Como grupo editorial, estamos orgullosos de decir que somos creadores de best-sellers, que pasan de ser éxitos locales a éxitos nacionales. Apostamos tanto por autores reconocidos como por autores noveles y nos interesamos en ampliar y renovar nuestro catálogo de manera constante. Como actores activos de la cultura, nuestro horizonte es ofrecer libros que participen de la construcción colectiva de contenidos de calidad.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
Construction, development projects, slum improvement -- rewarding work for Peace Corps volunteer Earl Kessler. But when residents of a Colombian town wiped out by flood took the future into their own hands, his life intersected with that of Alfonso Perez Correa, and he learned lessons in local participation and empowerment that have helped bring success in meeting community needs all over the world.
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Since the mid-2000s, the harsh reality of call centre employment for a generation of young workers in Portugal has been impossible to ignore. With its endless rows of small cubicles, where human agents endure repetitive telephone conversations with abusive clients under invasive modes of technological surveillance, discipline and control, call centre work remains a striking symbol of labour precarity, a condition particularly associated with the neoliberal generational disenchantment that 'each generation does better than its predecessor'. This book describes the emergence of a regime of disciplined agency in the Portuguese call centre sector. Examining the ascendancy of call centres as icons of precarity in contemporary Portugal, this book argues that call centre labour constitutes a new form of commodification of the labouring subject. De Matos argues that call centres represent an advanced system of non-manual labour power exploitation, due to the underestimation of human creativity that lies at the centre of the regimented structures of call centre labour. Call centres can only guarantee profit maintenance, de Matos argues, through the commodification of the human agency arising from the operators' moral, relational and social embedded agentive linguistic interventions of creative improvisation, decision-making, problem-solving and ethical evaluation.
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This is the story of a little elephant who went for its first walk without its mum. The elephant was happy and felt very much like a grown up! But other animals mocked the little elephant, because it had such a long nose, big ears and it was not small at all. The little elephant was so upset. Good thing Mommy knows how to tell the baby that being an elephant is actually very good! From 3 to 5 years, 622 words. Rightsholders: hanna.bulhakova@ranok-school.com
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This is the debut book of the nine-year-old dreamer and imaginative soul Bogdana Tytariova, a book that will captivate children and adults alike. Together with the heroes of Bogdana’s exciting stories, readers of these funny tales will travel the world and encounter fantastical creatures and magical animals, finding themselves in the land of uncultured books. The work is recommended for family readings, and these adventures are definitely going to brighten up every family gathering. After all, every once in a while, parents need a reminder that they were children too! From years 5 to 8, years, 8360 words. Rightsholders: svidoma@ukr.net
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The first coloring book for adults only! 34 drawings of orgies in fun and naughty variations: marine, idyllic, somber, poetic and much more. Drawn by 35 different artists especially for this publication. The kit contains 2 sets with 17 different orgies each + crayons + sticker of the orgy drawn by the great cartoonist Laerte, wrapped in a special (and discreet) package.
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The first and the most diverse edition of the selected works of the famous poet, laureate of the Shevchenko National Literary Prize of Ukraine collected under the title “The Window that Flies”. It includes all the best that was written by the author on the eve of his sixtieth birthday. The ancient world of native mythology and fairy tales comes to life in the work of the most prominent post-sixties poet Vasyl Holoborodko. Probably, this search for something nationally specific, which stretched on for years continues to this day.
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This graphic novel tells the story of Nyiragitwa, a Rwandan woman who is believed to have lived in the seventeenth century. It is based on an oral tradition that was shared by a man named Ndamyumugabe with the Belgian historian Jan Vansina in 1958 and raises important questions about how Rwandan women might have lived and contributed to their communities in the past.
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From a psychological perspective, there are many aspects to negotiating. Given the right knowledge of backgrounds and mechanisms, it is an art form possible to get to grips with and put into practice. In an entertaining and informative way, this book introduces the reader to the basics of communication and body language, cooperative negotiation, strategic negotiation, the different personalities of negotiators, and negotiating. Using practical exercises and valuable practical tips, this book takes the reader through the main psychological strategies and methods so he can negotiate in a flexible, goal-oriented, and successful manner. Target Group: For people who want to improve their negotiating skills.
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This book is a real treasure for young readers, who are constantly asking “why?” and are curious about absolutely everything that surrounds them. This visually astonishing volume takes children on a journey through different facts about our World. - Who can hold its breath for the longest time under water? - Why is plastic dangerous? - Which tree is the biggest on the Earth? - Who are the members of a symphony orchestra? - When will we be able to fly into space? Young readers can find answers to all these questions — and more — in The Big Book of Curiosities. From 5 to 12 years, 9000 words Rightsholders: Olga Popovych, olga@kalamar.ua
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Once upon a time, three brave knights appeared in the modern world! However, here's the surprise: these knights are actually three cheeky little girls pretending to be knights! Their imagination transforms ordinary objects and people into marvelous creatures, turning an ordinary day into an exciting adventure. They embark on many brave feats during their day, including fighting a dragon and, of course, saving a princess! The author demonstrates that children, and even adults, can be whoever they want with the power of imagination. From 3 to 6 years, 304 words Rightsholders: hanna.bulhakova@ranok-school.com
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James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance. Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings in other genres, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James's responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author. Rickard argues that, despite the King's best efforts to the contrary, his writings expose the tensions and contradictions between authorship and authority. This book will be of interest to scholars and students of the reign of James VI and I, the literary and political cultures of late sixteenth-century Scotland and early seventeenth-century England, the development of notions of authorship and the relationship between literature and politics. ;
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When he can't fall asleep, Zakhar imagines other people around him sleeping and gazes at the house across the street. Often, a window in the house flashes with light, so the boy imagines that the house is actually a lighthouse. Furthermore, there is a reason why Zakhar can't fall asleep: his father, an architect, doesn't sleep either. To help his son fall asleep, the father suggests a tried-and-tested method: counting. So, what will they count? Will Zakhar manage to fall asleep? From 3 to 5 years, 379 words Rightsholders: hanna.bulhakova@ranok-school.com
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This unique picture book is a creation of Khrystyna Lukashchuk, a well-known Ukrainian author and artist recognized as one of the best illustrators of independent Ukraine. From the emergence of Ukraine through its darkest times to its final victory over evil, A Tale Of Light allows us to find answers to dramatic questions: how can we explain to children why there is a war in their country? Why can not the enemy leave the Ukrainian land in peace? What will help us to defeat the enemy for good? The profound symbolic images that the author recreated will guide the readers along their journey. Ukrainians have been tapping into them for long times to find a source of harmony and internal strength – they are a powerful source of Light sustained by Ukrainian history, culture, and language. No enemy, however big or conniving, can destroy this Light. From 3 to 6 years, 719 words Rightsholders: bondarenkosvetlak@gmail.com
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Two boys look at the crescent moon in the sky: Orkhan sees in it a Muslim symbol, and young Petrus — a Cossack chaika (boat). The events of The Crescent over Kinburn date back to the time when there were constant clashes between the Christian and Muslim worlds on the Kinburn Foreland near the Black Sea. Everyone has their own truth and their own path to freedom, so this story teaches mercy and acceptance because the path of revenge and violence can only bring more offence and mistrust in the world. From 5 to 8 years, 4819 words Rightsholders: a.makhnyk@portalbooks.com.ua
