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      • The Arts
        September 2021

        Strategy: Get Arts 35 Artists Who Broke the Rules

        35 Artists Who Broke the Rules

        by Edited by Christian Weikop

        Edited by Dr Christian Weikop, a Professor in Art History at Edinburgh College of Art (ECA), this is the first print publication to consider the remarkable formation of the ground-breaking and oft-cited exhibition Strategy: Get Arts, staged at ECA in the late summer of 1970. At the cutting edge of contemporary art, this was unlike anything seen in the United Kingdom to that date, certainly challenging a Scottish art world still struggling to come to terms with the legacy of the Scottish Colourists. It was an exhibition that received international press attention and had a considerable impact on the public, critics, and other curators who saw it, shaking up the conservativism of the British art scene. Strategy: Get Arts (SGA) brought many figures of post-war art, who were based in the exciting cultural city of Düsseldorf, to the United Kingdom for the first time. These artists, who took over ECA, transforming the college into a ‘total work of art’ through their extraordinary actions and installations, were unknown to a British public in 1970. The roll call of talented participants included the likes of Joseph Beuys, Gerhard Richter, Blinky Palermo, Daniel Spoerri, Stefan Wewerka, Dieter Roth, Sigmar Polke, Günther Uecker, Bernd and Hilla Becher, and many others who subsequently achieved international fame. In addition to first-hand accounts of the exhibition by Douglas Hall (the first Keeper of the Gallery of Modern Art, National Galleries of Scotland), Jennifer Gough-Cooper (SGA co-ordinator), and Alexander Hamilton (co-editor of Studies in Photography and SGA gallery assistant in 1970), the publication also includes new essays by the editor, Christian Weikop, on Richard Demarco and the Formation of Strategy: Get Arts; Düsseldorf in Edinburgh: The Importance of the Germans; and Strategy Get Arts and Broadcast Media. It also features short essays on the photography of SGA by Karen Barber (a specialist in the history of photography), the controversy concerning the Palermo Restore project by Andrew Patrizio (Professor of Scottish Visual Culture at ECA), the creation of a 2016 archive exhibition on SGA by National Galleries of Scotland archivist Kirstie Meehan, as well as two fascinating Forewords by Keith Hartley (Chief Curator and Deputy Director of Modern and Contemporary Art), and Professor Juan Cruz (Principal of ECA). Many unknown and rare photographs of the artists and artworks at the art college, especially by the German performance artist and photographer, Monika Baumgartl, as well as eye-catching photographs by George Oliver and Richard Demarco, are presented here for the first time. The publication is a triumph of archival detective work, effectively reconstructing the exhibition, profiling all 35 artists who took part, and fully revealing the challenges and dramatic events that unfolded before and during the course of this unique event.

      • Fiction

        Mission

        by Paul Forrester-O'Neill

        A boy and his father are separated by an unforgivable lie. They meet again as adults. The father, close to death, tells of the men who cheated him of all he owned and the town of Mission that spurned him. John plans revenge. The sting that follows is so well sprung that you will feel the greed of his father's enemies and smell the mud they crawl in. 90,000 words

      • Biography & True Stories
        November 2007

        9 1/2 Years Behind the Green Door, A Memoir

        A Mitchell Brothers Stripper Remembers Her Lover Artie Mitchell, Hunter S. Thompson, and the Killing That Rocked San Francisco

        by Simone Corday

        It's the 80's and we are behind the scenes at the Mitchell Brothers O'Farrell Theater, which gonzo journalist Hunter S. Thompson called "the Carnegie Hall of public sex in America." The theater and its steamy live shows are a countercultural venue for celebrities, and for San Francisco politicians and journalists.  They are drawn by the beautiful strippers and the backroom hospitality of their outrageous porn king hosts, Artie and Jim Mitchell--who directed the groundbreaking porn film, Behind the Green Door, starring Marilyn Chambers. Simone Corday, who danced at the Mitchell Brothers Theater for nearly a decade and was a girlfriend of the late Artie Mitchell, shares her story and her insights. She is the only woman insider to write about this insular but captivating world during this period, when she was close to the impulsive Mitchells, and a friend of the theater's honorary Night Manager Hunter Thompson. Corday’s background of having an MA in English, along with her honesty, irreverent sense of humor, and keen focus as an observer, make this a delicious expose. Corday gives vivid accounts of three Mitchell Brothers films she took part in. They include the disastrous Behind the Green Door, the Sequel, a grandiose safe-sex epic with characters from Greek mythology, and their documentary on Hunter Thompson, titled The Crazy Never Die. She shares memories of her unconventional, passionate relationship with “Party Artie” Mitchell. His affectionate personal side, along with his love for his children are remembered fondly. His taste for cocaine and advancing alcoholism—that led him to disappear on binges with a succession of young dancers—is also recaptured, as well as his volatile temper, his impish sense of fun, and his charismatic, macho persona. Corday sheds light on Jim Mitchell's motives for killing Artie, and his murder trial. She reflects on her experience in the sex industry, and on her relationship with a notorious club owner. From the fun she had performing in the O’Farrell’s spotlight as the theater’s nemesis, then-San Francisco Mayor Dianne Feinstein, to her heartbreak visiting Artie’s grave a few short years later, this is a sensational ride.

      • The Arts
        October 2020

        RIDLEY SCOTT

        A Retrospective

        by Ian Nathan

        Illustrated with images as iconic as they are stunning and including the author’s first-hand experiences on set and interviews with Scott himself, this book charts the extraordinary journey of Britain’s greatest living director.Telling the stories behind Alien and Blade Runner, Gladiator and Black Hawk Down, and many more, it also goes in search of the themes and motifs that unite such different films, and the methods and madness of Scott’s approach to his medium.This is the account of a director who has never been less than stubbornly, brilliantly, unforgettably his own man. ​ Author Ian Nathan is one of the UK’s best-known film writers. He is the author of eight previous books, including Alien Vault, the bestselling history of Ridley Scott’s masterpiece, and Terminator Vault. He is the former editor and executive editor of Empire, where he remains a contributing editor.

      • Technology, Engineering & Agriculture
        February 2014

        Automation technology

        by Norbert Becker

        In this standard work, the automation technology is illustrated from a practical point of view with many examples and numerous pictures. Students of engineering sciences, as well as engineers and technicians in training and professional practice, are able to work independently on the state of the art. The additional or revised chapters on machine safety, safety in process engineering systems, explosion protection and configuration extend the book considerably. For almost every chapter there are comprehension questions and exercises, the solution of which is contained in the appendix. Programming exercises, which are provided free of charge online, make it possible to solve simple automation problems in a practical way. Content: introduction Measuring technology, setting technology controls automation components Practical control technology Examples of overriding requirements for automation components (safety in mechanical engineering and process engineering, explosion protection), Project planning (project implementation, R & I flow diagrams, equipment identification) Annex (ARW measures, adjustment rules, solutions)

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