DeA Planeta Libri’s products include books for children (fairy tales, boardbooks, novelties, non fiction, ativity etc.), MG& YA fiction, non ficton and essays and it operates with the brands DeA, De Agostini, DeA Planeta, UTET, AMZ, Abracadabra. Our foreign righst catalogues are available on: https://www.deaplanetalibri.it/aiuto/foreign-rights
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Cases of citation presents a history of artists who incorporated literary references into their work from the 1960s onwards. Through a series of object-focused chapters that each take up a singular 'case of citation', the collection considers how literary citation emerged as a viable and urgent strategy for artists during this period. It surveys eleven artworks by a diverse group of artists - including David Wojnarowicz, Lis Rhodes, Romare Bearden and Silvia Kolbowski - whose citations draw on works as varied as Karl Marx's Das Kapital and Mary Shelley's Frankenstein. The book also features an interview with pioneering feminist artist Elaine Reichek that discusses her career-long commitment to working with text. Together, the artworks and cited texts are approached from various critical angles, with each author questioning and complicating the ways in which we can 'read' textual citations in art.
Looking at royal ritual in pre-revolutionary France, Death and the crown examines the deathbed and funeral of Louis XV in 1774, the lit de justice of November 1774, and the coronation of Louis XVI, including the ceremony of the royal healing touch for scrofula. It reviews the state of the field in ritual studies and appraises the status of the monarchy in the 1770s, including the recall of the parlements and the many ways people engaged with royal ritual. It answers questions such as whether Louis XV died in fear of damnation, why Marie Antoinette was not crowned in 1775 and why Louis XVI's coronation was not held in Paris. This lively, accessible text is a useful tool for under- and post-graduate teaching which will also be of interest to specialists on this under-researched period.
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This series provides texts central to medieval studies courses and focuses upon the diverse cultural, social and political conditions that affected the functioning of all levels of medieval society. Translations are accompanied by introductory and explanatory material and each volume includes a comprehensive guide to the sources' interpretation, including discussion of critical linguistic problems and an assessment of recent research on the topics covered. From 1348 to 1350 Europe was devastated by an epidemic that left between a third and one half of the population dead. This source book traces, through contemporary writings, the calamitous impact of the Black Death in Europe, with a particular emphasis on its spread across England from 1348 to 1349. Rosemary Horrox surveys contemporary attempts to explain the plague, which was universally regarded as an expression of divine vengeance for the sins of humankind. Moralists all had their particular targets for criticism. However, this emphasis on divine chastisement did not preclude attempts to explain the plague in medical or scientific terms. Also, there was a widespread belief that human agencies had been involved, and such scapegoats as foreigners, the poor and Jews were all accused of poisoning wells. The final section of the book charts the social and psychological impact of the plague, and its effect on the late-medieval economy.
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This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
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What to do if someone close to you has an incurable disease? Where to run, where to seek support, how to behave with a sick person? This book contains practical recommendations that provide answers to these and other difficult questions. The book is written is a friendly, simple language, with the knowledge of the Ukrainian medical and social realities, sometimes with humor. It contains sincere and poignant stories of real people who share their own experiences in similar situations, showing that even illness and death will not seem so terrible if you approach them consciously and with love.
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Assisted suicide has been the subject of much passionate debate in many societies. The philosopher and theologian Jean-Pierre Wils does not deny autonomy, but asks – on the basis of his profound historical and ethical knowledge – about the social consequences. Does the right to assisted suicide not in the long run lead to the obligation to decide for or against it? And does not the pressure towards a supposedly reasonable decision increase, as soon as the causation of one‘s own death is seen as a final act of self-realisation and emancipation, or even commended as such? Wils makes a strong plea for the debate to be held in a broader context, to remove our finiteness from cultural amnesia – and in doing so, lays the foundation for a contemporary discussion on assisted suicide.
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This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
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The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
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Death in England provides the first ever social history of death from the earliest times 500,000 BC to Diana, Princess of Wales.. The book reveals how attitudes, practices and beliefs about death have undergone constant change: how, why and at what ages people died; plagues and violence; wills and deathbeds; funerals and memorials; beliefs and bereavement.. Richly illustrated - striking and often very powerful images.. In time with the spirit of the age and coming Millenium key scholars in their field write on their respective periods.. With the recent upturn of popular interest in death - through films,TV, books and newspapers - this book will prove stimulating to the general reader; to students of archaeology, art, history, medicine and sociology. ;
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After a young couple returns from their vacation to the Carpathian Mountains in Ukraine, they discover that the world as they once knew it no longer exists. Tragedy happened and survivors are forced to adapt to the harsh conditions of their new reality: overcoming deeply-rooted fears, they try to forge another world where they can unite with those who still retained their humanity. Will the couple be able to survive, make alliances with others, and give birth to a new generation? Will the insidiousness of human nature manifest itself in this new world? Chapeye's post-apocalyptic novel, diluted with beautifully melancholic and black humor, is a kind of artistic study of people's behavior in critical situations when everything that once seemed stable falls apart.
