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View Rights PortalEUCASA es la Editorial de la Universidad Católica de Salta. En su carácter de editorial universitaria, es un departamento especial en el organigrama institucional, y su misión es contribuir al cumplimiento del fin primordial de la Universidad: generar y divulgar conocimiento. En su caso por medio de las publicaciones que constituyen su catálogo, en donde se refleja necesariamente su naturaleza académica.
View Rights PortalThis sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years' War.
This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years' War. ;
Gene expression in cells follows a prescribed pathway that conforms to the Central Dogma; where the genetic information stored in DNA is transcribed into RNA and then expressed into proteins, which influences most plant traits. Plant salt tolerance research is directed towards identifying nucleotide variants that could contribute to tolerant phenotypes. This book comprehensively presents the current state of knowledge on plant salt tolerance through meticulous analysis of the processes operating across the Central Dogma. It provides a detailed account of modulation of gene expression through genome editing systems to achieve crop improvement against salt stress. It also provides state-of-the-art information on advances in breeding technologies of genome selection and accelerated de novo domestication for rapidly improving the salt tolerance of plants for global food security. This book: 1.Provides a comprehensive coverage of plant salt tolerance mechanisms. 2.Spotlights various factors functioning along the Central Dogma pathway and their regulation in response to salinity. 3.Examines how these factors function to protect the plants from high salinity. 4.Highlights advances in cutting-edge breeding technologies for improving salt tolerance. The book will be of particular value to students and researchers of plant genetics, molecular biology and physiology and those with an interest in salinity and salt tolerance.
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors' own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies.
In François Truffaut's opinion The Innocents was 'the best English film after Hitchcock goes to America'. Tennessee Williams said of The Great Gatsby: 'a film whose artistry even surpassed the original novel'. The maker of both films was Jack Clayton, one of the finest English directors of the post-war era and perhaps best remembered for the trail-blazing Room at the Top which brought a new sexual frankness and social realism to the British screen. This is the first full-length critical study of Clayton's work. The author has been able to consult and quote from the director's own private papers which illuminate Clayton's creative practices and artistic intentions. In addition to fresh analyses of the individual films, the book contains new material on Clayton's many unrealised projects and valuably includes his previously unpublished short story 'The Enchantment' - as poignant and revealing as the films themselves. This is a personal and fascinating account of the career and achievement of an important, much-loved director that should appeal to students and film enthusiasts.
Awaken Your Shamanic Soul Respected kamasqa curandero Oscar Miro-Quesada teaches shamanism as a tradition of healing, power, and wisdom that sees all life as interconnected and sacred. Understand the shamanic art of a noble death, becoming a hollow bone, traveling through the three worlds, and how to embrace the imaginal beauty of a living, sentient, and ever-evolving cosmos. Feel soul-animating moments with Creation itself as don Oscar and selected sacred storytellers share their transformative experiences. Cultivate spiritual discernment, learn how to consecrate your shamanic ceremonial space, practice an ancient Andean earth walk ritual, internalize the soul-nurturing beauty of Mother Earth with the Pachamama Renewal Process, work with the five principal animal allies of Universal Shamanism, and discover the loving grace that sparked the emergence of shamanism as a universal path of healing service. You must live the path to understand it. SHAMANISM is the medicine our world needs for seven generations and beyond.
This is the first book to explore the relationship between literary modernism and the British Empire. Contributors look at works from the traditional modernist canon as well as extending the range of work addresses - particularly emphasising texts from the Empire. A key issue raised is whether modernism sprang from a crisis in the colonial system, which it sought to extend, or whether the modern movement was a more sophisticated form of cultural imperialism. The chapters in Modernism and empire show the importance of empire to modernism. Patrick Williams theorises modernism and empire; Rod Edmond discusses theories of degeneration in imperial and modernist discourse; Helen Carr examines Imagism and empire; Elleke Boehmer compares Leonard Woolf and Yeats; Janet Montefiore writes on Kipling and Orwell, C.L. Innes explores Yeats, Joyce and their implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J. Booth addresses D.H. Lawrence and otherness; Nigel Rigby discusses Sylvia Townsend Warner and sexuality in the Pacific; Mark Williams explores Mansfield and Maori culture; Abdulrazak Gurnah looks at Karen Blixen, Elspeth Huxley and settler writing; and Bill Ashcroft and John Salter take an inter-disciplinary approach to Australia and 'Modernism's Empire'. ;
HE BOOK REFERS TO CASES AND AUTHORITATIVE ARTICLES FROM REPUTABLE JOURNALS AND BOOKS. HOWEVER, REFERENCES ARE ALSO MADE TO STATUTES, GUIDELINES, ONLINE NEWS, WHITE PAPERS, GOVERNMENT REPORTS, AND POLICYMAKERS REPORTS. THIS BOOK WILL BE A DEFINITIVE REFERENCE FOR ANYTHING RELATED TO SHIPPING AND LOGISTIC LAW IN MALAYSIA.