KIA Literary Agency was founded in 2002 in Tehran with the aim of promoting and supporting fine literary works in all forms throughout the world. It brings about opportunities for authors, illustrators, publishers, translators, and those involved in this field to meet their counterparts. And at the same time, it introduces them to the world and will inform them of all the related events which take place in the world of art and literature.
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The author of the book served 10 years in prison in a concentration camp and was in exile in Brezhnev times for participating in the Ukrainian Helsinki Human Rights Group (UHG). It was the first legal, not underground, group of the Resistance Movement, which, acting for a long time, revealed to the whole world the situation with the human rights in Ukraine under the Soviet rule. Born in Galicia after the World War 2 and brought up in a Soviet school, the author shows in his memoirs the role of the Galician family in shaping the position of resistance to the totalitarian regime. He tells vigorously, interestingly and frankly about life in Kiev under the Soviets in the era of the Helsinki movement, about the activities of the UHG and its members, about unjust arrests, and Soviet crooked justice. He recounts in detail the life of political prisoners in a concentration camp, describes the circumstances of his exile in Kazakhstan. He pays great attention to the spiritual growth of a person, shares his reflections on dissidence and the nature of totalitarianism. And conclusively, he condemns the communist system.
![Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the "Narbut Anthology", destroyed in 1933]](https://cdn-production.frankfurtrights.com/Content/Upload/BookJackets/Thumbnails/19049830ff3.jpg "Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the \"Narbut Anthology\", destroyed in 1933]")
This story behind this biographical memoir of a great artist begins before Narbut’s death. The best-known experts were invited to participate and contribute articles, which they spent many years preparing. But the Soviet censors “trimmed” the texts to their liking. When it was finally published in 1933, nearly all the authors had been repressed or executed. The anthology went under the knife at the printing press. It was a shame, too, because the paper was beautiful, specially allotted by the state printing press, as was the print. Only two incomplete copies remain, both in private collections. Serhii Bilokin first proposed the idea of the Narbut Anthology to Rodovid Press ten years ago, and now it is finally came to fruition with the support of the Ukrainian Cultural Foundation. This is thanks to Bohdan Zavitii, Anastasia Bilousova, and entire project team including designers Sasha Bychenko, Oleksii Salnykov, and Alina Bielova. The Institute of Art History, Folklore, and Ethnology, the National Art Museum of Ukraine, the Kharkiv Art Museum, and others assisted with the illustrations and texts. Heorhii Narbut was a decisive figure in twentieth-century Ukrainian art, yet the Communist taboos of the Soviet period ensured he remained unknown to a broader audience. This unique project fleshes out a significant aspect of art history and puts certain things back where they belong. Content and introduction: Serhii Bilokin Editors: Anastasiia Bilousova and Bohdan Zavitii Design: Sasha Bychenko and Numo Team
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This quick reference book explains what personal care is, why it is necessary, which competencies personal care workers require, and how to safely and professionally care for, engage, and support people in need of care and their relatives in their daily lives. Target Group: Personal care workers, geriatric nurses
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In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
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In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
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In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
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The first volume of memoirs of the outstanding Ukrainian scholar Yuriy Shevelyov (Sherekh) is an invaluable source for understanding Ukrainian history of the first half of the twentieth century. The publication is first illustrated and contains 248 photographs; part of them - from the Shevelyov family album - is published for the first time. The text is complemented by 1626 notes and a name index. The preface is written by the compiler of the publication, Mr. Serhiy Vakulenko.
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A story of bravery and false starts, Autobiography of a Zen Monk candidly recounts the author’s development from a highly mischievous Japanese boy into a world-renowned Sensei (Teacher) of Zen. While countless memoirs exist written by Zen students and teachers, few are as engaging and as tantalizing as Taisen Deshimaru’s. Looking back at his early life, growing up in Japan, from the viewpoint of his status as a Zen teacher in Paris, the author reflects on his earliest misadventures—from defacing a valuable painting of Bodhidharma as a child, to turning the “Zen stick” on a young monk during a retreat. Adventures abound with stories about alcohol and women, during his student years, and his activities during World War II in working for the arms industry in Malaysia, where he was sympathetic to the underground freedom movement. This first English-language translation of Taisen Deshimaru’s autobiography will be prized for its clear and honest documentation of this great master’s life. Many people all over the world have been influenced by Deshimaru’s Zen teachings, especially his book on Zen and the martial arts. This memoir fills an important gap in our knowledge of his teacher, Kodo Sawaki’s influence on the world of Zen. The story of how Deshimaru met Sawaki as a boy, even slept in the same room with him, and later received monastic ordination is the story of a lifelong friendship of two extraordinary characters in the history of modern Zen. Deshimaru’s influence extends beyond Zen practitioners, though, especially in those interested in the martial arts, as he touches on his martial arts experience as a young man and offers a look into the master’s early training. Additional interest extends to historians who recount the supposed “scandals” of Zen masters’ participation in the war effort. Although Deshimaru’s viewpoint is decidedly subjective, he was intimately acquainted with priests and generals alike, and approaches the difficult subject with a refreshing lack of judgmental disdain which counterbalances many other more lopsided works. Translator, Richard Collins, a longtime Zen practitioner, and currently the Abbot of the New Orleans Zen Temple, is a literature scholar and author of several books including No Fear Zen, Hohm Press, 2014. His knowledge of the subject matter and his finesse with language combine to make this book a delightful read for those who appreciate wellwritten memoir.
