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      • Ellermann Verlag im Dressler Verlag GmbH

        A test company Lorem ipsum dolor sit amet, consectetur adipiscing elit. In venenatis iaculis leo, et ornare sapien. Praesent euismod ante libero, sodales feugiat nisi rutrum ac. Vestibulum ut tortor leo. Donec a lobortis elit. Nam elit ante, auctor non ante quis, viverra dapibus ipsum. Maecenas id facilisis orci, sed maximus urna. Vestibulum euismod vel orci finibus viverra. Suspendisse gravida rutrum erat, non ultrices dui sagittis vel. Etiam bibendum lacus vestibulum nisi fringilla blandit. Etiam ut ultrices mi. In hac habitasse platea dictumst. Integer in dapibus leo, vel blandit urna. Vestibulum gravida mollis mattis. Fusce a maximus urna. Donec pretium dolor fermentum nunc commodo sollicitudin. Cras ac magna rutrum, ullamcorper enim in, condimentum lorem. Fusce sodales, nunc nec vestibulum ornare, ligula tellus mollis purus, fermentum fringilla nisl nibh sed mauris. Nullam auctor est euismod nibh pellentesque ultrices. Integer at arcu felis. Fusce condimentum suscipit ex faucibus viverra. Vivamus mauris ligula, ullamcorper id lectus eu, vestibulum iaculis mauris. Sed a libero vel nisl tincidunt sagittis sed a libero. Sed sit amet congue leo, non blandit risus. Duis aliquam, justo vitae tincidunt auctor, augue nunc pellentesque nibh, eu commodo erat tellus non risus. Ut elit turpis, fringilla et purus quis, suscipit lacinia velit. Etiam quis nunc nec mauris vulputate efficitur eget eget ante. In hac habitasse platea dictumst. Morbi cursus, lacus at tincidunt condimentum, leo tortor gravida lacus, ac faucibus nisi lorem ac velit.

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      • world-wide-wealth (c/o autónomy)

        ... wealth is not materialism - not in universe (only 5% is about matter) and not on earth (it´s all about education: i.a. as a buddhists, you are happy, if YOU are happy - and not comparing - and NOT buying things you don´t need, with money you don´t have, to impress people you don´t like ... ). I invented the formulas of TIME (as such), SPACE (as such) and DYNAMIC  RELATIVITY ( as such ... relativizing Albert Einstein - and explaining the 95% of astronomy not known up to now:  23% "dark matter" and 72" "dark energy"). Wealth is not materialistic. At least not in universe, expanding since 13.8 billion years, with faaar less problems, than those of the so called "homo-sapiens"...  . "Space" in the 4th ("energetic-") dimension (not in the "low-level" 3-D-version of combating for territories or market-shares), space, is the top of the top targets of universe - and all this is transferable to mankind ... in order to achieve  world-wide-wealth !!!

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        January 1979

        Parlamentarische Strukturen im politischen System.

        Zu Grundlagen und Grundfragen des österreichischen Regierungssystems.

        by Widder, Helmut

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        October 1999

        Spiel der Sterne: Widder

        Im Kerker der Freiheit

        by Umbach, Martin; Seyfried, Michael

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        September 2022

        Das Sternbilderbuch

        Nacherzählt von Ingrid Westerhoff

        by Ingrid Westerhoff, Monika Beisner

        »Als die Erde eben erschaffen und der Boden noch ganz weich war, gab es weder Täler, noch Hügel, noch Gebirge. Nur Riesen gab es; mit gewaltigen Schritten gingen sie über das Land.« Uralte Sagen und Legenden aus Griechenland, aus Indien, dem Orient und anderen Weltgegenden erzählen uns die Geschichten über die Entstehung unserer Gestirne. Vom Mädchen, das den Grizzlybären heiratete und sich in einen Bären verwandelte, von den Zwillingskindern, die vor ihrer Mutter flohen oder vom Widder der Arche Noah: »So entstanden die Sterne, sie vertrieben die große Dunkelheit, durch ihre Öffnungen hindurch funkelte das innere Licht des Himmels«.

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        Television
        September 2004

        Terry Nation

        by Jonathan Bignell, Andrew O'Day

        This is the first in-depth study of the science fiction television devised and written by Terry Nation. Terry Nation was the inventor of the Daleks and wrote other serials for 'Doctor Who'; he also wrote the BBC's 1970s post-apocalyptic drama 'Survivors' and created the space adventure series 'Blake's 7'. Previously television science fiction in Britain has received little critical attention. This book fills that gap and places Nation's work in the context of its production. Using Terry Nation's science fiction work as a case study, the boundaries around the authorship and authority of the television writer are explored in detail. The authors make use of BBC's archival research and specially conducted interviews with television producers and other production staff, to discuss how the programmes that Terry Nation created and wrote were commissioned, produced and brought to the screen. The book makes an important contribution to the study of British television history and will be of interest to enthusiasts of Terry Nation's landmark drama series as well as students of Television Studies.

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        The Arts
        June 2017

        Terry Gilliam

        by Peter Marks

        Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.

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        The Arts
        August 2009

        Terry Gilliam

        by Peter Marks, Brian McFarlane, Neil Sinyard

        Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures. ;

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        Humanities & Social Sciences
        June 2014

        ‘Red Ellen’ Wilkinson

        by Matt Perry

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