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        by Juan Ramón Jiménez

        As from 1st February 2020 AMV AGENCIA LITERARIA manages and represents exclusively  the rights of the Nobel Prize in literature 1956 Juan Ramón Jiménez, and the JRJ and Zenobia Camprubí Estate worldwide.

      • Horror & ghost stories, chillers (Children's/YA)
        November 2019

        El llamado de las brujas

        by Alvaro Vanegas

        Maria Fernanda strongly believes she is a normal teenager. However, on a school trip, she realizes there are a lot of things her family has hidden from her. She would never imagine that she descends from an ancient lineage of witches and also that she has powers, Now, she must fight against Lucrecia, a powerful and evil witch who wants to take revenge by destroying her family and taking control over her.

      • Lifestyle, Sport & Leisure
        June 2021

        Prórroga

        by Antonio Agredano

        “In a world of winners, defeat is a kind of dissidence. Losing is not a romantic exercise, it hurts like a stepfather, but you learn. All victories are alike, but each defeat is similar in its own way; There are many ways to cry, but everyone drinks champagne the same way. This is not a football book. Not only. Because in football there is room for a life”. Julián Bellón, at the age of 40, returns to Córdoba due to the death of his father. That loss will drag him to his childhood, to his neighborhood, to the bars and to the people who saw him grow up, the last place of armored happiness before his life twisted and fell into a spiral of self-destruction. The boy who became a goalkeeper still dreaming of scoring a goal, the young man who later became a professional goalkeeper, today is a broken man cornered by memories of him. Is there time for redemption before the final whistle?

      • Fiction
        June 2022

        Adiós, pequeño (Goodbye, little one)

        by Máximo Huerta

        FERNANDO LARA PRIZE 2022 My mother would have been happier if I had never been born. That’s the simple truth about my life. The plot and the ending of this novel don’t really matter. Accepting the circumstances of the story is the only sedative that allows me to write. The only thing I’m afraid of is the end. The only purpose of this sermon of mine, of all these words, of the constant pain and the feigned happiness, is to delay my inexorable arrival at that point, like watching a train make its way down the mountain, disappearing into tunnels that were dug a century ago. “Should I write?” I ask myself. “Write and, once you’ve finished, don’t go back. Say goodbye.” With this brave, intimate account, the author reconstructs a childhood in which everyone – grandparents, parents and children – has been silent for too long. Adiós, pequeño is the story of a family trying to be happy despite everything.

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