• Psychology

      Hypnotherapy Training

      An Investigation Into the Development of Clinical Hypnosis Training Post-1971

      by Shaun Brookhouse

      A comprehensive investigation into the development of hypnotherapy and the issues faced by the modern hypnotherapist, written by one of the foremost experts in the field. “A must-read for therapeutic organisations, trainers, serious therapists, and anyone interested in the profession.” - Dr Chris Forester, Editor, HRS Journal

    • History of ideas
      April 2011

      Imperfect Cosmopolis

      Studies in the history of international legal theory and cosmopolitan ideas

      by Georg Cavallar (Author)

      The unifying theme of the book is the imperfect nature of the cosmopolitan approaches and schemes of selected writers in early modern European history. It challenges the widespread assumption that the eighteenth century was a cosmopolitan century, and argues that many writers labelled as ‘cosmopolitans’ turn out to be half-way cosmopolitans at best, writers focussing on European society (rather than their own home countries), or endorsing a form of cosmopolitanism very different from contemporary notions. Individual chapters analyse the cosmopolitan dimension of the so-called ‘classical’ writers of the law of nations like Vitoria, Wolff or Vattel and their role as possible accomplices of European colonialism and exploitation, the pan-European or cosmopolitan plans of some British authors, the economic, indirect and weak cosmopolitanism of more mainstream authors like Hume or Smith, and late eighteenth-century international legal theory and its gradual move towards a state-centred approach. The idea of a universal natural law was compatible with a hierarchy of races in the past. Moral or human rights cosmopolitanism was often imperfect, half-hearted, or half-baked, though the book argues that we should be lenient with these early attempts. Forms of indirect, long-term economic cosmopolitanism usually triumphed over its contractual version. One chapter offers an interpretation of a passage in Kant’s Perpetual Peace, where he characterized the natural lawyers Grotius, Pufendorf und Vattel as “miserable comforters”, and an exposition of his criticism of their international theories from a cosmopolitan perspective.

    • Humanities & Social Sciences
      July 2015

      Rocks of nation

      The imagination of Celtic Cornwall

      by Shelley Trower

    • Humanities & Social Sciences
      July 2015

      Rocks of nation

      The imagination of Celtic Cornwall

      by Shelley Trower

    • Humanities & Social Sciences
      January 2018

      The Concept of Constitution in the History of Political Thought

      by Arkadiusz Górnisiewicz, Bogdan Szlachta

      The aim of the present volume is to discuss the notion of constitution from the perspectives of history of political thought. Its scholarly intention is to go beyond the approach concentrating on the formal understanding of constitution and bring forward more complex historical and philosophic-political interpretations. Our point of departure was the need to revive the somehow neglected distinction between the idea of constitution as an act of conscious law-giving activity and the notion of constitution conceived as the set of fundamental political rules derived from the very nature of political regime and its historical development.

    • Humanities & Social Sciences

      Along the Riverside: The Analects of Confucius

      by Xu Hui

      This book provides a personalized interpretation of the classics of the Confucianism. The book contains three parts. The first part gives a detailed interpretation of The Analects of Confucius. The second part connects The Analects of Confucius and the cultural backgrounding of the Huai River. The third part connects The Analects of Confucius and Confucius with social phenomenon. As an essayist, the author employs many witty words which will widen readers’ horizon.

    • Humanities & Social Sciences

      Along the River: The Doctrine of Mean

      by Xu Hui

      This book provides a personalized interpretation of The Doctrine of Mean—classics of the Confucianism. The book contains three parts. The first part if about the content of The Doctrine of Mean; the second part is something related to the classics; the third part is something apart from the classics. The book is of philosophic meaning, which will enlighten readers and strengthen their impression on the classics.

