Our passion is to show kids, how colourful and fascinating the world is. There is not only one way to live but so many. We love curious children and we do the books they need to explore the world. So we do travel books for kids and novels for the journey in a hammock.
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WE BELIEVE THAT THE GOOD TRIUMPHS Where did the idea to make children’s educational tales that are different from the rest come from? One day, we decided to create a character who would be loved by thousands of children. We looked at our youngest and realised how much depends on us, adults. It dawned on us that if we bring up our children to become good and noble people, there is a big chance that they will do the same in the future. They will pass the love they got from us on to their children, who will then do the same, and so on…
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In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
For ordinary people, the impact of the Reformation would have centred around local parish churches, rather than the theological debates of the Reformers. Focusing on the Calvinists, this volume explores how the architecture, appearance and arrangement of places of worship were transformed by new theology and religious practice. Based on original research and site visits, this book charts the impact of the Reformed faith across Europe, concentrating in particular on France, the Netherlands and Scotland. While in some areas a Calvinist Reformation led to the adaptation of existing buildings, elsewhere it resulted in the construction of new places of worship to innovative new designs. Reformed places of worship also reflected local considerations, vested interests and civic aspirations, often employing the latest styles and forms of decoration, and here provide a lens through which to examine not only the impact of the Reformation at a local level but also the character of the different religious settlements across Europe during the late sixteenth and seventeenth centuries. ;
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For ordinary people, the impact of the Reformation would have centred around local parish churches, rather than the theological debates of the Reformers. Focusing on the Calvinists, this volume explores how the architecture, appearance and arrangement of places of worship were transformed by new theology and religious practice. Based on original research and site visits, this book charts the impact of the Reformed faith across Europe, concentrating in particular on France, the Netherlands and Scotland. While in some areas a Calvinist Reformation led to the adaptation of existing buildings, elsewhere it resulted in the construction of new places of worship to innovative new designs. Reformed places of worship also reflected local considerations, vested interests and civic aspirations, often employing the latest styles and forms of decoration, and here provide a lens through which to examine not only the impact of the Reformation at a local level but also the character of the different religious settlements across Europe during the late sixteenth and seventeenth centuries.
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This volume illustrates the cultural characteristics of Chinese food, Chinese cooking, food-related myths and legends, food and worship, food and celebrities, and literature.
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This study considers the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism and chivalry. It was also used to emphasise the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales and Ireland to the imperial project.
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During the sixteenth century, England underwent a religious revolution. This book examines the reverberations of this Protestant Reformation, which continued to be felt until at least the end of the seventeenth century. Brings together twelve essays by Nicholas Tyacke about English Protestantism, which range from the Reformation itself, and the new market-place of ideas opened up, to the establishment of freedom of worship for Protestant nonconformists in 1689. For this collection the author has written a substantial introduction, and updated the essays by incorporating new research. ;
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This book mainly introduces the origin of the Nu ethnic group's Flower Festival. A beautiful Nu girl used her ingenuity to help the Nu people solve the problem of crossing the river. Later, the wealthy bully wanted to marry her because of her beauty and intelligence. She fled to the cave but was killed by the bully on March 15th of the lunar calendar. Later, when people went to worship her on March 15th, they found that the cave was full of flowers. Thus, people called that day the “Flower Festival”.
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"Book of Poetry" is the beginning of ancient Chinese poetry and the earliest collection of poems. A collection of 305 ancient poems from the 11th century BC to the 6th century BC were originally called "Poems" or "Three Hundred Poems". In the Western Han Dynasty, they were revered as Confucian classics and they were called "Book of Poetry". "The Book of Poetry" is divided into three parts: "Wind", "Ya" and "Ode". It is rich in content, reflecting labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and banquet, and even astronomical phenomena, landforms, animals, Plants and other aspects are a mirror of social life in the Zhou Dynasty.
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This book mainly introduces the origin of Qiang ethnic group's Waerezu Festival. Long long ago, a young girl came to Mao County, Sichuan Province, where the Qiang people lived. She was Sister Shalang and loved to sing. In order to seize Sister Shalang, the local chieftain burned up the azaleas where village women danced and sang. While azaleas were burned, Sister Shalang was dying. The people in the village then got to know that Sister Shalang was the goddess of azaleas! To commemorate her, the Qiang people started to gather dew, sing and dance, and worship the mountain gods every year on May fifth of the lunar calendar when azaleas bloom. Over time, this event has evolved into a festival for Qiang women -- that was how the Waerezu Festival has initiated.
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In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
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Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. A hundred years later, a massive earthquake broke the box of the imprisoned aliens, and the aliens escaped! They raided the Antarctic research station and ransacked the Golden State to worship the Golden City, making a large number of vicious incidents. Their next goal is the country that the children have built—the brave city of the capital of Papa, and a new battle is about to start. Can the young heroes of Papa State resist the invasion of aliens and save the earth?
