Founded on the steadfast belief that a good book has a positive and lasting impact on the development of children, families and socities, Al Hudhud is a pioneering Emirati publishing and distribution
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Dar Al-Ahlia for Publishing and Distribution was founded in Amman in 1985. It is an extension of Dar Al-Arabiya for Publishing and Distribution which was founded in 1970. Dar Al-Ahlia is primarily interested in publishing political and intellectual books. It also publishes literary and academic books as well as children's books and that makes it a publisher of almost all subjects. Dar Al-Ahliya has three branches in Amman, which are considered the outlet for the readers as, In addition to publishing, we also distribute all kinds of books from the Arab World.
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An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family? The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.
Despite its small size, it managed to take its place among the best modern literature books in recent years. From the title and cover, going through its amazing preface and eloquent language, and to the element of surprise and unexpected ending. Abdallah Al-Zioud was able to make the reading journey of this novel a meaningful journey despite its shortness; a journey introduces readers to new terms that manipulate their imaginations and puts them in the eye of the event through a visual language that conveys the reader from paper to the visual world of the novel. It teaches them some of writing tricks and simplifies what seems complicated at the beginning so that the reader believes in its ordinary before discovering that he has fallen victim to fraud.I can say that the most beautiful thing about this novel is that it was not written in a style and did not follow a context. it rebelled against the ordinary, uniquified in style, and combined simplicity and complexity in a way predicting an amazing ability and counted in its writer favor.
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If you are not ready to face your reality, if you are running away from yourself and avoid facing yourself, then this book is not for you! In this book, you will be shocked by discovering many things and facts that you thought were part of the postulates of life. Also, this book will deal with many bold and realistic matters in our Arab societies that were not discussed in detail in the past, and it will be enough to cause a bout of awareness within you.Get ready for a unique journey that will enable you to see things differently, know your true self, your psychological complexes, and how to have a decent and real life.The book addresses the following points: How are we indoctrinated intellectual legacies? And to what extent does the influence of parents in shaping our id entity and our reactions? A detailed psychological analysis of the most important psychological complexes that exist in the aspects of relationships, work, money, Authority, love, and others. A detailed explanation of the methods of deception and emotional manipulation in relationships. How do we become mature? Why are we afraid of confrontation and expressing our thoughts? How do we overcome our fears? The relationship between the psychological complexes and gender.And many other things.
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The novel poses the problem of identity, as it is the essence of the psychological and intellectual conflict of the main character (Hassoun), who is disputed by two contradictory identities; He was born in the land of Yemen from a Muslim father and a Jewish mother and carried the inheritance of the two religions and their old and new conflict.Hassoun's internal journey continues with his own human crises and transformations that he witnesses along with his external journey through various societies that he went through in transitional stages of their history. Over two thousand seven hundred years, Hassoun seeks to discover himself and reach his identity by retiring at times, and by experimenting at other times, thus he goes through multiple experiences to get closer to himself.
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Can you imagine entering a crypt to find yourself in a strange land whose people deal with intelligence units? You work and do not take your wage in cash, but rather your intelligence units increase, and if you buy something, they decrease. It is the wondrous land of Zeekola, where there is no place for lazy ones. Whoever runs out of units will be killed. A strange adventure in which the novel takes us with its hero Khaled, who suddenly finds himself there to get to know that country. We live with its people, witness his meeting with the doctor Aseel, and go with him on a path he never choose.
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Using music as a thread that connects the past to the present, this novel explores what happens when traditional and cultural heritage clash with modernity. The characters face the impact of modernization on heritage and arts versus the need to protect and preserve their traditional culture and must choose between the pursuit of materialism versus spiritual balance. Al Qarmalawi writes about a wide range of music from Sufism to the present era of electronic musical arts, and Summer Rains addresses the current Arab youth crisis, in which young people find themselves torn between fundamentalism and modernity. (An extended English-language report on this book will be available soon.)