    • The Arts: General Issues
      September 2010

      On the Verge of Tears

      Why the Movies, Television, Music, Art, Popular Culture, Literature, and the Real World Make Us Cry

      by Editor(s): Michele Byers and David Lavery

      The idea for this book began with David Lavery’s 2007 column for flowtv.org. “The Crying Game: Why Television Brings Us to Tears” asked us to consider that “age-old mystery”: tears. The respondents to David’s initial survey—Michele Byers among them—didn’t agree on anything ... Some cried more over film, some television, some books; some felt their tears to be a release, others to be a manipulation. They did agree, however, as did the readers who responded to the column, that crying over stories, and even “things,” is something that is a shared and familiar cultural practice. This book was born from that moment of recognition.On the Verge of Tears is not the first book to think about crying. Tom Lutz’s Crying: The Natural & Cultural History of Tears, Judith Kay Nelson’s Seeing Through Tears: Crying and Attachment, Peter Schwenger’s The Tears of Things: Melancholy and Physical Objects, and Henry Jenkins’ The Wow Climax: Tracing the Emotional Impact of Popular Culture also offer forays into this familiar, if not always entirely comfortable, emotional space. This book differs markedly from each of these others, however. As a collection of essay by diverse hands, its point of view is multi-vocal. It is not a history of tears (as is Lutz’s superb book); nor is its approach psychological/sociological (as is Nelson’s). It does not limit itself to very contemporary popular culture (as does Jenkins’ book) or material culture (as does Schwenger’s study).What On the Verge of Tears offers are personal, cultural, and political ruminations on the tears we shed in our daily engagements with the world and its artifacts. The essays found within are often deeply personal, but also have broad implications for everyday life. The authors included here contemplate how and why art, music, film, literature, theatre, theory, and material artifacts make us weep. They consider the risks of tears in public and private spaces; the way tears implicate us in tragedy, comedy, and horror. On the Verge of Tears does not offer a unified theory of crying, but, instead, invites us to imagine tears as a multi-vocal language we can all, in some manner, understand.

    • Cultural studies
      July 2013

      Cultural Identity and Civil Society in Russia and Eastern Europe

      Essays in Memory of Charles E. Timberlake

      by Editor(s): Andrew Kier Wise, David M. Borgmeyer, Nicole Monnier and Byron T. Scott

      This volume is dedicated to the memory of Charles E. Timberlake. The contributors include his former colleagues and students.The first section deals with “Liberalism and Civil Society in Russia and Eastern Europe.” Alla Barabtarlo discusses unfinished research conducted by Charles Timberlake on the liberal activist Ivan Petrunkevich. Evgeny Badredinov analyzes research on the Russian village conducted by an important liberal lawyer and sociologist, Maksim Kovalevskii. Andrew Wise examines commentary by Polish liberals and their exiled Russian colleagues published in the Warsaw press from 1920–1923.The second section deals with “Orthodoxy and Cultural Identity in Late Imperial Russia.” Robert Nichols explains the role in Russia’s monastic revival played by Gethsemane skete, a monastic cloister that was founded in 1844. Sally Stocksdale details the motivations of a self-cloistering Russian noblewoman (Praskovia Yazikova) of the nineteenth century. Jesse Murray explores the cultural and religious identities of residents in the Baikal region. David Borgmeyer focuses on the response to the works of Pablo Picasso by one art critic, Sergei Bulgakov.The third section deals with “Civil Society in the Post-Soviet Era.” Byron Scott demonstrates that press freedom has been a contentious issue in these societies. James McCartney analyzes the reforming of the educational system in independent Georgia.

    • Psychology
      March 2007

      Creativity, Madness and Civilisation

      by Editor(s): Richard Pine

      What is ‘creativity’? And what is ‘madness’? How far can we interpret an artist’s work through our knowledge of his or her mental state, and how far can we infer a mental state from a work of art? When does a work of art cease to be a personal statement by the artist and become a matter of public concern?The contributions to this book attempt to answer some of these questions. They come from a wide range of disciplines and experiences – a practising psychiatrist, a practising artist suffering from reactive depression, and critics working in literature, film, music and the visual arts. The essays include discussions of the ‘myth of creativity’, the music of Robert Schumann, the borders of sanity in the writing of Lawrence Durrell, the ‘insane truth’ of Virginia Woolf, the meeting of doctor and patient in the poetry of Anne Sexton, mood disorders in the fiction of David Foster Wallace, love and madness in the poetry of Hafiz of Shiraz, and the paintings of Adolf Wölfli.Central to this discussion of creativity, madness and civilisation is the difficulty of establishing an appropriate and effective vocabulary and mindset between critics and clinical psychiatrists, which would enable them to work together in understanding mental disturbance in creative artists.