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The publication is an anthology of rear and previously unpublished texts written by thirty-four representatives of the Ukrainian avant-garde: artists who act as critics and scientists; art critics acting as analysts and conceptualists; poets and writers who act as creators and analysts of contemporary artistic forms. The reader receives a thematic, personal, and philosophical variety of views on the creative "systematisation" of the artistic form in Ukrainian visual art of the 1910s-1930s. The reader is put amidst the creative disputes, the struggle of ambitions and the agreements on methodologies, a kaleidoscope of multidirectional search for artistic truth and seclusion in the social inevitability of historical events The genre of the texts vary. From a didactic nature of journalistic essays to the sharpness of manifestos and sometimes angry desperation of discussions — forms a stereoscopic sketch of trends and groups of that time in all the complexity, inconsistency, and therefore poignancy of the proclaimed positions.
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In Gambling on Granola: Unexpected Gifts on the Path of Entrepreneurship, Simon shares a tale that is uplifting and inspiring but also raw and honest. This is a business memoir but also a love story―the love for her daughter, of a journey in uncharted waters, of the products and company she created, and of the continued challenge to follow her dream.We see her growth and healing over fifteen years, as mistakes, weaknesses, and naiveté, evolve into resilience, resolve, and inspiration. For Fiona, it started out as all new businesses do―with an idea. But her world quickly became more complex as she established her company, developed new product lines, forged personal relationships in a competitive environment, grew her business, and held onto her deepest values―all while raising her daughter, Natalie, as a single mom.
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The story of The White Witch's Garden is about a white witch living in the sky wants to create into a garden, and she experimented three thousand years but has not been succeeded. Cannot see the sunlight and no air circulation, no warmth and love, only infinite expectations and a variety of radical experiments, so of course there not open a beautiful flower. The good is that the white witch finally figured it out. She opened the window, let the sun shine in, let the air flow, swept away the tension and anxiety, arrogance and greed in her heart, and the spring would come for the flowers. This picture book is full of children's philosophies and gives children good inspiration for their thoughts. The pictures are beautiful and enhance their aesthetic skills. It is lovely to be persistent, but sometimes it is possible to take a step back, let go of tension and anxiety, and open yourself up to more possibilities.
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Yang Peng's Award-winning Novels are a collection of the award-winning works of Yang Peng's many outstanding stories. Not only are the selected articles humorous, but also rich in imagination. They are also rich in profound educational philosophy that can enlighten the mind and help readers to reflect on themselves. There have been a lot of strange things happening in the classroom recently. Sometimes students' homeworks were lost. Other times some pencil sharpener or rubber may be missing. Is this because of someone who want to escape from writing homework or is there a thief in the classroom? When everyone talked about it, some people found out that there was actually a black hole in the classroom. The black hole sucked away all these things. Further, the more amazing thing is that not only can the black hole absorb substances, but also colors, viruses, selfish distractions and many other things. As a result, students would like to make a wish, asking the black hole to suck away what they didn't want ...
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Shanka is the king's gardener. He lived in a small house with his wife. One night, unable to sleep, Shanka sat up and looked out of the window, and saw a white elephant was eating grass in the silvery moonlight! Shanka never saw a white elephant before, where was it from? Shanka jumped out of his bed and tiptoed into the garden, grabbed the elephant by the tail and flew up to heaven.
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This book goes back to the historical scene of the late Qing Dynasty with meticulous writing to tell the history of Zuo Zongtang's youthful growth and restore the struggle of Zuo Zongtang to serve the country with his body in spite of the hardships and dangers. The book consists of twenty chapters, which are about the following contents: Zuo Zongtang came from a humble background and was in a troubled times, but he was a scholar and a soldier and he made many wonderful achievements; he founded such industries as Fuzhou Shipbuilding and Gansu Manufacturing Bureau, and contributed to the modernization of China; he defeated Agubert, who had occupied in Xinjiang for thirteen years, and carried the coffin to the expedition to recover Ili, so that all the territory of 1.66 million square kilometers was returned to China; he resisted the French and protected Taiwan, and contributed to the establishment of a province; he served as the Minister of Military Affairs and the Minister of the two rivers, and he was a member of the National People's Congress. He served as the Minister of Military Affairs and the Governor of the two rivers, and he was a clean and honest man who promoted water conservancy and rebuilt the book bureau to promote the country through culture.
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Half of the Quilt(Youth Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
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A hundred representatives from various fields, scientists, celebrities and ordinary people, they are all working hard for their own dreams, which are closely linked to the development of the nation. It makes the “China Dream” concept have an abundant and specific meaning, and also have an attractive appeal.
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While there is a story of "Three Little Pigs" in the western world, there is another story "A Little Pig and Ten Wolves" in China. An evil old wolf wanted to eat a piglet living alone but he was taught a lesson. The angry wolf found another nine wolves to take a revenge. The piggy was brave and scheming, and he repelled those wolves again.
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This book mainly introduces the origin of the She ethnic group's Black Rice Festival. While areas of the She ethnic group suffered from pests, the land owners increased rents and fees. As a result, the She people were in shortage of food. Lan Tianfeng led people to the land owner's house to steal food. After being found out, Lan Tianfeng stepped forward to protect others and was imprisoned on March 3rd. There was no food in the prison for him. Later, some She people used black rice leaves to cook rice. The jailers did not dare to eat the black rice and passed the rice to Tianfeng. Over time, Lan Tianfeng slowly recovered. Three years later, again on March 3rd, Lan Tianfeng was rescued. In order for future generations to commemorate the feat of Lan Tianfeng and remember how hard to have rice, the Black Rice Festival is celebrated every year.
