Narrative Landscape Press Ltd
Narrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
View Rights PortalNarrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
View Rights PortalWe are a boutique publishing house producing quality books on Asian subjects. We also provide publishing services and consultancy.
View Rights PortalThe landscape of pre-Conquest England can often be reconstructed in minute detail. Yet this is one of the first attempts at such a project. Here the evidence is examined for the West Midlands - the counties of Worcestershire, Warwickshire and Gloucestershire, much of which formed the Anglo-Saxon kingdom of the Hwicce. Della Hooke reveals the intimate local landscape through the medium of place names, contemporary documents and archaeological evidence. Her detailed picture brings the Anglo-Saxon countryside very much to life. The patterns which emerge in this period go far to explain the nature of later medieval patterns of settlement and field systems, and provide the key to understanding territorial organisation in the region. ;
Landscape Kāsaka is the first prose collection of Li Xiuwen. Most of the works have been written by Li during the turbulent decade among places such as forest and townlet, temple and studio, inn and train and so forth, all of which constitute Li’s Landscape. He has painstakingly recorded the emotion and dignity of ordinary people: doorkeeper and peddler, umbrella mender and tinker, courier and cleaner, real estate broker and sales representative...Also, there are some chapters about traveling and poetry, traditional Chinese opera and day dream. By writing these, Li Xiuwen finally affirms his destiny: as for himself, writing, is not only the faith leading him out of fatigue, but also the Kāsaka during his wandering life.
Landscape today is no longer just a cultural aspect, intended as an elitist phenomenon, but emerges as an essential element in the definition and the application of a modern approach in sustainable development. Historical locally adapted distinctive and ingenious combinations of management practices have contributed and continue to contribute tremendously to the biodiversity of the world, resulting not only in outstanding aesthetic beauty, but, in the sustained provision of multiple goods and services, food and livelihood security and quality of life. The development of policies to preserve and manage landscape resources, has to face both the degradation of cultural landscape due to socio-economic development and the need to develop appropriate methods and approaches. This book presents different methodologies developed to analyse, manage and plan landscape resources. It reports recent research findings and case studies from Europe and North America, suggesting also the revision of some orientations and views of the current policies concerning forestry, rural development and nature conservation, often contributing to degrade cultural landscapes.
Southern Africa played a varied but vital role in Britain's maritime and imperial stories: it was one of the most intricate pieces in the British imperial strategic jigsaw, and representations of southern African landscape and maritime spaces reflect its multifaceted position. Representing Africa examines the ways in which British travellers, explorers and artists viewed southern Africa in a period of evolving and expanding British interest in the region. Drawing on a wide range of archival sources, contemporary travelogues and visual images, many of which have not previously been published in this context, this book posits landscape as a useful prism through which to view changing British attitudes towards Africa. Richly illustrated, this book will be essential reading for scholars and students interested in British, African, imperial and exploration history, art history, and landscape and environment studies.
This book presents a horticultural overview of the main plant families of trees and shrubs from temperate regions that are cultivated in urban and rural landscape schemes. Most of the plants used come from a limited number of plant families and within these families, certain genera contribute very significantly.The largest chapter in the book describes 37 plant families according to their identification, functional use and management in landscape schemes. With this information readers will be able to assess the suitability of species and prepare planting designs for prevailing sites.
The architect Chuin Tung introduced the classic beauty of Chinese gardens to the world through this book The interest of garden appreciation: profound interpretation of the spirit and connotation of Chinese gardens The method of gardening: comprehensive analysis of the details and techniques of garden construction (including architectural and planning, ornament and furniture, rockery, planting) The history of gardens: detailing the difference between garden history and Eastern and Western gardens 建筑学界一代宗师童寯向世界介绍中国园林之美的经典著作 赏园之趣:深刻解读中国园林的精神与内涵 造园之法:全面分析园林营造的细节与技法(建筑与布局,装修与家具,叠石,植物配置) 园林之史:细述园林历史及东西方园林的区别
These thirty three drawings by Moshe Kaufman, selected from hundreds of drawings, are the fruition of his sketching trips to the historic and picturesque landscapes of the Holy Land. They reflect the artist’s admiration of the majestic sceneries he has witnessed while touring the various regions of the country. Kaufman's formative years were spent in Jerusalem, where the urban landscapes of the holy city were first absorbed. As a young architecture student in Haifa, he enjoyed many trips to the mountains of the Carmel and the Galilee. In later years, being involved in the planning of the town of Eilat, he had the opportunity to be in close contact with the mountainous desert views of the Negev and the Arava. Moshe Kaufman is a painter and retired architect. His landscapes, in black and white, as well as in color, were exhibited in several successful one-man shows in Israel, Florida, and New York. “...Moshe Kaufman, with only pen and ink on paper, he paints the simple country scenes, and the intensity with which they are felt, make them rise off the page as from the page of the Old Testament. The simple jagged desert tree, with a few bushes and a hill behind them is the stuff with which Moshe Kaufman can make magic.” Bruno Pulmer Poroner “ARTSPEAK” New York “...Kaufman does not copy nature in a realistic style. He rather adopts the impressionist tinge with a personal touch. His drawings consist of mysticism and imagination combined with realism. His expressive landscapes reveal a concealed force of the artist, as well as his inner truth that characterizes him.” “WORLD OF ART” Tel Aviv
In recent years landscape and wildlife conservation has attracted increased attention from environmentalists and policy-makers. There have been policies within the European Union aimed at conserving wildlife and landscape in Europe for more than a decade and appraisal of these policies is opportune. A workshop was therefore held at the University of Hohenheim in September 1996 to examine critical issues associated with these policies. This workshop was one of a series, each focusing on a key theme as part of the EU Concerted Action, “Policy measures to control environmental impacts from agriculture”. This book presents a selection of revised papers from this workshop. The overall perspective is an economic one, with several chapters reviewing analytical methods, economic valuation of the benefits of agricultural landscapes and the costs and benefits of wildlife conservation. These are set in the context of the Common Agricultural Policy and environmental policies in the EU. The book represents important reading for agricultural and environmental economists, as well as those concerned with ecology and conservation.