    • Literary studies: general
      May 2009

      Englishness Revisited

      by Editor(s): Floriane Reviron-Piégay

      What is Englishness? Is there such a thing as a national temperament, is there a character or an identity which can be claimed to be specifically English? This collection of articles seeks to answer these questions by offering a kaleidoscopic vision of Englishness since the eighteenth century, a vision that acknowledges stereotypes while at the same time challenging them. Englishness is defined in contrast to Britishness, the Celtic fringe—Scotland in particular—Europe and the Continent at large. The effects of the Empire and of its loss are examined together with other socio-economic factors such as the two World Wars, de-industrialization and the different waves of immigration. Through a careful analysis of the arts, literature, philosophy, historiography, cultural and political studies produced in England and on the Continent over the last three centuries, a composite image of Englishness emerges, somewhere between centre and periphery, tradition and innovation, transience and timelessness, rurality and urbanity, commitment and isolation. Englishness is thus revealed as a protean concept, one which, whether it is a historical or political construct, a genuine emanation of a national desire or a simulacrum, retains its fascination and this volume offers keys to understanding its diverse expressions.

    • Western philosophy, from c 1900 -
      January 2015

      Intercultural Dialogue

      In Search of Harmony in Diversity

      by Editor(s): Edward Demenchonok

      Intercultural Dialogue: In Search of Harmony in Diversity offers a philosophical analysis of the issues surrounding cultural diversity and dialogical relationships among cultures as an alternative to “culture wars” and hegemonic globalization. It examines the ideas of dialogue and harmony as expressed in Daoism, Confucianism, Indian, and Ancient Greek philosophical traditions, as well as in contemporary European and Latin-American philosophies. Drawing on the works of Laozi, Confucius, Plato, Kant, and Gandhi, the book shows the importance of intercultural dialogue and the globalization of philosophy. It asserts that intercultural dialogue should have inter-philosophical global dialogue as its epistemological and ontological foundation. Intercultural philosophy elaborates on the conceptualization of philosophy as culturally embedded. Attention is paid to Bakhtin’s dialogism and its contemporary elaboration in the phenomenology of indirect speech, synergic anthropology, and the theory of transculture. The book offers a critical analysis of world problems. Their possible solutions require a more dialogically-oriented and humane transformation of society, aiming for a cosmopolitan order of law and peace.

    • Educational: Religious studies: Christianity
      July 2013

      From Authority Religion to Spirit Religion

      An Intellectual Biography of George Burman Foster, 1857-1918

      by Author(s): W. Creighton Peden

      George Burman Foster (1857–1918) was a key figure among the philosophers and theologians who composed the early “Chicago School.” This volume makes available the development of Foster’s religious thought by exploring his major writings as well as diverse shorter works. Conclusions are provided following each major section of the book. Through this approach we discover that Foster was laying the foundation for the emergence of American humanism.

    • Philosophy: metaphysics & ontology
      January 2010

      The Nature of Reality and the Reality of Nature

      A Study of Leibniz’s Double-Aspect Ontology and the Labyrinth of the Continuum

      by Author(s): Jürgen Lawrenz

      This new, comprehensive study of Leibniz’s system of thought reveals a philosopher equally intrigued by the complexity of physical reality and the fascinations of his metaphysical laboratory. Many of his most important, but never previously published papers are evaluated in this book.Too often put down as an arch-metaphysician, Leibniz is seen in these pages as a venturer of breathtaking boldness, his ambition being nothing less than to actually solve the enigma of existence. Accordingly his system embraced science equally with metaphysics; they complement and pollinate each other.The outcome is a view of his system as a double ontology. Reality is the domain of the actual; metaphysics the laboratory of the possible. Metaphysics springs to life with his scintillating detective work on force, motion, time, space, limits, infinity, folds, fractals and many other issues that are ‘hot’ again today; while in all these a direct line is kept open to their impact on physical existents and our understanding of reality.This book is equally suited to expert Leibnizians as to students of Early Modern philosophy; and it may be read with profit by anyone interested in this thinker, whom Bertrand Russell called “one of the supreme intellects of all time”.

