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      • Trusted Partner
        The Arts
        November 2017

        Vivien Leigh

        Actress and icon

        by Kate Dorney, Maggie B. Gale

        This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria & Albert Museum, London. The collection uses newly accessible family archives to explore the intensely complex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond.

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        Literature & Literary Studies
        April 2001

        Women, theatre and performance

        New histories, new historiographies

        by Kate Dorney, Maggie B. Gale, Susan Williams

        The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;

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      • Trusted Partner
        The Arts
        July 2024

        Theatre, activism, subjectivity

        Searching for the Left in a fragmented world

        by Bishnupriya Dutt, Silvija Jestrovic

        Through the lens of performance and politics, this collection zooms in on the context-specific dimensions, analogies, and micro-histories of the Left to better understand the larger picture. It proposes a search for the Left not from totalising Leftist ideological positions and partisan politics but from ethical dimensions through smaller-scale Left-leaning struggles; not from the political to the aesthetic, but from the potentiality of art to offer new political imagination and critique; not from the individual subordinated to the collective, but from the dialectics of subjectivity and collectivity. This is not an attempt at a sweeping global overview of Leftist cultures either, but a collection that brings together culture-specific and comparative perspectives. This book searches for fragments of and on the Left, past and present, through which to rethink and patch a fragmented world.

      • Trusted Partner
        The Arts
        February 2022

        "I am Jugoslovenka!"

        Feminist performance politics during and after Yugoslav Socialism

        by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon

        "I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.

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        Memoirs
        2021

        How the Cherry Orchard Was Cut Down, or the Long Road from Bad Ems

        by Oksana Zabuzhko

        This book commemorates Oksana Miyakovska-Radysh (1919–2020), a long-term archivist of the Ukrainian Free Academy of Sciences (UVAN) in New York. Her greatness lies in serving her cause with absolute freedom from complexes imposed by Russia and its culture. Reading this book is like flipping through an old family album in Miyakovska-Radysh's company. The book reveals numerous secrets. It turns out that Chekhov's Three Sisters were not just a figment of the writer's imagination. Moreover, Chekhov himself was a young man from then Ukrainian Taganrog, fond of his native Ukrainian language, theatre and one of the three sisters. The book also explores the connection between the "new woman" in Russian literature and the 19th-century Ukrainian women's movement and looks into the past mistakes that still have repercussions for Ukrainians today.

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        Biography & True Stories
        November 2024

        Walking in the dark

        James Baldwin, my father and I

        by Douglas Field

        A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism. Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestoes of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance. Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the dark, he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death. Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.

      • Trusted Partner
        The Arts
        September 2020

        Science in performance

        Theatre and the politics of engagement

        by Simon Parry

        This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.

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        The Arts
        May 2014

        The Centennial History of Chinese Art (1900-2000)

        by Yin Hong, Ling Yan, etc.

        This book series contain 5 volumes: The Centennial History of Chinese Cinematography (1900-2000) The Centennial History of Chinese Fine Arts (1900-2000) The Centennial History of Chinese Dancing (1900-2000) The Centennial History of Chinese Drama (1900-2000) The Centennial History of Chinese Music (1900-2000) A period historical works of the Chinese Art for the last hundred years (1900-2000),offering a profound analysis of the underlying interaction between the development of the centenial history of fine arts and society, economy, thoughts and cultural vicissitudes through the narration of the conditions of the development of Chinese art.

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        Humanities & Social Sciences
        December 2022

        Distant sisters

        Australasian women and the international struggle for the vote, 1880–1914

        by James Keating

        In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women's electoral rights. Charting the common trajectory of the colonial suffrage campaigns, Distant Sisters uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide-long considered the peripheries of the feminist world-cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women's movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.

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        Literature & Literary Studies
        April 2002

        ‘Love me or kill me’

        Sarah Kane and the theatre of extremes

        by Graham Saunders, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Kim Latham

        Blasted brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Covers all Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. A chapter-by-chapter analysis looks at each play in detail and the appendices carry transcripts of interviews with colleagues and leading theatre practitioners involved with her productions. This book is the first study of the most significant British dramatist in post-war theatre and includes unpublished interview material with Sarah Kane herself. ;

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        Literature & Literary Studies
        October 2002

        Theatre in crisis?

