Codice Edizioni was founded in Turin in September 2003 with the goal of renovating Italy’s traditional non-fiction and popular science publishing; science in its many variations (physics, evolutionism, technology, natural sciences), as a key to interpreting modern society
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This book presents a selection of articles in the Civil Code that are relevant to teenagers, and it explains the Civil Code in a question-and-answer format through comic and specific cases. The combination of fun and knowledge in the format prevents readers from becoming intimidated by the legal language. Each case is closely related to social hot topics, and each issue is professionally explained by legal scholars to provide legal countermeasures, which not only facilitates teenagers' learning and understanding, but also makes it easy for them to apply their knowledge to solve legal problems in their lives. Through the youth-friendly ways to promote legal education, to help them better understand and use the law as a tool.
Tumi Letsatsi is a 13-year old melanin kween living in Rondebosch, Cape Town. Her favourite colour is yellow, she's still trying to figure out how not to dent her afro on the bus, and how one goes about (ahem!) “french kissing”. She’s a little awkward and a lot uncertain about her future, friendships and how to put together a cool outfit! But then she stumbles across the magic of coding and creates an app called “Project Prep” that goes viral and rockets her and her friends to fame. Then everything starts to fall apart, as she deals with a catfish who befriends her and steals her code, nasty rumours at school and the newfound attention of a crush. The New Girl Code (by Niki Smit, locally edited by Buhle Ngaba) is about the wonders of working in tech, aimed at girls and young women aged 9-15. The project is an initiative of Inspiring Fifty and based on an idea by Janneke Niessen.
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China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Secret of Crossing tells the story of the growth of children in villages and small towns. The mud road to the canteen is narrow, several places collapse from the foot of the wall, and one of them breaks into a big gap. Why not fill in the big gap? It's really a lion in the way, and the girl has to cross it carefully, with all her strength.
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DER KABBALA-CODE – Ein esoterisch-kabbalistischer Thriller von Nathan Erez und Dorit Ginzburg-Silberman Ein israelischer Thriller, der zwei scheinbar zusammenhanglose Elemente miteinander verbindet: eine Serie mysteriöser Morde und die Dechiffrierung alter kabbalistischer Texte, Ein Professor aus Jerusalem, Experte für die Entzifferung alter hebräischer Manuskripte, erhält einen geheimnisvollen Auftrag, der ihn über drei Kontinente führt. Dabei verstrickt er sich immer tiefer in ein Netz von Morden und Intrigen und sieht sich mit zahlreichen ungelösten Fragen konfrontiert. Doch sein Wissen im Bereich der Kabbala, einer mystischen Buchstaben- und Zahlenlehre ermöglicht ihm, das Unglück, das seiner Familie und vielen anderen Menschen droht, abzuwenden. Die wechselhafte Historie der Eroberungen Jerusalems und die Lehren der Kabbala sind spannungsvoll in die Erzählung gewoben. Ihre Relevanz und Bedeutung für die Geschichte wird am Ende des Buches deutlich. Der Kabbala-Code ist ein aufregender und packender Thriller. Dank seiner einzigartigen Struktur, der bereichernden Thematik des geheimen Wissens der Kabbala und der überraschenden Auflösung fesselt die Geschichte ihre Leser. Dorit Ginzburg-Silbermann hat das Buch zusammen mit dem israelischen Kabbalisten Nathan Erez (Pseudonym) geschrieben, der bis heute seine wahre Identität nicht preisgibt. Dr. Ginzburg-Silberman lehrt Literaturwissenschaft an führenden Universitäten in Israel. Sie hat zahlreiche Preise für ihre Arbeiten erhalten und an zahlreichen internationalen Seminaren teilgenommen. Dorit Ginzburg-Silbermann hat bereits 17 Bücher veröffentlicht, darunter eine Reihe von Erzählungen, zwei Kinderbücher sowie zahlreiche wissenschaftliche Aufsätze. Die italienische Ausgabe wurde im Dezember 2005 veröffentlicht und fand ein überaus positives Echo in den Medien. Die spanische Ausgabe des Buches erschien im Juni 2006, kurz darauf die portugiesische. Eine tschechische Ausgabe erschien 2008. Rechte für die deutsche Ausgabe sind noch erhältlich!
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Dev, Lot und Mason bekommen Verstärkung: Drei Jugendliche sollen ihnen helfen, die gestohlenen Erfindungen aus dem Inventory aufzuspüren. Mitten im Training der Neuen versetzt eine unheilvolle Nachricht die Truppe in Aufregung. Jemand hat mit einem elektromagnetischen Impuls eine längst vergessene Waffe aktiviert. Ihre Energie kann die Welt in kürzester Zeit zerstören! Dev und seine Freunde müssen den Code knacken, bevor es zu spät ist. Doch die wahre Gefahr ist ihnen näher, als sie es jemals für möglich gehalten haben ...
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The traditional narrative of the mid-century (1930s-60s) is that of a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the front. But as the burgeoning field of interwar and mid-century women's writing has demonstrated, this narrative is in desperate need of re-examination. Mid-century women's writing: Disrupting the public/private divide aims to revivify studies of female writers, journalists, broadcasters, and public intellectuals living or working in Britain, or under British rule, during the mid-century while also complicating extant narratives about the divisions between domesticity and politics.
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The story is set in a typical old-timers’ neighborhood in central Tel Aviv. For several decades, the neighborhood contained a firehouse and an emergency medical center, as well as a colorful open-air market. But one day, the character of the street changes completely: Bulldozers begin tearing down the buildings, which are to be replaced by two modern multistory houses and a paved public square. A group of sixth-graders living in the neighborhood discovers that, in addition to the construction company's excavations, another private excavation is under way. It transpires that a pair of criminals decided that the noise and commotion in the area provided a one-time opportunity to unearth a mysterious "treasure chest" that was buried under the old firehouse long ago. The children’s curiosity and courage ultimately lead to the capture of the criminals moments before the chest is found, which in turn solves the mystery. A second book in this series, named The Magician from Motzkin Boulevard has already been written and a Hebrew-language edition will be published later this year. 96 pages, full-color hardcover with B/W illustrations inside, 15X22 cm
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One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing. Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer. He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office. The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers. He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance. Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.
