Crimson Dragon Publishing carries books that encourage readers of all ages by sparking the imagination. While we focus on the fantasy and science fiction genres, we also carry illustrated books for young readers that focus on social-emotional skills development and fictionalized non-fiction.
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MMC EDIZIONI is a publishing house based in Rome.Born in 2001 as a generalist, along the time it has specialized almost exclusively in non-fiction, dedicated in particular (but not only) to the city of Rome.The main series, called "A walk with history" offers an alternative vision of the city through the historical reconnaissance and analysis of some of its urban furnishings that are not taken into consideration such as small fountains, clocks, inscriptions, sacred shrines, plaques. This series stands out for a particular graphic style and for the abundance of photographs, specially made for these books.Other series on Rome are instead dedicated to in-depth studies on specific historical and customs themes, or on the mysterious aspects of the city that also reveal its dark side.In the MMC catalogue are other non-fiction books on topics such as Music, Interculture, Anthropology and a series of stories for children encouraging solidarity, non-violence and respect for the environment
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Das Grauen begann im Jahr 1947: Die Engländer waren gerade abgezogen, Indien und Pakistan wurden geteilt und Menschen ihrer Religionszugehörigkeit entsprechend umgesiedelt – mit verheerenden Folgen. Es kam zu einer der größten Vertreibungen der Geschichte, zehn Millionen Menschen waren auf der Flucht. Familien wurden getrennt, Frauen vergewaltigt, Hunderttausende getötet. Von diesem Trauma Indiens erzählt Khushwant Singh in seinem Roman. Noch ist die Idylle in dem Dorf Mano Majra nahe der Grenze vollkommen. Muslime, Hindus und Sikhs leben hier friedlich miteinander, die Bewohner haben ihren Alltag auf die vorbeifahrenden Züge abgestimmt. Für Aufregung sorgt nur hin und wieder Jaggat, der Dorfganove. Die Männer haben Respekt vor ihm, schon wegen seiner Statur, über die sie ehrfürchtig sprechen. Jaggat kommt immer wieder ins Gefängnis, sein Vater und sein Großvater wurden als Kriminelle sogar gehängt. Obwohl er selbst der Sikhreligion angehört, hat er eine heimliche Liebschaft mit einem muslimischen Mädchen. Eines Tages hält zu einer ungewöhnlichen Zeit ein Zug in Mano Majra. Etwas Unheilvolles, etwas Gespenstisches geht von ihm aus: Der Zug ist voll mit Leichen ermordeter Sikhs. Das Grauen hat auch Mano Majra erreicht, jetzt zählt auch hier nur noch, wer welcher Religion angehört. Der Roman erschien erstmals 1956, heute ist er in Indien ein Klassiker. Khushwant Singh erzählt anhand von zahlreichen Einzelschicksalen in erschütternder Weise von der größten politischen,, sozialen, menschlichen Katastrophe Indiens, vom abrupten Wandel einer friedlichen Welt in die Hölle des Krieges, der noch heute grausame Nachwirkungen zeigt: im Kaschmirkonflikt, in blutigen Ausschreitungen zwischen den Religionsgruppen, in der Zerstörung von Moscheen und Tempeln.
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This graphic novel tells a story of a Lithuanian boy Algiukas, who in 1941 together with his family was deported to Siberia. His aunt Petronella brings along a book of the Japanese haiku poems. In exile, she inspires the deportees not to succumb to the despair and to see the beautiful side of life. AWARDS Main Prize in Book Art Contest 2017 Best Book of the Year by IBBY Lithuania 2017 Best Illustrations for a Children’s Book by IBBY Lithuania 2017 White Raven 2017 The Aloysius Petrikas Literary Prize for Children’s Book of the Year 2018 Children’s Book of the Year 2018 (Lithuania) IBBY Honor List 2020 Nomination at the Angoulême International Comics Festival 2020 Selection for Children’s Book Jury in Latvia 2020 International Jānis Baltvilks Award in Latvia 2020 Nomination for Bologna Ragazzi Award 2020 in Italia Latvian edition of “Sibīrijas haiku” was included in the Latvian PEN list of the most important books published in Latvia in 2020 Nomination at the International Book Contest “Reading St. Petersburg,” 2021 (Russia) Nomination for Latvian Literature Prize 2020 Nomination for the Deutscher Jugendliteraturpreis 2021 in the young adult book category
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In this eye-opening ethnography, we learn about the experiences of Muslim migrant husbands from Pakistan and Kashmir, who marry their British counterparts in the hope of marital and global social mobility bliss. For many, the parallel and intertwined migration and marital journeys do not pan out in the way they had hoped. Many experience precarity and vulnerability within the household and/or in employment, with some even being subjected to harrowing forms of domestic violence. Migrant husbands navigate an increasingly hostile British immigration system not only in public but also in private, at the hands of their wives and in-laws. The ethnography demonstrates how citizenship can be deployed as a performance of white power within single group identity, differentiated through colonial legacies of 'Britishness'.
