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      • Trusted Partner
        Disturbing pasts
        Museums & museology
        November 2017

        Disturbing pasts

        Memories, controversies and creativity

        by Edited by Leon Wainwright

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      • Trusted Partner
        Curating empire
        Humanities & Social Sciences
        June 2016

        Curating empire

        Museums and the British imperial experience

        by Sarah Longair, Andrew Thompson, John McAleer, John Mackenzie

        Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire. ;

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      • Trusted Partner
        Curatopia
        Teaching, Language & Reference
        December 2018

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

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      • Trusted Partner
        ‘Chords of freedom’
        Humanities & Social Sciences
        March 2007

        ‘Chords of freedom’

        Commemoration, ritual and British transatlantic slavery

        by J. R. Oldfield

        How should we as Britons remember transatlantic slavery? How has slavery been remembered in the past? 'Chords of freedom' sets out to answer these questions and, in doing so, traces the way in which British transatlantic slavery has been absorbed into the nation's collective memory. By combining two current historiographical preoccupations - the construction of public memory and British transatlantic slavery - this fascinating book focuses on the way in which the British traditionally have been taught to view transatlantic slavery through the moral triumph of abolition. The author traces the construction of this national history through a number of case studies, including visual images, literary memorials (the competing accounts of the anti-slavery movement produced by Thomas Clarkson and Robert and Samuel Wilberforce), monument-memorials, galleries and museums, and commemorative rituals from the nineteenth century to the present day. A separate chapter also considers how Britain's example in abolishing first the slave trade (1807) and then colonial slavery (1833-34) impacted on the rituals of the American anti-slavery movement, and served as a convenient symbol of the potential of freedom in the British West Indies. 'Chords of freedom' offers valuable new insights into the way in which a 'culture of abolition' took root in Britain, and how our views of transatlantic slavery and figures like William Wilberforce have been revised and amended to reflect the changing demands of a series of 'present days'. Its cross-disciplinary approach will appeal to a broad spectrum of specialists, as well as to undergraduates and postgraduates. ;

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      • Trusted Partner
        Curatopia
        Teaching, Language & Reference
        December 2018

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

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      • Trusted Partner
        Windows for the world
        The Arts
        April 2018

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen, Bill Sherman, Christopher Breward

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      • Trusted Partner
        Windows for the world
        The Arts
        April 2018

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen, Bill Sherman, Christopher Breward

        Introduction 1. Exhibiting stained glass: classification, organisation and status 2. A multitude of displays 3. Stylistic eclecticism in nineteenth-century stained glass 4. Competition and exchange: exhibitors and their networks 5. Stained glass as propaganda Conclusion: Reappraising nineteenth-century stained glass Appendix Bibliography Index

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      • Trusted Partner
        Curatopia
        Teaching, Language & Reference
        December 2018

        Curatopia

        Museums and the future of curatorship

        by Philipp Schorch, Conal McCarthy

        What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

        More
      • Trusted Partner
        Windows for the world
        The Arts
        April 2018

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen, Bill Sherman, Christopher Breward

        Windows for the world focuses on the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. The book recognises those who made and exhibited stained glass for display at the international exhibitions, and demonstrates the long-lasting impact of the classification and modes of displaying stained glass at these events. A number of stained glass exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century. Windows for the world will appeal to those interested in the history of stained glass as well as nineteenth-century history, art and architecture.

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      • Trusted Partner
        Stories from small museums
        Teaching, Language & Reference
        November 2022

        Stories from small museums

        by Fiona Candlin, Toby Butler, Jake Watts

        During the late-twentieth century, the number of museums in the UK dramatically increased. Typically small and independent, the new museums concentrated on local history, war and transport. This book asks who founded them, how and why. In order to find out more, Toby Butler, an expert oral historian, and Fiona Candlin, a professor in museology, drove around the UK to meet the individuals, families, community groups and special interest societies who established the museums. The rich oral histories they collected provide a new account of recent museum history - one that weaves together personal experience and social change while putting ordinary people at the heart of cultural production. Combining academic rigour with a lively writing style, Stories from small museums is essential reading for students and museum enthusiasts alike.

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      • Trusted Partner
        Stories from small museums
        Teaching, Language & Reference
        November 2022

        Stories from small museums

        by Fiona Candlin, Toby Butler, Jake Watts

        During the late-twentieth century, the number of museums in the UK dramatically increased. Typically small and independent, the new museums concentrated on local history, war and transport. This book asks who founded them, how and why. In order to find out more, Toby Butler, an expert oral historian, and Fiona Candlin, a professor in museology, drove around the UK to meet the individuals, families, community groups and special interest societies who established the museums. The rich oral histories they collected provide a new account of recent museum history - one that weaves together personal experience and social change while putting ordinary people at the heart of cultural production. Combining academic rigour with a lively writing style, Stories from small museums is essential reading for students and museum enthusiasts alike.

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      • Trusted Partner
        Museums and empire
        Humanities & Social Sciences
        March 2017

        Museums and empire

        Natural history, human cultures and colonial identities

        by John M. MacKenzie

        Museums and Empire is the first book to examine the origins and development of museums in six major regions if the British Empire in the nineteenth and twentieth centuries. It analyses museum histories in thirteen major centres in Canada, South Africa, Australia, New Zealand, India and South-East Asia, setting them into the economic and social contexts of the cities and colonies in which they were located. Written in a lively and informative style, it also touches upon the history of many other museums in Britain and other territories of the Empire. A number of key themes emerge from its pages; the development of elites within colonial towns and cities; the emergence of the full range of cultural institutions associated with this; and the reception and modification of the key scientific ideas of the age. It will be essential reading for students and academics concerned with museum studies and imperial history and to a wider public devoted to the cause of museums and heritage

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      • Trusted Partner
        Curating empire
        Humanities & Social Sciences
        February 2017

        Curating empire

        Museums and the British imperial experience

        by Sarah Longair, John McAleer

        Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.

        More
      • Trusted Partner
        Development, architecture, and the formation of heritage in late twentieth-century Iran
        The Arts
        May 2021

        Development, architecture, and the formation of heritage in late twentieth-century Iran

        A vital past

        by Ali Mozaffari, Nigel Westbrook

        This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.

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      • Trusted Partner
        Taking place
        Teaching, Language & Reference
        February 2023

        Taking place

        Building histories of queer and feminist art in North America

        by Erin Silver

        Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of 'alternative' space and the possibilities the term affords for queer and feminist artistic imaginaries.

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      • Trusted Partner
        Taking place
        Teaching, Language & Reference
        February 2023

        Taking place

        Building histories of queer and feminist art in North America

        by Erin Silver

        Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of 'alternative' space and the possibilities the term affords for queer and feminist artistic imaginaries.

        More
      • Trusted Partner
        Development, architecture and the formation of heritage in late-twentieth century Iran
        The Arts
        October 2020

        Development, architecture and the formation of heritage in late-twentieth century Iran

        A vital past

        by Ali Mozaffari, Nigel Westbrook

        More
      • Trusted Partner
        Development, architecture and the formation of heritage in late-twentieth century Iran
        The Arts
        October 2020

        Development, architecture and the formation of heritage in late-twentieth century Iran

        A vital past

        by Ali Mozaffari, Nigel Westbrook

        More

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