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      • Trusted Partner
      • Trusted Partner
        The Arts
        April 2019

        Street theatre and the production of postindustrial space

        Working memories

        by David Calder, Maggie B. Gale

        Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable. Working memories brings together some of current theatre scholarship's fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

      • Trusted Partner
        The Arts
        December 2017

        Study on Dong Minority's Festivals and Measures of Intellectual Property Protection

        by Wu Bo

        Dong Minority boasts abundant folk festivals that needs intellectual property protection. To conduct such measure is the tendency of protection of intangible cultural heritage, and also the necessary operation technique.   侗族因为其特殊的历史成因形成了大量的民间节会,具备丰富的节会文化资源。因此,对节会资源进行产权保护,既是非物质文化遗产保护的一个发展趋势,也是一种必要的操作技术。本书稿从侗族民间节会的分布特征、文化价值、传承保护与开发利用中存在的问题引申出侗族民间节会知识产权保护制度的构建,引导行政力量和民间社会对侗族民间节会合理运用、保护开发。该书稿被列为2010年国家社科基金项目“侗族民间节会知识产权的保护与对策研究”。 Due to its special historical causes, the Wa people have formed a large number of folk festivals and have rich festival cultural resources. Therefore, the protection of property rights of festival resources is not only a development trend of intangible cultural heritage protection, but also a necessary operation technology. The draft of this book draws on the construction of the intellectual property protection system of the Dai folk festivals from the distribution characteristics, cultural values, inheritance protection, development and utilization of the Dai folk festivals, and guides the administrative forces and civil society to make reasonable use of the Dai folk festivals Protect development. The draft was listed as the 2010 National Social Science Fund Project "Research on the Protection and Countermeasures of the Intellectual Property Rights of the Dong Folk Festival".

      • Trusted Partner
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

      • Trusted Partner
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

      • Trusted Partner
        The Arts
        July 2019

        Street theatre and the production of postindustrial space

        Working memories

        by David Calder, Maggie B. Gale

        Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable. Working memories brings together some of current theatre scholarship's fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

      • Trusted Partner
        The Arts
        January 2024

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

      • Trusted Partner
        The Arts
        January 2024

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

      • Trusted Partner
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

        This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even 'fake' and 'staged'.

      • Trusted Partner
        The Arts
        January 2024

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

      • Trusted Partner
        The Arts
        July 2022

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

        This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even 'fake' and 'staged'.

      • The Arts

        Zen and Funambulism

        by Andrea Loreni

        Zen and funambolism by Andrea Loreni: the most famous tightrope walker in Italy, Andrea Loreni, talks about his formation journey in Japan and his approach to Zen philosophy. He came back to the Zen Temple to make an exhibition in honour of Roshi, the Master. Andrea Loreni talks about the tightrope walking’s techniques, the fear he feels, the sense of emptiness, of loss, but also of relief and joy that he experiences at each performance. In this book he recounts his experience at the Sogen-ji Monastery in Japan, where he learned the art of Zen meditation; the story of the return to the Temple where he made the crossing which later became a documentary; the experience and feeling of man and the tightrope walker; finally the book is enriched with a small part of tightrope walk practice. The reader participates in the control and overcoming of the limits of the tightrope walker who are nothing more than the limits of each man: uncertainty, loneliness, risk and failure. First self-published, it sold about 2000 copies. Now, enriched in many parts, he has found his home.

      • The Arts

        Circus-motricity Manual

        by Manlio Casali, Stefania Sala

        "Circus-motricity manual" is in effect a pioneering text, not so much because it invents something new, but rather because, for the first time, it engages in a double attempt: to contribute to the development and dissemination of circus arts as a valid playful tool / educational and design a very practical and concrete form of what is spoken of, to give pragmatism to myths and dreams. And it is a manual that talks about motricity, that is the application of circus arts to a playful and experiential approach that can have important reflections on children. Not because it will make them circus artists. Not superheroes. Not child prodigies. But because it will be a beautiful experience for them, a thing made and lived with pleasure, with themselves, with others, with unexpected gratifications and the development of sociality. A game that improves their motor skills.