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For millennia people have travelled to religious sites for worship, initiatory and leisure purposes. Today there are hundreds, if not thousands, of religious pilgrimage routes and trails around the world that are used by pilgrims as well as tourists. Indeed, many religious pilgrimage routes and trails are today used as themes by tourism marketers in an effort to promote regional economic development. Providing a holistic approach to religious pilgrimage routes and trails, this book: - Addresses important conceptual themes such as sustainable local development, regional economic development, heritage identity and management, and promoting environmentally friendly practices; - Includes global case studies to help transfer theory into good practice; - Calls for further discussion of the importance of better planning, management, and maintenance of these routes and trails, so that the positive benefits of this type of tourism development can be fully realized. An important resource for those interested in religious tourism and pilgrimage, this book is also an invaluable collection for academics and policy-makers within heritage tourism and regional development.
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Through five years of meticulous preparation and hard work in the mountains, the author has gained more than 200,000 words of hard work. In the mountainous area of Shennongjia, Hubei, people believe that people are livestock for two hours a day. In today's world, humans and beasts are upside down, and humans and beasts are mixed, which is exactly what the people of Shennongjia say. In the novel "Hunter Peak", several generations of hunters with Bai Xiu at the core are fighting against the mountain, against the creatures in the mountain, against the people outside the mountain, and in this cruel fight or ups and downs in the changing times. Either twisted, surviving, or dying, they are no longer the objects of praise and worship in the traditional concept, but are also full of contradictions and loss, distortions and sacrifices. The work narrates a battle between humans and beasts encountered with wild boars, a modern legend of deep mountains and old forests, the great poetry of hunting, and the great mystery of survival. All are described and displayed incisively and vividly here.
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Hero, von den Eltern zur Priesterin bestimmt, lebt allein in Sestos am nördlichen Ufer der Dardanellen. Im gegenüberliegenden Abydos stürzt sich auf der asiatischen Seite Leander allnächtlich in die Fluten, um, geleitet von der Öllampe, die Hero ins Fenster ihres Wohnturms stellt, zu ihr zu gelangen – bis eines Nachts im Sturm die Flamme verlischt. Die Sage von den zwei Königskindern, die zusammen nicht kommen können, weil das Wasser viel zu tief ist, hat schon Ovid gestaltet, ihre vollendete Fassung, auf die sich auch Bearbeiter wie Schiller und Grillparzer beziehen, findet sich aber in dem Versepos des Musaios, der um 500 nach Christus lebte. In der neuen, eleganten Prosaübertragung von Marion Giebel wird dieser anrührende Text, mit bildnerischen Darstellungen des Mythos aus verschiedenen Zeiten sowie einem die geschichtlichen Zusammenhänge erläuternden Nachwort versehen, wieder auf deutsch zugänglich gemacht.
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Hero Qin Qiong of Tang Dynasty This book has narrated the stories of Qin Qiong, a hero of early Tang dynasty, in the form of comic strips.
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Courage and Fear is a study of a multicultural city in times of great change. Olya Hnatiuk presents a meticulously documented portrait of Lviv’s ethnically diverse intellectuals during World War II. As the Soviet, Nazi, and once again Soviet occupations tear the city’s social structures apart, groups of Polish, Ukrainian, and Jewish doctors, academicians, and artists try to survive, struggling to manage complex relationships and to uphold their ethos. As their pre-war lives are violently upended, courage and fear shape their actions. Olya Hnatiuk employs diverse sources in several languages to tell the story of Lviv from a multi-ethnic perspective and to challenge the nation focused narratives dominant in Central and Eastern Europe.
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To Elias Gunnarson, his dad, Teddy, was part of “the greatest generation,” a man who fought valiantly in World War II, was honorably discharged, married his high school sweetheart, and lived happily ever after. Right? Wrong! The truth, he finds, lies shrouded in an intricately complex web baring only superficial resemblance to the terrible reality lived by those who battled from the sands of Omaha Beach to the horrors of Dachau. As letters, videos, stories, and memories unfold the true tale of Teddy's war, Elias learns that the lives of his mother, his father, and his father's brother, Jake, were not what they seemed, and that dying a hero does not absolve a person from the sins of his past.
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Risk, anxiety and moral panic are endemic to contemporary societies and media forms. How do these phenomena manifest in a place like South Africa, which features heightened insecurity, deep inequality and accelerated social change? What happens when cultures of fear intersect with pervasive systems of gender, race and class? Worrier state investigates four case studies in which fear and anxiety appear in radically different ways: the far right myth of 'white genocide'; so-called 'Satanist' murders of young women; an urban legend about township crime; and social theories about safety and goodness in the suburbs. Falkof foregrounds the significance of emotion as a socio-political force, emphasising South Africa's imbrication within globalised conditions of anxiety and thus its fundamental and often-ignored hypermodernity. The book offers a bold and creative perspective on the social roles of fear and emotion in South Africa and thus on everyday life in this complex place.
