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Trusted PartnerMarch 1982
Auf den Spuren von Marcel Proust
Einzig berechtigte deutsche Übertragung aus dem Französischen von Uecker-Lutz und Bremer-Wolf unter Mitwirkung von Hans Georg Brenner
by André Maurois, Lutz Uecker
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Trusted Partner
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Trusted PartnerJuly 1991
Bauwirtschaft im Gebiet der ehemaligen DDR -
mögliche Entwicklung der Kostenstruktur im Zuge der Neuordnung nach der Wirtschaftsunion.
by Bartholmai, Bernd; Melzer, Manfred; Uecker, Lutz
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Trusted Partner
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Trusted PartnerMarch 2006
Controlling
für Wirtschaftsingenieure, Ingenieure und Betriebswirte
by Herausgegeben von Müller, Armin; Herausgegeben von Uecker, Peter; Herausgegeben von Zehbold, Cornelia
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Trusted PartnerMay 2002
Der Raum Bayreuth
Ein Auftrag aus der Zukunft
by Klaus Michael Grüber, Eduardo Arroyo, Wolfgang Storch, Einar Schleef, Jean-Louis Backès, Iwanow Wjatscheslaw, Paul Valéry, Klaus Kropfinger, Richard Wagner, Wolfgang Rihm, Friedrich Nietzsche, Perre Boulez, Luigi Nono, Egon Voss, Helmut Lachenmann, Michael Boder, Alexander Kluge, Joseph Beuys, Günther Uecker, Heiner Müller, Deborah Polaski, Robert Wilson, Christof Nel, Martina Jochem, Jannis Kounellis, Peter Konwitschny, Ingo Metzmacher, Eberhard Kloke, Waltraud Lehner, Klaus-Michael Grüber, Peter Mussbach, Manfred Schneider, Gérard Mortier, Wolfgang Storch
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The ArtsSeptember 2021
Strategy: Get Arts 35 Artists Who Broke the Rules
35 Artists Who Broke the Rules
by Edited by Christian Weikop
Edited by Dr Christian Weikop, a Professor in Art History at Edinburgh College of Art (ECA), this is the first print publication to consider the remarkable formation of the ground-breaking and oft-cited exhibition Strategy: Get Arts, staged at ECA in the late summer of 1970. At the cutting edge of contemporary art, this was unlike anything seen in the United Kingdom to that date, certainly challenging a Scottish art world still struggling to come to terms with the legacy of the Scottish Colourists. It was an exhibition that received international press attention and had a considerable impact on the public, critics, and other curators who saw it, shaking up the conservativism of the British art scene. Strategy: Get Arts (SGA) brought many figures of post-war art, who were based in the exciting cultural city of Düsseldorf, to the United Kingdom for the first time. These artists, who took over ECA, transforming the college into a ‘total work of art’ through their extraordinary actions and installations, were unknown to a British public in 1970. The roll call of talented participants included the likes of Joseph Beuys, Gerhard Richter, Blinky Palermo, Daniel Spoerri, Stefan Wewerka, Dieter Roth, Sigmar Polke, Günther Uecker, Bernd and Hilla Becher, and many others who subsequently achieved international fame. In addition to first-hand accounts of the exhibition by Douglas Hall (the first Keeper of the Gallery of Modern Art, National Galleries of Scotland), Jennifer Gough-Cooper (SGA co-ordinator), and Alexander Hamilton (co-editor of Studies in Photography and SGA gallery assistant in 1970), the publication also includes new essays by the editor, Christian Weikop, on Richard Demarco and the Formation of Strategy: Get Arts; Düsseldorf in Edinburgh: The Importance of the Germans; and Strategy Get Arts and Broadcast Media. It also features short essays on the photography of SGA by Karen Barber (a specialist in the history of photography), the controversy concerning the Palermo Restore project by Andrew Patrizio (Professor of Scottish Visual Culture at ECA), the creation of a 2016 archive exhibition on SGA by National Galleries of Scotland archivist Kirstie Meehan, as well as two fascinating Forewords by Keith Hartley (Chief Curator and Deputy Director of Modern and Contemporary Art), and Professor Juan Cruz (Principal of ECA). Many unknown and rare photographs of the artists and artworks at the art college, especially by the German performance artist and photographer, Monika Baumgartl, as well as eye-catching photographs by George Oliver and Richard Demarco, are presented here for the first time. The publication is a triumph of archival detective work, effectively reconstructing the exhibition, profiling all 35 artists who took part, and fully revealing the challenges and dramatic events that unfolded before and during the course of this unique event.