Taking a cue from revisionist scholarship on early modern vernacular architectures and their relationship to the classical canon, this book rehabilitates the reputations of a representative if misunderstood building typology - the eighteenth-century brick terraced house - and the artisan communities of bricklayers, carpenters and plasterers responsible for its design and construction. Opening with a cultural history of the building tradesman in terms of his reception within contemporary architectural discourse, chapters consider the design, decoration and marketing of the town house in the principal cities of the eighteenth- and early nineteenth-century British Atlantic world. The book is essential reading for students and scholars of the history of architectural design and interior decoration specifically, and of eighteenth-century society and culture generally.
Gender-based violence (GBV) in travel and tourism is embedded within wider social structures of gender inequalities and discrimination. Even though it is pertinent to study GBV in all its forms, this book focuses on the multiple and interconnected manifestations of violence that women/girls encounter in tourism consumption and production (physical, sexual, emotional or socio-economic), while seeking to open the debate on violence against sexual minorities (LGBT) and discussing men/boys as victims and perpetrators of GBV. By engaging in a critical exploration of the theoretical landscape of GBV and case studies on GBV and sexual harassment, the book adopts a multidisciplinary perspective drawing on feminist, intersectional and post-colonial frameworks, bringing together contributions from academics and practitioners across the globe.
The Xiang River Running North is an original picture book on the theme of river culture. During the 100 years of the Chinese Communist Party's struggle, the Xiang River has undergone radical changes in water quality, the economy along the river, the development of natural scenic areas, and the construction of new rural areas. Now, there is a prosperous new face of Hunan. This book depicts the beautiful landscape of Xiang River in a large scroll, and at the same time, these changes are cleverly integrated into it. For example, high-speed rail through the mountains, high buildings are everywhere, bridges across the river, and new countryside all over the China, etc. In a large format, this book opens a lively course for young readers to read about Xiang River, nature and the times.
This is a collection of works on the theme of corporate culture. There are four chapters in the book: "Enjoy•Value", "Enjoy•Ecology", "Enjoy•Life", "Enjoy•Culture". The first chapter elaborates the development of Changsha Bank into a big, party building as the soul, management as the foundation, service as the key, love as the beauty, and technology as the first from the three dimensions of management, products and the future. It records the birth and development of Changsha Bank’s products Growth, imaginative business planning, etc.; Chapter 2 shows the steps of Changsha Bank to explore ecological banking, build a financial ecosystem, cross-border brand alliances, openness and win-win, compatibility and inclusiveness; Chapter 3 tells the story of employees' hard work, etc.; The fourth chapter presents the research results of the Changsha Bank’s Corporate Culture Construction Expert Advisory Committee.
Documents from the "KGB archives" are published in the book. They cover the period from the beginning of the construction of the Chornobyl nuclear power plant to the commissioning of the "Shelter" facility ("Sarcophagus") after the Chornobyl disaster (1970-1986).
"The Classic of Mountains and Seas (Picture Version)" is a children's traditional cultural enlightenment book with a fresh perspective. Selected representative and interesting chapters in "The Classic of Mountains and Seas" were drawn into the book, which depicts a series of images in "The Classic of Mountains and Seas" such as water systems, mountains, vegetations, trees, mountain gods, sacred beasts, water monsters, etc. In this imaginative picture book, images are vivid and the story theme is ups and downs. The author extracts nourishment from the profound ancient myths, and then creates new stories that children can understand. The whole book takes a retro and creative form with concise and simple text and simple and freehand ink painting through the mountain and sea scriptures, depicting a mythical world where the heavens and the earth are prevalent and the gods and monsters are in chaos.