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
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Ghassan, a musician and Oud player, leaves for New York, fleeing the Lebanese civil war after his extremist bother, Afif, murdered his older and pacifist brother Jamal, who sought to open the door to Muslim-Christian dialogue. In New York, Ghassan struggles to erase all his memories but his thoughts would always bring him back to his hometown, Dar El Ezz, as it was long before the war. ///Soon, he falls in love with and marries Kristin, becomes more emotionally stable, and embraces American culture. But when he must return to Lebanon for his father’s funeral, nostalgia for his homeland and a series of events force Ghassan to face a convergence of two cultures. ///“Efrah Ya Qalbi” (Rejoice, My Heart!) is a novel about love, music, identity, one’s sense of belonging, brotherly conflicts, and the diaspora. It dives into the lives, troubles, and dilemmas of the characters. ///The stories intertwine amid a fascinating narrative, thus revealing the turmoil and troubles of the Lebanese community torn by wars and outbursts. The novel also addresses the relationship between the East and the West, where struggling and cracked identities are silenced and offers a new vision through analysis and narration.
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The life of poet Hafez Al-Shirazi forms the background from which this novel draws its great ideas about life, love and poetry. And although this book is based on the visions of this great poet, it is not a heterosexual biography of his life but rather an imagined novel inspired by his poetry. The events of the novel take place in one night when Hafez dies, only to be born again. Throughout the long night, the author reviews stories, conflicts and milestone events in history, and Hafez has the chance to meet the poles of Sufi love in multiple chronological paths within the novel. He contemplates the black death and is defeated by the Farsi language with his early failures in poetry, but he finds salvation in the Arabic language by memorising the entire Qur’an. As a result, Shams Al-Din chooses another name inspired by him: Hafez, who the world will embrace until the Shiraz baker becomes a minister, on a human journey in which the Shirazi tests and loses everything successively.
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This novel, a bestseller in Baghdad, starts with the first two American tanks that crossed over the Jumhuriya Bridge into the heart of Baghdad in 2003, as the narrator watches events unfold from her grandfather’s house at the riverfront. That’s when her emigration journey begins, setting her on a path to experience both love and death away from her country. After her mother passes away, her father resorts to quantum physics in an attempt to interpret the meaning of existence, while the nameless protagonist discovers the novels of Virginia Woolf, Charles Dickens, and Francoise Sagan. ///The author depicts how different generations of the same family live different worlds, separated by experiences and time despite occupying the same physical spaces. The Jumhuriya Bridge threads symbolism throughout the novel—ushering in the beginning of the military fall of the city and later being the setting of sporadic events, from innocent flirting, to gulls, down to the shocking event that pushes the story up to its climax.
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An uplifting tale about the power of friendship, finding your place in the world, and realising your dreams while remaining true to who you are. Tumbledown is a little demolition truck growing up in a loving family. His parents go to work every day demolishing buildings with their big wrecking balls. But soft-hearted Tumbledown doesn’t like to destroy. He’d rather build things. He dreams of being a cement mixer. When Tumbledown cries, his wrecking ball swings out and destroys everything it touches. When Tumbledown laughs, his wrecking ball swings out and destroys everything it touches. His soft heart can’t skip a beat without leaving a trail of destruction. At school other students laugh at him, but still he won’t let go of his dream. When Tumbledown makes friends with a feisty troop of metal springs, they hatch a plan to save him from himself. They fan out over his wrecking ball and every time it swings they do their best to absorb the shock. The day comes when the worn-out springs turn to the Wise Old Crane for help. Tumbledown can never be a cement mixer, but maybe there are other ways, better suited to his nature. After some search, the Wise Old Crane finds a new job for Tumbledown at a construction site using his wrecking ball to smooth out the cement on the ground. It’s hard work but Tumbledown is finally happy, and he grows stronger and more skillful with every passing day.
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The novel revolves around the heroine Basma, who suffers from a neurological disease. The sedative medications prescribed by her doctor have affected her memory and so she has become confused. She tries to restore her memory and her body, which has been plagued by painful spasms – something difficult for someone like her, a dancer and choreographer. The novel unfolds inconsistently, telling the story of Basma from childhood on, experiences with her first boyfriend, Ahmad, and her sickness after following the tragic departure of him and her father during the Lebanese civil war. In addition to Basma’s story, we read about the lives of the people she knew and liked throughout her life, including her friend, Anisa, and her emotionally and financially tight husband, and how writing changed her life and helped her fight her disability. We also read about Amina, who is emotionally hungry, and Nizar who investigated different politics and beliefs, ending up insane. In addition to other characters with stories that run in parallel with the main character, Basma, whose life centres on her relationship with her lover and husband, Youssef. A creative painter, his shifts towards fundamentalism lead her to separate from him as she is passionate about life, love and dancing. The novel accurately describes the similarities between her sick body and that of Arab cities collapsed due to the sectarian wars that took place after the so-called ‘Arab Spring’. The heroine documents her sickness to a virtual friend, describing what made her sick and how she resists her illness with will and determination. Her narrative expresses her rejection of religious, sectarian and terrorist extremism of all sects and religions, especially those that diverged from the true Islamic religion and its compassionate teachings. In this novel we find poignant human details and a graceful narration full of expressions that make the reader anxious to know more about the destinies of all its characters. Between the memory of a past saturated with loss and love, and a crueler present witnessed in collapsing cities, Basma clings to her body that keeps on betraying her. Who said that our lives and our bodies are different from the stories of our cities? Who among us knows if our most recent dance was the farewell dance, or a new beginning?
