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      • Kawmiah distributing company

        The National Company for Distribution (Kawmiah distributing company) is one of the national press institutions working in the field of publishing, distribution, printing and journalism, and it has many cultural and intellectual publications through Dar Al Shaab and Dar Al Taawon, and it is of great importance in the paper book market in Egypt and the Arab world with its capabilities in the fields of publishing, distribution and printing And from promising cadres capable of presenting the best publications in various cultural and intellectual fields.

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      • Hudhud Publishing & Distribution

        Founded on the steadfast belief that a good book has a positive and lasting impact on the development of children, families and socities, Al Hudhud is a pioneering Emirati publishing and distribution

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      • Question Everything!

        by Susan Martineau, Vicky Barker

        High-interest non-fiction teaching critical literacy skills to children. The information jungle is everywhere! From spotting fake news to solving mysteries and telling the difference between misinformation and disinformation, the critical literacy skills in this book will help you find your way through it all. Empower yourself and remember: BE BRAVE, THINK FOR YOURSELF and ... QUESTION EVERYTHING! ⁣ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍ ‍

      • Science & Mathematics
        June 2022

        Fake over

        by Nereida Carrillo (author) / Alberto Montt (illustrator)

        The Era of Fake News is here. But what if we have the right tools to fight disinformation? Trolls, bots, deepfakes, information disorder, conspiracy theories… New generations stumble upon these phenomena on a daily basis on social media or on instant messaging platforms. But what is fake news, really? Who creates it? Has fake news always been around? What purpose does it serve? The book also empowers YA readers to take action and learn to trust professional, contrasted, plural and useful information and to avoid having a fake and biased worldview. How can we spot and debunk misinformation or detect fake videos or images? How can we verify a piece of information? How can we get rid of our biases? Online tools, tricks, step-by-step instructions, funny explanations, games… An entertaining and humorous guide useful for teenagers and adults alike.

      • Two Nordic Short Novels

        by Ana Flecha Marco

        The title of the book, Two Nordic Short Novels, signals to the reader exactly what to expect: two short fictions set in Scandinavia.  These stories are not only linked by length and latitude but also by the fact that they are a sheer delight to read. Story of Ø tells the tale of the handful of inhabitants left living on a tiny island in the Norwegian Sea, which is sinking inexorably due to climate change.  The islanders decide to try and conserve the collective memory of the land that has been their home for so many generations; a memory that lies in the objects and traditions that have shaped their personal and shared landscape. Mancha vividly conjures up the impressions of young woman as she arrives in Flekke, a small Norwegian village, to teach Spanish.  The village is populated by a kaleidoscopic range of inhabitants whom the teacher grows to understand as she interacts with them day by day.  The story unfolds with a refreshing lightness of touch, mixing humour and insight into cultural diversity with subtlety and skill.

      • Nature's Confession

        by JL Morin

        The epic tale of two teens in a fight to save a warming planet...the universe...and their love. A cli-fi quest to outsmart polluters, full of romance, honour and adventure.    “The novel is epic” –The Guardian    “It makes no apologies for its mission: to save our Planet Earth from self-destructing. A thought-provoking novel that brings the genre of ‘cli-fi’ to young adult readers.” —Florence Griswold Museum Reading Club, in an event featuringDr. Mark J. Schenker, Senior Associate Dean andDean of Academic Affairs at Yale University   Readers' Favorite Award Winner Book Excellence Finalist A Top 10  Best Science Fiction book Best Climate and Environmental Fiction book LitPick Award winner In "12 Works of Climate Fiction Everyone Should Read" 'Top Fiction Read' of the Year New York Book Festival Honorable Mention An excerpt received an Eco-Fiction Story Contest Honorable Mention     "Honestly, it's not my fault.  Humans were polluting the planet to desolation.  What else could I do?  I had to save her. "   When a smart-mouthed, mixed-race teen wonders why the work that needs to be done pays nothing compared to the busywork glorified on holovision news, the search for answers takes him on the wildest journey of anyone's lifetime. With the girl of his dreams, he inadvertently invents living computers. Just as the human race allows corporations to pollute Earth into total desolation, institute martial law and enslave humanity, the two teens set out to save civilization. Can they thwart polluters of Earth and other fertile planets? The heroes come into their own in different kinds of relationships in this diverse, multi-cultural romance. Along the way, they enlist the help of female droid Any Gynoid, who uncovers cutting-edge scientific mysteries. Their quest takes them through the Big Bang and back. Will Starliament tear them from the project and unleash 'intelligent' life's habitual pollution, or will youth lead the way to a new way of coexisting with Nature? Nature's Confession couldn't be more timely, just as the IMF reveals that governments give $5.3 trillion in fossil fuel subsidies every year, while we continue to propagate the idea that solar and wind power are unprofitable. The ideal classroom tool, with illustrations and topics for discussion at the back of the book. JL Morin entertains questions about busywork; economic incentives to pollute; sustainable energy; exploitation; cyborgs; the sanctity of Nature; and many kinds of relationships in this diverse, multi-cultural romance.

