrich

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        February 1998

        Die Grube und das Pendel

        Schaurige Erzählungen

        by Edgar Allan Poe, Heide Steiner, Erika Gröger

        Edgar Allan Poes Geschichten zählen zum Bestand der Weltliteratur mit ihrem Unheimlichen, dem Grauen, dem Alptraum, der Nervenkrise, dem Überwirklichen. Messerscharf analysiert er das Verbrechen, die zynische Grausamkeit des Menschen, seinen kranken Verstand. Für ihn ist das Lehen voller magischer Rätsel, die Mitwelt über die Maßen inhuman: ihr will er seinen düsteren Grotesk-Spiegel vorhalten. Vier ausgewählte Erzählungen, die Edgar Allan Poe erstmals in den Jahren 1841 bis 1843 veröffentlichte, sind hier versammelt.

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