Pastrengo is a Milan-based literary agency founded on September 2016 by Francesco Sparacino and Michele Turazzi. Pastrengo represents Italian authors of fiction (commercial and literary, young adult) and non fiction.
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The Gilam Agency – founded by Giovanni Lamanna – is based in Italy and is specialized in Italian Fiction and Non-Fiction, and Children's Books. We represent about 25 authors, some already established (such as Attilio Del Giudice, Francesco Forlani, Peppe Lanzetta, Gianfranco Pecchinenda, Felice Piemontese, Elena Starace, Giulia Bracco, Roger Salloch), some beginners. We also hold the rights to Non-Fiction books (books about Maria Montessori, pedagogy, sport, social science, philosophy...) The Gilam Agency is partner of some Italian publishers (Neo Edizioni, Lavieri, Funambolo, Dalia, Fefé) in selling translation rights on foreign market. We are also going to represent foreign publishers for selling translation rights in Italy. The Gilam Agency takes part in the most important book fairs and exhibitions in Italy and in Europe. In 2020 the Agency has created a new brand (with its own dedicated staff) for Children's and Illustrated Book Rights (the Wrong Cat Rights Agency).
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False profits of ethical capital is a thought-provoking approach to understanding stakeholder capitalism. Rather than focusing on the inadequacies of corporate responsibility, sustainable investment and consumer politics, this book grapples with the technical and rhetorical functions of ethical capital for profit and accumulation. It provides a unique and eclectic analysis of the political dynamics between finance, capital and labour, offering a refreshing perspective on struggles interlocking social, ecological and economic crises, and suggesting new ways of thinking about sustainability politics.
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Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
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In the context of the "Xiaoxiang Family Letters" activity carried out across the province, the organizing committee extensively collected family letters and selected 100 family letters to show the spirit of the people in the new era. The main content of the letter includes the gratifying changes in the fight against poverty in Sanxiang, the affectionate concern of the wandering children and the fathers and elders in the hometown, the home and country feelings of heroes and the most beautiful people, and the silent persistence of various industries in specific positions, and so on. The structure of each chapter of the book is divided into two parts: introduction (mainly including the information of the writer and recipient, refer to "Anti-epidemic") and the main text. The structure of the whole book includes the preface, table of contents, main text, and postscript. Further reading or content links. The structure is characterized by conciseness, conciseness and conciseness.
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By situating Iran within the neoliberal global capitalism and resulting geopolitics, this book traces the patterns of capital accumulation and transformations in class and state formation emanating from it. It shows that Iranian neoliberalisation has brought about two capital fractions, namely the internationally-oriented capital fraction and the military-bonyad complex. It substantiates that the co-existence of these competing class fractions with different accumulation strategies has generated hybrid neoliberalism. The book further demonstrates how this new class formation has reorganised the function and operation of state institutions and transformed state ideology. By documenting the ways in which Iranian neoliberalisation has reshaped the subaltern classes and formed Iran's volatile foreign policy, it also provides a novel account of major events and processes in contemporary Iran, such as the post-2017 wave of uprisings, the nuclear programme and international sanctions.
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Digital technologies promise efficiency and comfort, but the smoothness of platform services relies on the hidden social labour of those who keep the gig economy running. This book presents a comparative ethnography of young men making a living through digital technologies: selling mobile airtime in Abidjan, Côte d'Ivoire, and app-based delivery riders in Berlin, Germany. These case studies explore the significance of symbolic capital in urban youth's social existence and organisation of livelihood in the digital economy, and the technological mechanisms producing a new form of urban precarity. Globalized urban precarity in Berlin and Abidjan puts forward an original comparative approach to develop a global urban sociology for the digital era. It provides an innovative analytical toolbox that decentres discussions of precarity from the standard of a normal employment contract. With its focus on symbolic capital, the ethnography shows the consequences of the proliferating gig economy for status struggles among urban youth, and carefully embeds the densification of software and services into the socio-material relations on which these new urban infrastructures are built.
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Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
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Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.
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This book is an original work of the author’s 20-year academic quintessence with unique perspectives and logical arguments. There are both philosophical analyses and exploration of practical applications in this book. Guided by Marxist historical materialism, the author shows the function and effect of morality by analyzing and defining moral domain. He also explains the fact that economic development requires moral support by analyzing the inseparable logical connection between economics and morality. Moreover, the author researches moral capital and its route to achieving value multiplication in economic activities, and structures an application and evaluation index system for moral capital in enterprises. He also discusses the basic strategy for enterprises to accumulate and manage their moral capital.
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Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.
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This book contains 81 letters written by medical care staff, police officers, journalists, community workers, volunteers and others during their fight novel coronavirus time. Together with photos and letters, it records ordinary true stories one by one, showing people what love is and what national spirits is.
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Gothic dreams and nightmares is an edited collection on the compelling yet under-theorised subject of Gothic dreams and nightmares ranging across more than two centuries of literature, the visual arts, and twentieth- and twenty-first century visual media. Written by an international group of experts, including leading and lesser-known scholars, it considers its subject in various national, cultural, and socio-historical contexts, engaging with questions of philosophy, morality, rationality, consciousness, and creativity.
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This book is the product of a six-year multi-disciplinary collaborative research program in sustainable agriculture and natural resource management. It describes the transition of the conflict-ridden agricultural and pastoral systems of arid and semi-arid regions of West Africa to more intensified agricultural and animal husbandry systems. The research investigates technological options and decision tools and explores a replicable methodology for building social capital within a rural community in the Inland Delta of the Niger River. The chapters recount the efforts of researchers and development agents to identify new approaches for sustainable development and the experiences of the local population seeking a pathway from poverty and food insecurity to a healthy economy and environment.
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There are twelve letters in the book. Each letter is about what the young people are or should be concerned about, such as reading, self-cultivation, composition, social movement, love, philosophy, and so on. From Mr. Zhu Guangqian's writing, it flows like the elder's persuasion, like the sincere conversation of old friends. It is kind and natural to read, and benefits a lot. Although the author expresses his opinions on each topic and looks at the whole, there seems to be a consistent starting point to be found, that is, to persuade young people to have a deep vision, to work hard fundamentally, to take care of themselves, and not to follow the secular interests.
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Contains number of previously unpublished letters which were not included in the hardback edition. Completes the project of publishing the correspondence of one of the greatest nineteeth-century novelists - J. A. V. Chapple edited not only the letters of Elizabeth Gaskell (1966), but also published Elizabeth Gaskell: The early years in 1997. The influence and appreciation of Mrs Gaskell is undergoing a renaissance, with the recent BBC adaptation of Wives and Daughters and the forthcoming North and South. The authors are two of the acknowledged world experts on Elizabeth Gaskell - both of whom have helped the BBC in compiling the 1999 Omnibus programme.. This collection illustrates once more the richness and diversity of her involvement in a remarkable range of social and literary activities, making her letters an important source for scholars of Victorian literature and culture 6. Includes correspondence. ;