    • Theory of music & musicology
      December 2015

      Nationality vs Universality

      Music Historiographies in Central and Eastern Europe

      by Editor(s): Sławomira Żerańska-Kominek

      For the last few decades, historiography, considered as the central discipline of musicology, has explored new directions and sought inspiration for further research, consequently redefining the fundamental premises of historical musicology. This is especially true with regard to the concept of music history as the work of great individuals and the domain of artistic works, resulting from either tradition or new inventions. The validity of global and universal perspectives has been questioned, and researchers have emphasized the need to focus on local realities and day-to-day musical life. Another key topic in this ongoing debate is the (im)possibility of writing an “objective” historical narrative. The methodological foundations of the traditional Western model of music historiography have been deconstructed – a process which has revealed its profound and purely one-sided ideological profile.This publication deals with the history of music as a way of representing historical memory and as an instrument of shaping society’s present. It introduces selected European historiographic concepts created outside the “official” mainstream of Western historiography. The contributions to this volume not only demonstrate the cultural diversity of the conventions in which music history is narrated, but also reveal their ideological and political determinants. As such, the book represents fascinating reading for anyone interested in the mechanisms that shape notions of the musical past, which for many nations in Central and Eastern Europe is also a key element of their identity.

    • Book & paper crafts
      May 2014

      The Use of Models in Medieval Book Painting

      by Editor(s): Monika E. Müller

      Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.

    • History of medicine
      July 2018

      Connecting Worlds

      Production and Circulation of Knowledge in the First Global Age

      by Editor(s): Amélia Polónia, Fabiano Bracht, Gisele C. Conceição

      This book establishes a dialogue between colonial studies and the history of science, contributing to a renewed analytical framework grounded on a trans-national, trans-cultural and trans-imperial perspective. It proposes a historiographical revision based on self-organization and cooperation theories, as well as the role of traditionally marginalized agents, including women, in processes that contributed to the building of a First Global Age, from 1400 to 1800.The intermediaries between European and local bearers of knowledge played a central role, together with cultural translation processes involving local practices of knowledge production and the global circulation of persons, commodities, information and knowledge. Colonized worlds in the First Global Age were central to the making of Europe, while Europeans were, undoubtedly, responsible for the emergence of new balances of power and new cultural grounds. Circulation and locality are core concepts of the theoretical frame of this book.Discussing the connection between the local and the global, in terms of production and circulation of knowledge, within the framework of colonialism, the book establishes a dialogue between experts on the history of science and specialists on global and colonial studies.

    • Musicals
      July 2006

      The Beggar’s ‘Children’

