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      • Trusted Partner
        The Arts
        August 2010

        Art, museums and touch

        by Fiona Candlin, Amelia Jones, Marsha Meskimmon

        Art, museums and touch examines conceptions and uses of touch within arts museums and art history. Candlin deftly weaves archival material and contemporary museology together with government policy and art practice to question the foundations of modern art history, museums as sites of visual learning, and the association of touch with female identity and sexuality. This remarkable study presents a challenging riposte to museology and art history that privileges visual experience. Candlin demonstrates that touch was, and still is, crucially important to museums and art history. At the same time she contests the recent characterisation of touch as an accessible and inclusive way of engaging with museum collections, and argues against prevalent ideas of touch as an unmediated and uncomplicated mode of learning. An original and wide-ranging enquiry, this book is essential reading for scholars and students of museum studies, art history, visual culture, disability, and for anyone interested in the cultural construction of the senses. ;

      • Trusted Partner
        Poetry (Children's/YA)
        August 2018

        Animal

        Poemas breves salvajes

        by María José Ferrada, Ana Palmero

        "Hidden in his horn he guards the secret of the jungle”. This might be as well the beginning of a novel, but it's an inspired riddle about wild animals. The illustrations in high varnish of this edition highlight the different skin textures of each animal and invites the reader to discover a new way of reading in a tactile and playful way.

      • Trusted Partner
        Children's & YA
        2020

        Listen to Your Diddalum

        by Child, Emily / Lebedeva, Maria

        From children's book author Emily Child and popular illustrator Maria Lebedeva comes a new picture book that explores feelings for children in the most incredible way, Listen to Your Diddalum! What is your Diddalum? Is it that funny feeling in your stomach when you're excited? Or is it exploding fireworks? Is it a slimy slug, or a fluttering butterfly? What is your Diddalum and how do you listen to it?

      • Trusted Partner
        The Arts
        September 2023

        The senses in interior design

        Sensorial expressions and experiences

        by John Potvin, Marie-Ève Marchand, Benoit Beaulieu

        The senses in interior design examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors. The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic décors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.

      • Trusted Partner
        January 2015

        Fascination

        by Hong Wei

        The book includes the author’s first design draft and essays. Its interesting and vivid design language truly reflects the author’s design thoughts and life attitudes, allowing people to know Chinese designers through every little detail. It feels special to touch the book for it adopts handwriting and deckle edge style to attract readers. As a designer himself, the author integrates the content and design perfectly. His design lays emphasis on tactile impression, making readers feel its temperature and texture.

      • Trusted Partner
        Photography & photographs
        2019

        I feel guilty when I throw away food. Grandma used to tell me about Holodomor (Famine of 1933)

        by Andrii Dostliev, Lia Dostlieva, introduction by Serhiy Zhadan

        Post-photographic research, which explores traces of a traumatic historical event in everyday practices and in contemporary landscape and tests the limits of photography as a medium in trauma representation. The starting point of this project was the personal sense of guilt which accompanies the acts of throwing food away. This feeling is common in contemporary Ukrainian culture and originates in our postmemory - it was imprinted into our generation’s behavioral patterns by the stories of our grandparents - survivors of the man-made famine of 1932-33 in Soviet Ukraine called the Holodomor, which killed millions. The ink prints document the thrown-away food while fragments of found black-and-white photographs of unrecognisable landscapes demonstrate the lack of the famine’s traces in the landscape – unlike many collective traumas which have exact geographic locations and present in the landscape in the form of ‘places of memory’.

      • Trusted Partner
        The Arts
        November 2013

        Surface tensions

        Surface, finish and the meaning of objects

        by Christopher Breward, Glenn Adamson, Victoria Kelley, Bill Sherman

        Surfaces are often held to be of lesser consequence than 'deeper' or more 'substantive' aspects of artworks and objects. Yet it is also possible to conceive of the surface in more positive terms: as a site where complex forces meet. Surfaces can be theorized as membranes, protective shells, sensitive skins, even thicknesses in their own right. The surface is not so much a barrier to content as an opportunity for encounter: in new objects, the surface is the site of qualities of finish, texture, the site of tactile interaction, the last point of contact between object and maker, and the first point of contact between object and user. Surface tensions includes sixteen essays that explore this theoretically uncharted terrain. The subjects range widely: domestic maintenance; avant-garde fashion; the faking of antiques; postmodern architecture and design; contemporary film costume. Of particular emphasis within the volume are textiles, which are among the most complex and culturally rich materialisations of surface. As a whole, the book provides insights into the whole lifecycle of objects, not just their condition when new. ;

      • Trusted Partner
        March 2021

        Feeling fresh

        Wie Kälte unser Immunsystem stärkt und wir uns rundum wohlfühlen

        by Andrea Bianchi

      • Trusted Partner
      • Trusted Partner
        Humanities & Social Sciences
        November 2017

        Critical theory and feeling

        by Simon Mussell, Darrow Schecter

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        Humanities & Social Sciences
        July 2019

        Feeling the strain

        by Jill Kirby, Keir Waddington, David Cantor

      • Trusted Partner
        Humanities & Social Sciences
        June 2021

        Feeling the strain

        A cultural history of stress in twentieth-century Britain

        by Jill Kirby

        Examining the popular discourse of nerves and stress, this book provides a historical account of how ordinary Britons understood, explained and coped with the pressures and strains of daily life during the twentieth century. It traces the popular, vernacular discourse of stress, illuminating not just how stress was known, but the ways in which that knowledge was produced. Taking a cultural approach, the book focuses on contemporary popular understandings, revealing continuity of ideas about work, mental health, status, gender and individual weakness, as well as the changing socio-economic contexts that enabled stress to become a ubiquitous condition of everyday life by the end of the century. With accounts from sufferers, families and colleagues it also offers insight into self-help literature, the meanings of work and changing dynamics of domestic life, delivering a complementary perspective to medical histories of stress.

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