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The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.
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La capoeira, cette inconnue Les secrets cachés de la capoeira brésilienne originale par Mestre Ricardo (Cachorro) La capoeira est un art martial développé par les esclaves africains au Brésil à partir du 16ème siècle, résultant de la fusion de différents groupes ethniques qui avaient originellement apporté avec eux leur propre identité culturelle en Amérique du Sud, en même temps que leur esprit de liberté. En dépit de la forte évidence des influences d'une diversité d'autres formes des anciens arts martiaux africains, la capoeira est essentiellement une expression originale brésilienne avec de nombreux adeptes et de fans enthousiastes sur tous les continents. Bien que la capoeira tienne en haute estime ses aspects culturels et historiques, il ne faut pas s'y tromper : il s'agit d'une méthode de combat efficace et mortelle ! A la suite de son développement au long des années, la capoeira est devenue l'art martial le plus riche, le plus spectaculaire et le plus beau de la planète. Cependant, ce que même la plupart des capoeiristas ne savant pas, c'est que cet art martial fascinant peut devenir une arme à la fois athlétique et gracieuse, mais aussi mortelle entre les mains (et les pieds) de n'importe quel adepte le pratiquant de manière disciplinée et sérieuse. Dans ce livre, vous apprendrez les secrets particuliers de la capoeira telle qu'elle est exécutée dans une roda ou dans un véritable combat. Les mouvements, le combat au sol et les techniques aériennes sont entièrement décrits au niveau de la perfection, à l'aide de centaines d'illustrations. Des diagrammes expliquent des manœuvres spéciales encore jamais publiées dans l'univers des arts martiaux. De plus, les lecteurs disposeront du libre accès à de passionnants fichiers animés GIF illustrant les nombreux mouvements présentés dans le livre. Mestre Ricardo, connu de son surnom de Cachorro, qui appartenait au Grupo Bantus de Capoeira de Mestre Adilson, à Morro do Pavão e Pavãozinho – un bidonville frappé de pauvreté planté au milieu des riches banlieues de Rio de Janeiro – fut le premier Mestre du groupe de Capoeira du YMCA à Governor’s Island, à New York, obtenant cet honneur en 1975. L'année suivante, il devint un Mestre licencié par la Première Fédération de Capoeira de Rio de Janeiro, la FCP, et la même année il présenta la capoeira dans une émission de télévision en direct filmée en Caroline du Nord, patronnée par la section locale du YMCA. Dans les années 1970, Mestre Ricardo était un membre de l'équipe de gymnastique olympique du Fluminense Football Club de Rio de Janeiro, où il se spécialisa dans les exercices au sol. Au cours de sa carrière professionnelle d'adepte de la capoeira, Ricardo a étudié et pratiqué la boxe, le karaté Shotokan et le judo, les utilisant pour mieux comprendre les mécanismes de mouvement du corps rencontrés dans les différents arts martiaux. Une édition en anglais pour l'Amérique du Nord a été publiée en automne 2009.
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On the wedding night of Emperor Guangxu (1871-1908), whose queen was secretly eating wood...... Imperial Consort Zhen in her blooming age started her mysterious life in the Forbidden City......
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China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Child in Three-Story Attic tells a story of growing up in the alley of Shanghai of Old China. The protagonist lives in a three-story attic in an old alley from the age of one to twelve. On a typhoon night, the protagonist curled up in the corner of the attic found a copy of The Adventures of Pinocchio and began his writing. Now although the old alley has disappeared, his memory of the attic will never die.
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This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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For a long time, Corinna von Bassewitz believed her father was a soldier, later on that he was a diplomat. Then, at the age of 16, she learnt something unbelievable: he had been a secret agent for the Bundesnachrichtendienst (BND, Germany's Federal Intelligence Service). Once the secret had been at least partly uncovered, she became something of a spy herself and eventually found some confidential documents in her parents' attic. Later, she realised that her father had been living as a double agent for the FRG and the GDR. So what effect does it have on a girl if her father conceals his true identity and eventually disappears without trace? Along with her family history, the author provides multi-layered and exciting insights into the historical context of the Cold War. A very personal book, intriguingly told and emotionally touching.
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Little Ayélévi is very cunning. She always wins at the game of "Who would win the most beautiful flower." This situation intrigued his brother who wanted to understand the secret of these repeated successes. Ayélévi is very clever; will it still be for a long time?
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It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
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It was just a short cross-country ski outing over the Christmas break for Mogi Franklin and his sister, Jennifer–until they find themselves suddenly caught in a vicious blizzard. Near collapse, they ski into a mysterious valley with an ancient hacienda, a busy Spanish family, and a village with no electricity, no plumbing, no cars, no phones, and definitely no Walmart.A vacation that began a few days earlier helping his Granddad clean and decorate for a huge family celebration had now become a mind-boggling mystery. And young Mogi's anguish trying to come to terms with his grandmother's death from cancer the previous Christmas turns to fear and danger when he is accused of stealing a religious icon the town prizes above all others–and which holds the key to solving an ancient legend of missing Spanish gold.It's the latest book of the exciting Mogi Franklin Mysteries–shadowy figures, secret societies, a town like no other. Is this all reality or illusion? Mogi must find the answers, even as he struggles with the memory of his grandmother's death and the mysteries of faith it brought him which he now must answer as well.