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Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
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The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
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A drunk judge kills a young woman in a car accident and escapes punishment without much effort. But the woman's husband is not one of those who can be bribed to stay silent or intimidated into oblivion. He would rather lose everything but find out the name of the culprit. A psychological thriller about Ukraine before the war, where bribes measured the value of human life, and murderers stood in the front rows at church services. But why is Puccini able to burn the souls of both antagonists with the look of Madame Butterfly? And is the division between good and evil so clear-cut in this novel? The reader will not find the answer to the last question until the end.
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Anton Piller, a former university lecturer from Switzerland, arrives in Venice to sell a unique translated manuscript and earn a large sum of money. Shortly after, he is shot dead, and his body is carried away by the canals. In 1906, in Baden, Felix, a doctor’s assistant, bribed with a precious ring, passes a secret letter to a Russian patient, Orlov, who strangely disappears from the clinic. Commissioner Vistovych, a restrained and cold-blooded Galician investigator, is drawn into the whirlpool of dangerous events. It turns out that the information from this secret document can turn not only human lives but also world history upside down. This novel is a true detective thriller, captivating the reader from beginning to end.
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It’s 1905 in Europe. Russia is losing the war with Japan and is now concentrating its forces in the West. Specifically, hundreds of Russian entrepreneurs head to Austria-Hungary and Prussia to establish business relationships, agents of the Russian Okhranka secret police and members of Russia’s criminal underworld disguised among them. Meanwhile, in the Austrian city of Lviv, the career of Criminal Police Commissar Adam Wistowicz advances. He’s one of the best investigators in Halychyna (Galicia), whose reputation is well known even in the empire’s capital, Vienna. Wistowicz’s ex-wife Anna Kalisch, an actress of the Berlin Shauspielhaus, unexpectedly finds herself in the middle of the ruthless whirlpool. In despair, she sends the commissar a telegram, begging for help. Between two fires, in foreign Prussia, Wistowicz takes on the most dangerous case of his life. He finds himself in the Royal Opera House, among communists in a German pub, in the luxury Great Prussia Hotel in Posen, then one on one with a maniac in the middle of an empty square… Teetering at knifepoint between life and death, winning crazy amounts of money and subsequently losing it, and confronting a powerful enemy with only intelligence and adroitness, the commissar from faraway Halychyna brilliantly brings the case to a close… and proves victorious.
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Yurko Izdryk’s poetry has an extraordinary optical effect as if he talks to you eye to eye reaching deep into your soul. The poems touch on such a level that you can find yourself inside them, and after all, inside the poet’s or lyrical hero’s life, living it as your own because it is so real. This personal touch is known in Ukraine as the phenomenon of Izdryk. Regardless of the phenomenon’s variating tonality – sometimes softly lyrical or harshly ironic, it remains native, yours, reflected by you. In addition to poems, there are also poet’s collages, “other things” that appear in words and pictures, thereby creating the body of one single object - the book as an artifact of life.
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The "principle of intervention" is a detective story, a drama, a comedy, and a funny, touching story. It tells us about Stanislava, whose only support is work. The pure cold reason, logic, and mathematics. It is her safe space, the world where she sets her own game rules and feels safe. Suddenly she gets an offer she can't reject, but she can't accept it because it is strange, illogical, and dangerous. And yet, the associate professor of the department of higher and applied mathematics becomes a cook. She spent seven days in the city of her childhood, from which she once flew out in a traffic jam and vowed never to return. At least this week's task is to infiltrate the wedding and ensure that the bride is alive, to find and punish the murderer.
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"Lovers of Justice" is a paranormal novel in which several biographies are combined into an artistic whole using the author's signature compositional and stylistic skills. They cry out to become an eight-and-a-half-episode TV saga. Family and political murders, rapes and robberies, depravity of minors and the mysterious separation of the head, ideological betrayals and betrayals for the sake of an idea, are assigned to various devils of the soul and are not always fair, but often terrible punishments. What else is needed for the reader to feel good and realize with pleasure his moral superiority over the unfortunate lovers of capricious Justice?
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What happens when a mother dies? Death affects us in many ways, because of the absence and the emptiness it provokes. Sometimes the sadness is such that it makes us wonder through life aimlessly. Then we settle in nostalgia.