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Learning femininity in colonial India explores the colonial mentalities that shaped and were shaped by women living in colonial India between 1820 and 1932. Using a broad framework the book examines the many life experiences of these women and how their position changed, both personally and professionally, over this long period of study. Drawing on a rich documentary record from archives in the United Kingdom, India, Pakistan, North America, Ireland and Australia this book builds a clear picture of the colonial-configured changes that influenced women interacting with the colonial state. This book will appeal to students and academics working on the history of empire and imperialism, gender studies, postcolonial studies and the history of education.
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Risk, anxiety and moral panic are endemic to contemporary societies and media forms. How do these phenomena manifest in a place like South Africa, which features heightened insecurity, deep inequality and accelerated social change? What happens when cultures of fear intersect with pervasive systems of gender, race and class? Worrier state investigates four case studies in which fear and anxiety appear in radically different ways: the far right myth of 'white genocide'; so-called 'Satanist' murders of young women; an urban legend about township crime; and social theories about safety and goodness in the suburbs. Falkof foregrounds the significance of emotion as a socio-political force, emphasising South Africa's imbrication within globalised conditions of anxiety and thus its fundamental and often-ignored hypermodernity. The book offers a bold and creative perspective on the social roles of fear and emotion in South Africa and thus on everyday life in this complex place.
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This book explores the emergence of a new architecture of corporate enforcement in Ireland. It is demonstrated that the State has transitioned from one contradictory model of corporate enforcement to another. Traditionally, the State invoked its most powerful weapon of state censure, the criminal law, but was remarkably lenient in practice because the law was not enforced. The contemporary model is much more reliant on cooperative measures and civil orders, but also contains remarkably punitive and instrumental measures to surmount the difficulties of proving guilt in criminal cases. Though corporate and financial regulation has become an area of significant interest for academics, researchers and those with an interest in corporate affairs, this sudden surge of interest lacks a tradition of scholarship or any deep empirical and contextual analysis in Ireland. This book provides that foundation. It is likely to stimulate an extensive conversation on corporate regulation and governance in Ireland. It is also likely to provide a platform for researchers further afield with an interest in comparative study with Ireland. ;
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Shi Ji (The Records of the Great Historian) is the first biographical historical book in China, compiled by Sima Qian from 104 BC to 90 BC. This book contains records from the Yellow Emperor (the forefather of Chinese in legend) to Han Emperor Wudi, covering the history of more than 3,000 years. To help today's children better appreciate such a great work, the famous children's literature writer Zhang Jiahua created this set of books Shi Ji for Teenagers. In this book series, there are 60 pieces of writing, which have been composed based on outstanding figures selected from Shi Ji, including emperors, generals, sons of notable families, counselors, educators, warriors, philosophers, and assassins. Upon publication, this book series has just captured reader's interest with vivid story telling. It has been sold for more than 5 millions of copies and won more than 10 awards, including the "China Excellent Publication Award."