It is a valuable work written by YU Kongjian on landscape design and the meaning of Feng-shui. It analyzes the structural characteristics of Feng-shui and landscape patterns, as well as the profound relationship between the two notions. The book follows the experience of human evolution and cultural ecology and provides abundant field research material, revealing the common patterns between an ideal Feng-shui design, other ideal landscape designs in Chinese culture, as well as ideal landscape design in the psychology and statistic sense. The work demonstrates China’s Feng-shui theory with cultural, geographical, biological and philosophical significance. The author, with amply practical experience in urban design and landscape design, reveals the cultural significance of Feng-shui with respect and understanding towards culture, belief, local development, as well as an objective attitude towards this theory.
While growing up, girls are more likely than boys to receive contradictory expectations from different aspects of their lives: parents, teachers, peers, society, and themselves. They could be rebellious but at the same time remain "good girls". They could express anger against bullies at school while simultaneously meeting teachers' expectations of nonaggressive behavior. They could be powerful and competitive at the same time that they worry about being considered "unfeminine". Girls struggle with these conflicting messages in their everyday lives, trying to please all these other people and losing track of themselves. Writer Le Fan, who has experienced the same contradictions as growing up, hopes that girls could love themselves, put themselves first a little more. So here comes the Picture Books about Emotion Management for Girls. The series contains five stories of five courageous little girls who were experiencing confusion in their lives. Little Le Fan in I am not Just a Good Girl tried to find the balance between two sides of herself—a cool girl and a good girl. Xiaoxiao in I love myself learned to be more confident and accepted her new look after her baby teeth fell out. Jiang in I'm so Jealous learned to deal with jealousy towards her best friend. A timid girl Xiao in I can Say No strived to express herself and stop the little boy's bullies. Feng in I Really Want to Win embraced her inner "tomboy" with daddy's encouragement. All the five little girls, though struggling, broke out of cultural and societal stereotypes swirling around them and became their true selves.
The Irish tower house examines the social role of castles in late-medieval and early modern Ireland. It uses a multidisciplinary methodology to uncover the lived experience of this historic culture, demonstrating the interconnectedness of society, economics and the environment. Of particular interest is the revelation of how concerned pre-modern people were with participation in the economy and the exploitation of the natural environment for economic gain. Material culture can shed light on how individuals shaped spaces around themselves, and tower houses, thanks to their pervasiveness in medieval and modern landscapes, represent a unique resource. Castles are the definitive building of the European Middle Ages, meaning that this book will be of great interest to scholars of both history and archaeology.
There is a pervading idea, both in the east and west, that "big boys don't cry". To reach some cultural ideal of a "real man", boys are too often pushed to be tough and stoic and suppress their emotions. The Picture Books about Emotion Management for Boys challenges this old tradition. Of course boys cry, and we should let them cry! The series contains five books. I Want to Cry encourages boys to express their vulnerable feelings in appropriate ways. I Don't Want to Hit Back encourages boys to follow their hearts and stick up for themselves in the way they like. I am a Coward talks about self-acceptance. I Don't Want to be a Big Brother is for boys experiencing issues with new siblings. I Didn't Hear You talks about protecting boys' own little worlds. All five stories came from author Le Fan's real experiences of raising two sons as a mother. While the books are certainly children's books, they could even be viewed as parent handbooks of sorts. The author has written their parents and other adults in little boys' eyes, and calls for parents and society to raise boys differently and understandingly so they can grow in positive, healthy ways.
For ages 3+ ‘‘My Little Picture Book of Animals (From A to Z)’’ helps children identify animals in their environment. It contains both domestic and wild animals. The animals are placed in alphabetical order to ease the learning process.
This is a set of geography science picture book, showing the geographic concept of China's vast territory, with a route that can reflect the different topography, customs and people with strong characteristics to show. The illustrations of each geographical node show the natural landscape, architectural features, and humanistic characteristics associated with this geographical node; the beautiful illustrations and warm images depict the magnificent rivers, mountains, and plains and deserts of China, giving readers a visual feast while increasing their knowledge of geographic science. This set of books starts from "Follow me in China", which can well attract the readers' exploration psychology, and the process of exploration together can subconsciously increase children's science knowledge about topography and landforms. Readers can follow the steps of the protagonist, visit the natural and humanistic landscapes of different regions, learn interesting knowledge about geography, and try unique games. The travel route chosen in this book is to ride a camel from the desert to the forest, showing China's efforts and achievements in disertification prevention and control.