      How John Gay Changed The Course Of England’s Musical Theatre

      by Author(s): Madeline Smith Atkins

      A harsh satire of Eighteenth Century London life, John Gay’s The Beggar’s Opera is a piece well known by students of literature and music. Gay's composition spawned a new genre of musical works called "ballad opera" whose popularity rapidly caused the decline of Italian opera in London. These well-received ballad operas dominated London's musical theatre from 1728 until the middle of the Eighteenth Century. No other author has looked beyond The Beggar's Opera to analyze the plots of any of these imitative works and their music. The book concentrates on these ‘children’, or descendants.The author describes a number of ballad operas which proliferated on the heels of the success of The Beggar's Opera. Ballad opera gradually matured into a pastoral, bucolic form (comic opera) and eventually into a highly sophisticated type of musical work (burletta). Several samples of each type of work chosen from the performances most frequently given in London are discussed in depth. These analyses include musical examples from the original scores and evaluations of the dramatic and musical aspects of each work. With the exception of The Beggar's Opera, none of these works or similar ones has previously been the subject of detailed analysis and evaluation.“How John Gay Changed the Course of England’s Musical Theatre” sheds fresh light on the less familiar ballad operas of the Eighteenth Century. Gay’s The Beggar’s Opera created such a demand for musical satire that original music began to be composed for English comic works. …Edmund Miller, Chairman of the English Department, C. W. Post Campus of Long Island UniversityThis is an engaging and unique look at a piece of operatic history out of the mainstream. It invites the reader to explore works that he may not know, along with the milieu in which these musical gems became popular.…Kathryn Smith, General Director, Tacoma OperaDr. Atkins provides an insightful study of Eighteenth Century ballad opera ranging from John Gay’s The Beggar’s Opera with its political satire and burlesque of Italian opera to the comic operas and burlettas which rounded out the century. This highly readable exposition includes examples of the tuneful airs, and explains the plots of the most popular works of the period. It will delight both musical and literary scholars.…Patricia Azar, Associate Editor, Collected Works of G. K. ChestertonMadeline Atkins has given us a thorough and intelligent study of Eighteenth Century popular English musical theater, and the seminal role of The Beggar’s Opera in its development. With the inclusion of numerous musical examples, abundant historical details, and deft, clear analyses, this book is an excellent introduction to a delightful musical genre and period. Atkins successfully accomplishes both of her aims: she informs us about an overlooked yet important era of musical history and she convinces us to want to hear it again for ourselves, and she does it artfully and skillfully.…Barry Sherman, Associate Professor of Communications, St. John’s University

    • Political science & theory
      June 2011

      Machiavellis Revivus

      Slashing a Sword on the Western Classical Tradition

      by Author(s): Nevio Cristante

      From an intensive academic study based primarily on Machiavelli’s works, critical arguments arise in this text that undermine not only the current-day political mind-set, framework, and practices, but also the views established academically, up to the point where the “body politic” formed by the Western classical tradition is dissipated and dispersed. Comprised in a contrary unconventional manner similar to Machiavelli, the basic essential factors of history, religion, power, and authority were formulated as the four main chapters in this work by Nevio Cristante. From it, one can readily see the flaws today in the false praise in nostalgic historical hubris, the forgetting of a brand of religion that is essential for healthy politics, the overlooking of coercive forces that reduce politics to power, and the loss of true authority. In this book, Cristante comprises Machiavelli as a virtuous, unprecedented, “extreme humanist,” in stark contrast to the common incessant interpretations of him being a “teacher of evil,” a “diabolical,” “soulless” political advisor. A subversive satirical interpretation of The Prince has been formed herein, extending from the generated knowledge of history and the history of Machiavelli’s own experience. From the vivacious and unraveling Italian Renaissance, a cogent force prompted Machiavelli to create his literary works in order to form an educational cure for the deteriorating human condition, of his time, and any time. There is in Machiavelli, a differing sense of newness from that which is commonly known today, which circumvents its worth in this distinct educative interpretation. Machiavelli goes back in time in order to produce lessons applicable to correct the shortages in his, and every, present-day. With a divergent view of the works of art and literature outlined in this analysis, Machiavelli’s education becomes revived today in creating a virtuous political, spiritual, and cultural dynamism as a battle-cry to repel the ignorance and great misfortunes in our human condition.

    • History of Art / Art & Design Styles
      October 2015

      Views on Eighteenth Century Culture

      Design, Books and Ideas

      by Editor(s): Leonor Ferrão, Luís Manuel A. V. Bernardo

      This book provides significant new insights into the Enlightenment in Portugal and its relationships with other European cultural movements using Eugénio dos Santos (1711–1760) as a common reference point. Eugénio dos Santos was a Portuguese architect and city planner who, among other projects, was responsible for the plans to rebuild Lisbon after the earthquake of 1st November 1755. His artistic and technical training, architectural production, aesthetic preferences and some of the books in his private library point to a person who embodied the transition between two moments in Portuguese culture, with their specific characteristics and particular reception of the practices and ideas that circulated among European intellectuals and practitioners. Over the 18 chapters of this volume, several specialists in different disciplinary areas discuss ideas, libraries, printed and handwritten documents, drawings, printing techniques, and architects, philosophers and writers of the 18th century, in order to offer a broad view of a time period closely associated with the construction of modernity.

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