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Below the earth and above the sky. The two arcs between which a human lives his life and rotates through them. Who is more truthful than history if we look at human life as a whole? How does love attract him, how does authority blind him, how does inattention obliterate him, so he thinks of himself as the highest, and the law of time falls into the mud with him. Who is truer than history? With these tales, I only wrote about human.
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This collection includes five novelettes by Chi Li: Life Show, Who Do You Think You Are, The Birth of the Sun, and Where the Clouds Disperse. Most of these works reflect the characteristics of Wuhan and most of the characters in them are also related to the personality of this metropolis. Works like Life Show have been adapted into sensational films and TV series. They roughly represent the creativity of Chi Li.
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The white paper felt sad for being left blank. But its feelings changed when it saw the writer’s hand waking the sleeping pen up, and drawing letters and words on its white page.
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These poetic tales for children address things around us such as the wall, the stone, the ear, the river, and others, humanize them, and present them as free verse poetry. It also includes an audio CD containing song versions of the tales, all of which are loaded with pedagogical, aesthetic, and humanitarian messages. The importance of “A Laughing Sun” stems from its adoption of the poetic tale in most poems. It carries implications for reverence of science, arts, freedom, and human diversity, and highlights the beauty of nature and the protection of the environment. The poems are replete with a sense of cheerfulness and humor, and the collection focuses on the imagination and stimulates both scientific and creative thinking.
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Maher realizes one day he is an only child with no siblings. He starts to feel a bit lonely, and wishes he had siblings - like his friends and cousins. Luckily, his toys are here and now it’s time to show Maher what it means to be surrounded with brothers and sisters.It’s a heartwarming story that shows how rich and powerful the imagination of an only child can be.
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You may be both different and the same as all the other children.This is what this book tackling the Down Syndrome explains, through the story of a child who just wants to be friends with everybody else.
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A text that transcends literary genres, this book concludes a path that runs through the author’s previous books: Al Ike fe Al Mabahej was Al Ahan (The Ike in the Joys and Sorrows) 2002, Kitab Al Ghewaya (The Book of Seduction) 2007, and Al Aar men Al Difatayn... Abeed Al Azmenah Al Hadethah fee Marakeb Al Tholomat (Shame on the Two Banks: Slaves of Modern Times in the Boats of Darkness) 2011. The theme of the book focuses on travel as a human activity and an example of human life. Hence the novel’s philosophical approach manifests itself as an examination of the different stages of travel as a metaphor for man’s journey from life to death. With this philosophical view the writer's prose fuses with cities and travel experiences, diving deep to describe the souls of the cities, going far beyond what can be captured by a camera. The book contemplates the styles of architecture and the meanings they represent, reflecting on the meaning of beauty and perfection, as well as the nature of aggression that resides in them. It reflects, too, on the meaning of living on an island and the symbolism of water, which makes travel a unique experience that increases the depth of life and compensates us for our short existence. The writer examines his visions by invoking publications that highlight travel, including The Thousand and One Nights, which he considers to be a travel book.
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This book is an essential companion volume to Quarantine Pests for Europe, 2nd Edition and Illustrations of Quarantine Pests for Europe. The three titles are the result of collaboration between CABI and EPPO in the compilation of data on the pests of phytosanitary significance for the European and Mediterranean region. This present publication provides updated geographic distributions of over 350 pests for which data sheets and illustrations are already available. A map is provided for each pest showing the current world distribution graphically. This is supported by a list of the countries and provinces in which the pest has been recorded with a coded indication of its current status. Coverage extends to insects, mites, nematodes, fungi, bacteria, viruses and parasitic plants. The pests concerned are either entirely absent from the European and Mediterranean region (A1 list) or have a restricted distribution (A2 list). Text within the book is provided in both English and French.