        Performance manifestoes for a new century

        by Maria M. Delgado, Maria M. Delgado, Caridad Svich, Maggie B. Gale, Peter Lichtenfels

        A wide-ranging look at the state of contemporary theatre practice, economics, and issues related to identity, politics, and technology. Contains a snapshot dissection of where theatre is, where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK, US and elsewhere. Offers an examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book's mission. Asks questions such as: where is theatre now taking place?; what is the relationship between play and performance?; how does funding work?; what states does theatre flourish under?; and if there is a current 'crisis of theatre' should it not be seen as a welcome opportunity to develop a vigorous 'theatre of crisis'?. The international list of contributors includes Jim Carmody, Phyllis Nagy, Michael Billington, Max Stafford-Clark, Peter Sellars, Dragan Klaic, Goat Island, Erik Ehn and many others, making up a vast array of practising artists, thinkers, and scholars. ;

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        Journey in Trumplandia: The Rise of Populism in America

        by Tiberiu Dianu

        The book is a collection of essays about the transformation of America, which has turned from a united nation to one more divided than ever. Some pundits predict that, if things don’t change, another civil war could occur. Have we reached a point of no return? Hopefully, America is mature enough to learn from its mistakes and avoid further scars along its evolving history. "Trumplandia is a welcome addition toward understanding current events, Washington’s international policy, and the present American society; a society polarized and divided as it has not been since the Civil War.” NICHOLAS DIMA, Ph.D., Adjunct Professor and Research Associate, Nelson Institute, James Madison University, Virginia. "The book is fascinating. It provides background to, and insights into [the] current and past political history as well as offering a personal view... of the country and society. Presented in thematic form in chapters and sections, the insights offered provide a suggestive radiography...” Dr. DENNIS DELETANT, OBE, School of Foreign Service, Georgetown University, Washington DC. "There has been this backsliding in... what a truly functioning rule-of-law state is, that has proper separation of co-equal powers, which, if you don’t keep working on that, you backslide. And I am even worried about that here, in the United States right now, about backsliding.” OBIE MOORE, Esq., OLM Advisors LLC, Washington DC “Indeed, Trumplandia should be a welcome addition to any scholar, student or layman’s library, especially in its international edition. If anyone loses sleep over its challenging assertions, then it will have been well worth it.” ERNESTO MORALES HIZON, Ph.D. Candidate in American and Comparative Politics at Claremont Graduate University, Member, Integrated Bar of the Philippines ABOUT THE AUTHOR: TIBERIU DIANU has practiced law in Romania (as a corporate lawyer, judge, senior counselor at the Ministry of Justice, university professor and senior legal researcher), and in the United States (as a legal expert for the judiciary). He published several books and a host of articles in law, politics, and post-communist societies. Tiberiu currently lives and works in Washington, DC.

      • Trusted Partner
        The Arts
        November 2011

        The limits of performance in the French Romantic theatre

        by Susan McCready, Mike Thompson

        This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). ;

      • Trusted Partner
        April 2021

        Unswerving and Brave Divisional Commander Chen Shuxiang

        by Zhi Zaifei, originally named Jiang Zhifei, is a writer, playwright, lyricist, and party history worker. He has published or released nearly 4 million words of various types of writings.

        Based on the spirit of Xi Jinping's speech at the 2014 Political Work Conference of the People's Liberation Army, the author, in the pursuit of the ideal, meticulously collected historical materials on Chen Shuxiang, the commander of the 34th Divisionof the Central Red Army's Rear Guard, and spent several years crafting this historical novel.

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        Literature & Literary Studies
        October 1997

        Arguments for a theatre

        by Howard Barker

        There is no-one else in theatre who takes this position There is a lack of books on serious theatre theory Written in a particularly accessible form. ;

      • Trusted Partner
        2017

        Happy Fine Art Class

        by Children's Art Education

        Happy Fine Art Class is a fine art class that "creates happiness"! Here, a “Happy Fine Art Class” is being created. What is happiness? How to get happy? What is a happy fine art class like? Let us lead you to feel the happiness created by the Happy Fine Art Class of the Central Academy of Fine Arts. As an educator, the understanding and love for children is the foundation of art teaching. In this way, we can face every child who is full of ideas with a heart of tolerance and encouragement, and let them feel the warmth of helping and sharing with each other under the collaboration of the group.How to get happy? In fact, happiness is in the process of painting and other artistic creations.

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