      • Humanities & Social Sciences

        1989 Fall of the Berlin Wall - Coincidence or Planning? /1989 Mauerfall Berlin - Zufall oder Planung?

        by Michael Wolski

        Classification in History   The fall of the Wall in 1989 is a historical example of the end of the relationship between hegemon and vassal. It shows how the hegemon silently disposed of his now unloved child. It is a story of the betrayal of the most loyal political friends and a common ideology.   East Germany was occupied by the Soviet Army on May 8, 1945 at the end of World War II in Europe and then, according to the decisions of the Allies, the Soviet-occupied zone in Germany was dominated by the Soviet Union. The German Democratic Republic (GDR) was founded in this zone in 1949, when the Soviet Union under Stalin was still convinced of the victory of communism in the world. At the same time, the Federal Republic of Germany was founded in the Western zones.   After only ten years it became clear that the socialist (Soviet) system in the GDR - a Western European, highly industrialized country - was not working. People left their country across the open sector border in Berlin.   For this reason, the East German Communists had to build the Berlin Wall in 1961 on the orders of the Soviet Union, hermetically sealing East Germany (and Eastern Europe) from the West. According to Allied regulations, Berlin was a jointly administered city, with one zone of each of the 4 Allies. Until 1990, West Berlin was therefore a territory of the Western Allies USA, United Kingdom and France. Westberlin  became a capitalist island in the GDR.   Ultimately, this isolation led to the decline of the entire Eastern Bloc. Only 25 years later, when Gorbachev came to power (1985), the Soviet Union decided in secret to separate from its Eastern European vassal states and introduce a market economy. The fall of the Berlin Wall in 1989, which was planned and carried out top secretly, was the opening of the clamp that had held the socialist countries together.   One year later (on October 3, 1990), German unity was achieved and again one year later - in late 1991 - the Soviet Union disintegrated into 15 states and with it the socialist camp in Europe. This disintegration was due to a boomerang of history - the German-Soviet treaties together with secret protocols of 1939, which unexpectedly unfolded their destructive potential in 1989.   Thus, 50 years after the Hitler-Stalin Pact and the German-Soviet Treaty of Friendship, both destroyed the Soviet Union as collateral damage of the opening of the Berlin Wall.   The Book   In this book, the course of events of the fall of the Berlin Wall in 1989 is portrayed differently than in current contemporary historiography.   I claim on the basis of evidence and facts that the Soviet Union was responsible for the fall of the Wall. In a covert action, high-ranking East German KGB agents in the army, Stasi and mass-media took over command on the evening of November 9, 1989. At the same time, a meeting of the Central Committee of the SED was "randomly" extended by almost 3 hours, isolating over 250 high-ranking party and state officials from the outside world. Thus the state power was unable to act in the decisive hours of the fall of the Wall.   I describe the fall of the Wall as an East German contemporary witness, working from 1986-1990 in the liaison office of a Dow Jones listed US corporation in East Berlin (GDR).    While I had noticed events in East Berlin since 1986 that could indicate that unofficial KGB employees were being sought by Stasi in the International Trade Center (IHZ), this assumption became certain in 1994. The report on the evaluation of Stasi documents in the Bundestag confirmed my assumptions.   In June 2020 the last GDR Minister of the Interior of the first freely elected government (9 April 1990 – 2 October 1990) gave this number for the first time since 1990: In 1989/90 there were about 50,000 people in the GDR working for KGB (and GRU). Thus my view that the Soviet Union planned and realized the fall of the Wall was confirmed after more than 30 years.   The official German narrative (which is currently being retold worldwide) is based on the fall of the Wall by civil rights activists. They convinced the border officers to open the wall. However, no details are given about the process "behind the scenes". It must be remembered that as late as October 1989, the Politburo was still discussing the use of tanks against demonstrators in Leipzig (who demanded free passage out of the GDR). So why the change of mind within 4 weeks?   More information about my alternative view of the fall of the Wall can be found here (in German, English, Russian, Chinese): https://www.1989mauerfall.berlin/expose-leseprobe.html The book reads like a thriller.

      • May 2022

        Your Brain on Psychedelics

        Pharmacology and neuroscience of psilocybin, DMT, LSD, MDMA, mescaline.

        by Genis Ona

        Discover the pharmacology of psychedelics. Delve into the cutting edge ofscientific research on the impact of psilocybin, MDMA, DMT, mescaline andLSD on the brain. With this guide you will learn the keys to the effects ofpsychedelics, capable of producing significant changes in the processes ofperception, thought and consciousness. An illustrated guide to understandingthe science behind new psychedelic-assisted therapies for treating mentalhealth issues. This essential guide will be of interest to all psychonauts eagerto immerse themselves in the pharmacology of the most popular psychedelicmolecules, to all medical and mental health professionals, and to all peopleinterested in learning the essentials of the neuroscience of psychedelicmolecules and how they affect our brains.

      • Art & design styles: Conceptual art
        August 2021

        Sting in the Tale

        Art, Hoax, and Provocation

        by Antoinette LaFarge

        An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner.   The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this “fictive art” (LaFarge’s term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork’s central narrative. This dissimulation is temporary, with a clear “tell” often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.

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