      • Memoirs
        March 2012

        Dancing Through History

        In Search of the Stories That Define Canada

        by Lori Henry

        In Dancing Through History, Henry crosses Canada's vast physical and ethnic terrain to uncover how its various cultures have evolved through their dances.   Her coast-to-coast journey takes her to Haida Gwaii in British Columbia, where she witnesses the seldom seen animist dances of the islands' First Nation people. In the Arctic, Henry partakes in Inuit drum dancing, kept alive by a new generation of Nunavut youth. And in CapeBreton, she uncovers the ancient "step dance" of the once culturally oppressed Gaels of Nova Scotia.   During her travels, Henry discovers that dance helps to break down barriers and encourage cooperation between people with a history of injustice. Dance, she finds, can provide key insight into what people value most as a culture, which is often more similar than it seems. It is this kind of understanding that goes beyond our divisive histories and gives us compassion for one another.   Unique to this book, Dancing Through History includes first person interviews with First Nations, Métis, and Inuit (Canada's Aboriginal groups) talking about their traditions and the effect colonisation has had on them, all through the lens of dance. Their voices are given ample space to speak for themselves – what is revealed is a beautiful worldview and many lessons to be learned in order to have a healthy planet and tolerant people as we move into the future.   Book Details: This is an adult non-fiction book of Canadian content. The target market is curious travellers and those interested in culture beyond the typical tourist traps. Sales have ranged from junior high schools to retired baby boomers. Interested publishers can make an offer directly on the profile page to buy available rights.

      • Adventure
        November 2013

        Wind Riders

        Book One of the Fallen Lands Trilogy

        by Patrick Park-Tighe

        With a single, desperate cut of the knife, naïve and reckless Cat Calhoun finds himself forced into an unfamiliar landscape of intrigue and danger. Caught between a murderous giant and a hardly helpless pirate girl, Cat's split second decision leaves him adrift in the Fallen Land's shadowy world of sea-robbers, madmen and cutthroats--a place where politics and prophecies collide. Now, the further he travels from the mundane comforts of home, the deeper the mystery grows around the untested farm boy and the Shadow staining the land from Sturmgard to the Summer Coast and beyond. The Fallen Lands Trilogy can be described as a coming-of-age story where love and loss shape characters and destinies. Unique to this series is the role of the Archtypes. In the books' mythology, the Archtypes are the physical embodiment of the familiar elements driving modern narratives. The Hero, Shadow, Oracle and Trickster are all at play, struggling to understand their purpose and place, while caught between free will and pre-destination.

      • Fantasy

        Winterdark

        Book Two of the Fallen Lands Trilogy

        by Patrick Park-Tighe

        A new season in the Fallen Lands brings a sad end for some and unexpected new beginnings for others. Cat Calhoun, broken and unsure, struggles to find his way after a series of devastating losses. For Bear Ra'Khan, unexpectedly favored by Fortune, dreams of power and revenge edge closer to reality. The Scarlet Weaver, sightless and imprisoned, watches as time and hope slip away. For her lover, D'Arc and the rest of the fugitive Pirate Lords, the gallows call even as the mystery of their betrayal deepens. Casting a shadow over all their fates--one powerful woman's unimaginably dark desires.

      • Fantasy

        Twilight & Ashes

        Book Three of the Fallen Lands Trilogy

        by Patrick Park-Tighe

        Dark days have descended on the Fallen Lands. Cat Calhoun, finally accepting his destiny as the Pandarin, finds life as his generation's champion defined by compromise and sacrifice. The Forever King, still haunted by a tragic past, looks to the shape the Summer Coast's present and future through war. Behind all of it, the scheming shapeshifter, Grandmother Rose, inches closer to the fruition of her grand design--a world without hope, its sacred histories lost. A Red Seer and black magyck, old rivalries and new alliances collide in a struggle that threatens to send the Summer Coast spiralling into chaos.

      • The Arts
        March 2006

        Melholistics Handbook

        by Antonio Meneghetti

        Melholistics is a psycho-bodily instrument that uses music (played by a melholist) and dance (performed by the participants) to recover and strengthen psycho-physical well-being and psycho-emotional functionality. Besides showing a new approach to the specific field of music-therapy, the book provides a revolutionary viewpoint on the knowledge on which all bodily techniques are based – music therapies, dance, aesthetics, sport, etc. Melholistics also led to the practice of melodance, the most joyful way for large groups to dance together.

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