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      • Fiction
        October 2021

        Le regole degli infami

        by Fulvio Luna Romero

        A work of noir fiction that digs deep into the turbulent soil of north-eastern Italy, recounting from within the criminal infiltrations which infest it. Drawing inspiration from recent events, Fulvio Luna Romero has crafted a ruthless and passionate novel driven by adrenaline, suspense, and continuous plot twists.   The Jesolo peninsula is a strange place. A splinter of land surrounded by the sea on one side and the Venetian lagoon on the other; during the summer, it is a bustling hotspot for partygoers and holidaymakers. But during the winter, the crowds disperse, reducing Jesolo to little more than a town which stands across from the world’s most beautiful city. This piece of land is controlled by the Company, a sprawling criminal organisation run by Andrea Salvi. From drugs to prostitution, from construction to arcades: on the Jesolo peninsula, nothing happens without his say-so. But Salvi is not a boss like any other. He shuns the ‘gangster’ label, preferring instead to keep a low profile. His dirty work is carried out by three men: Africa, a heavy-handed man from Campania; Black, a reserved and hardworking man from Lombardy; Striker, a crackhead and goal-scorer for the local football team. Alongside his girlfriend Valentina – who conceals her determination behind an icy, quick-witted exterior – these are the only people he trusts. One day, however, during a substantial marijuana delivery, something goes wrong, and someone is killed during a run-in with the police. Salvi feels cornered. And in a moment like that, one cannot practice caution; he has to make himself heard, and prove that no one can get away with challenging the Company. And so, as Jesolo goes up in flames, the boss and his right-hand men discover that the truth is much more complicated than it may seem; that the line between fighting crime and building your life around it is incredibly fine and easy to cross. You may suddenly find yourself on the other side.

      • Fiction
        October 2019

        Corpi di ballo

        by Francesca Marzia Esposito

        Anita is one of the two top dancers at the prestigious Karen Holmes Dance Academy. The other is Miriam: coordinated, expressive, toned and charismatic. In Anita’s eyes, she is perfect. The two girls share not only their apartment, but also the hours spent within the white, sterile walls of the Academy. Under constant scrutiny, each girl has adopted her own methods to restrain herself from eating; for them, dancing comes first. Everything else is secondary. The rest of Anita’s life is made up of her mother, her older brother Toni – a man in his forties with an obsessive disorder and a newfound passion for iguanas – and her childhood best friend, Nina. Summer has just begun, and with it, the rehearsals for Holmes’ latest production: Ondine. The Academy’s director distorts and experiments with the show, her approach even more cryptic than usual; as always, Anita follows her instructions without question. But everything is about to change. On a day like any other, Miriam collapses, never to regain consciousness. Anita’s life grinds to a halt, incapable of facing the event that has brought her perfectly-organised world crashing down around her. It is thanks to the oddities of her brother, a nameless young girl, Bruno (the mysterious nighttime visitor), and, mainly, to a strength she never knew she possessed, that Anita is able to start again; but it throws into question everything she has ever known. With a writing style capable of capturing even the most minute nuances, and filling the silences surrounding them, Francesca Marzia Esposito’s novel is an emotional and challenging insight into the world of dance. Her story reveals not only the intricacies of its darker sides, but also the obsession in its search for perfection: a perfection which almost never leads to happiness.

      • Fiction
        February 2021

        Saponi

        by Elena Ghiretti

        The war between thirty-year-olds and those in their forties has just begun: a novel of irresistible irony, with a quick-witted, cynical style of writing that will invite you to look at the world with greater suspicion but, at the same time, far less fear.   Lucia has made it to her forties convinced that she has reached some sort of lifetime achievement: she has a job she loves in a marketing agency, she has a stable relationship, and she has paid a deposit on her dream house. But, one rainy day, everything starts to unravel. A chain of unfortunate events brings her perfect life crashing down. She begins to question her career, her love life, and her own identity, with an insistent thought niggling at her mind: the thirty-year-olds have taken over. And she hadn’t even realised. Because of her age, she is out of the game. She is Soap, a losing concept: a naïve new line of men’s cosmetics which the client ditches in favour of a tantalising proposal from a millennial of indeterminate gender. Reinventing herself now is impossible: it’s too late. Those in their thirties work in different ways, and have begun to shape their own alien universe. From that moment, Lucia’s certainty disappears, her life derailing. From networking events with glossy influencers and surreal evenings spent in escape rooms, to obscure spiritual practices and erotic and geographical digressions, Lucia attempts to find a new direction for her life. Instead, she discovers that, deep down, millennials may not be quite as enigmatic as they seem.

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