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Neste terceiro volume da Colectânea de Contos Traduzidos pelos vencedores do Concurso de Tradução Literária, apresentamos seis contos publicados entre 2017 e 2019 no âmbito do Caine Prize for African Writing e da colectânea New Short Fiction from Africa: ‘Involução’ da autoria da sul-africana Stacy Hardy que aborda abertamente a sexualidade da mulher, também preocupações sociais e políticas, faz alusão a questões como a degradação ambiental, o colonialismo e direitos da mulher, ancorados numa teatralidade conceptual necessária para que o conto não se torne efémero e engaje o sentido de humor do leitor para o aproximar da mente aberta de Hardy. ‘A heroína misteriosa’ ou ‘Mavbanelo na mayi’ em Bitonga, é da autoria da Tanzaniana Lydia Kasese. Ela escreve sobre as expectativas e pressões sociais que levam as mulheres a desejarem concertar tudo. Neste conto Kasese traz destramente à luz questões sobre o abuso de menores e o seu impacto sobre as famílias na Tanzânia e, não só. Alinafe Malonje estreou-se nesta colectânea da Short Story Day com o conto ‘Manutenção de Rotina’, um registo metafísico de um hotel: parte alegoria, parte meditação com um subtil comentário sobre o que significa ser mulher no Malawi. Natasha Omokhodion-Kalulu Banda cria um fabuloso hotel de fantasia que contém realidades sinistras, construindo um persuasivo mundo alternativo. Tariro Ndoro em ‘A lenda das duas irmãs’, ou ‘Xihitana xa vamakwavu na makwavu’ em Changana, traz uma abordagem arrepiante dos perigos da saudade, onde a busca por uma irmã num hotel de luxo em Victoria Falls tem um fim fantasmagórico. Mampianina Randria nos apresenta em ‘O Gatilho’, ou ‘Niyódeké sê xidúvúlá’ em Changana, um conto com um ritmo cerrado e um desfecho totalmente inesperado onde uma mulher que lida com as frustrações de quem entra na vida adulta.
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This book examines the transformation of untouchability into a political idea in India during the first half of the twentieth century. At its heart is Ambedkar's role and the concepts he used to champion untouchability as a political problem. Ambedkar's main objective was to comprehend the numerous avatars of untouchability in order to eradicate this practice. Ambedkar understood untouchability beyond aspects of ritual purity and pollution by stressing its complex nature and uncovering the political, historical, racial, spatial and emotional characteristics contained in this concept. Ambedkar believed the abolition of untouchability depended on a widespread alteration of India's political, economic and cultural systems. Ambedkar reframed the problem of untouchability by linking it to larger concepts floating in the political environment of late colonial India such as representation, slavery, race, the Indian village, internationalism and even the creation of Pakistan.
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On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
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This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
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Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen's Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state's model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government. ;
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By situating Iran within the neoliberal global capitalism and resulting geopolitics, this book traces the patterns of capital accumulation and transformations in class and state formation emanating from it. It shows that Iranian neoliberalisation has brought about two capital fractions, namely the internationally-oriented capital fraction and the military-bonyad complex. It substantiates that the co-existence of these competing class fractions with different accumulation strategies has generated hybrid neoliberalism. The book further demonstrates how this new class formation has reorganised the function and operation of state institutions and transformed state ideology. By documenting the ways in which Iranian neoliberalisation has reshaped the subaltern classes and formed Iran's volatile foreign policy, it also provides a novel account of major events and processes in contemporary Iran, such as the post-2017 wave of uprisings, the nuclear programme and international sanctions.
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Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen's Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state's model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government.
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Jawaharlal Nehru wurde 1889 in einer wohlhabenden und einflußreichen indischen Familie geboren. Seine Biographie schien klar vorgezeichnet: Jurastudium in England (Oxford) und dann Anwaltsberuf in Indien. Doch nach der Rückkehr aus England 1916 begegnet der bis dahin unauffällige Student dem charismatischen Mahatma Gandhi, dessen politische Einsichten und dessen Religiosität ihn faszinierten. Menschenwürde, Selbstbestimmung, Demokratie wurden die Ideale, für die Nehru, dem man den Titel "Pandit" ("Gelehrter") gab, fortan einstand. Shashi Tharoor erzählt den Werdegang Nehrus, das enge Vertrauensverhältnis zum Vater, Studium, Ehe und Geburt der Tochter Indira Gandhi, die Freundschaft zu Lord und Lady Mountbatten, die politische Arbeit als Präsident des Indischen Nationalkongresses und als erster Premierminister des Landes. Er schildert die Praktiken der Kolonialmacht, die doppelte Moral, mit der sie für die Verteidigung der Demokratie in den Zweiten Weltkrieg zog. Nehru und Gandhi gelang es, Millionen von Menschen zu bewegen und die Politik des Landes für Jahrzehnte zu bestimmen. Zusammen führten sie den gewaltlosen Kampf für Indiens Unabhängigkeit, einen Kampf, der erst 1947 gewonnen wurde. Doch weder Nehru noch Gandhi konnten die Spaltung des Landes in Indien und Pakistan verhindern: auch ein Preis der Unabhängigkeit. Vor dem Hintergrund der Auseinandersetzungen, die heute in Indien zwischen Hindus und Moslems stattfinden, stellt Tharoor die Frage, was aus Nehrus Vermächtnis geworden ist.
