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      • Trusted Partner
        The Arts
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        This book examines the political power of dance, particularly its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement, dabke in Palestine and dance as a protest against human rights abuse in Israel, it explores moments in which the form succeeds in transgressing politics as articulated in words. Close readings and critical analysis grounded in radical democratic theory combine to show how reading political dance as 'interruption' can unsettle conceptions of both politics and dance.

      • Trusted Partner
        History
        April 2017

        Dancing in the English style

        Consumption, Americanisation, and national identity in Britain, 1918–50

        by Allison Abra. Series edited by Jeffrey Richards

        Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.

      • Trusted Partner
        Humanities & Social Sciences
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        This book examines the political power of dance, particularly its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement, dabke in Palestine and dance as a protest against human rights abuse in Israel, it explores moments in which the form succeeds in transgressing politics as articulated in words. Close readings and critical analysis grounded in radical democratic theory combine to show how reading political dance as 'interruption' can unsettle conceptions of both politics and dance.

      • Trusted Partner
        Humanities & Social Sciences
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        This book examines the political power of dance, particularly its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement, dabke in Palestine and dance as a protest against human rights abuse in Israel, it explores moments in which the form succeeds in transgressing politics as articulated in words. Close readings and critical analysis grounded in radical democratic theory combine to show how reading political dance as 'interruption' can unsettle conceptions of both politics and dance.

      • Trusted Partner
        Humanities & Social Sciences
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        Introduction 1 Moving beyond boundaries: writing on the body 2 'I dreamed of a different dance': Isadora Duncan's danced revolution 3 'The body says what words cannot': Martha Graham, dance and politics 4 'I want to tell them how I feel and how black people feel': Gumboots dance in South Africa 5 Dancing the ruptured body: One Billion Rising, dance and gendered violence 6 Dancing human rights Conclusions: the dancer of the future dancing radical hope Index

      • Trusted Partner
        Humanities & Social Sciences
        March 2022

        Worlds of social dancing

        Dance floor encounters and the global rise of couple dancing, c. 1910–40

        by James Nott, Klaus Nathaus, Jeffrey Richards

        By the 1920s, much of the world was 'dance mad,' as dancers from Buenos Aires to Tokyo, from Manchester to Johannesburg and from Chelyabinsk to Auckland, engaged in the Charleston, the foxtrot and a whole host of other fashionable dances. Worlds of social dancing examines how these dance cultures spread around the globe at this time and how they were altered to suit local tastes. As it looks at dance as a 'social world', the book explores the social and personal relationships established in encounters on dance floors on all continents. It also acknowledges the impact of radio and (sound) film as well as the contribution of dance teachers, musicians and other entertainment professionals to the making of the new dance culture.

      • Trusted Partner
        Humanities & Social Sciences
        March 2022

        Worlds of social dancing

        Dance floor encounters and the global rise of couple dancing, c. 1910–40

        by James Nott, Klaus Nathaus, Jeffrey Richards

        By the 1920s, much of the world was 'dance mad,' as dancers from Buenos Aires to Tokyo, from Manchester to Johannesburg and from Chelyabinsk to Auckland, engaged in the Charleston, the foxtrot and a whole host of other fashionable dances. Worlds of social dancing examines how these dance cultures spread around the globe at this time and how they were altered to suit local tastes. As it looks at dance as a 'social world', the book explores the social and personal relationships established in encounters on dance floors on all continents. It also acknowledges the impact of radio and (sound) film as well as the contribution of dance teachers, musicians and other entertainment professionals to the making of the new dance culture.

      • Trusted Partner
        The Arts
        May 2021

        Horizontal together

        Art, dance, and queer embodiment in 1960s New York

        by Paisid Aramphongphan, Amelia Jones, Marsha Meskimmon

        Horizontal together tells the story of 1960s art and queer culture in New York through the overlapping circles of Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko. Taking a pioneering approach to this intersecting cultural milieu, the book uses a unique methodology that draws on queer theory, dance studies and the analysis of movement, deportment and gesture to look anew at familiar artists and artworks, but also to bring to light queer artistic figures' key cultural contributions to the 1960s New York art world. Illustrated with rarely published images and written in clear and fluid prose, Horizontal together will appeal to specialists and general readers interested in the study of modern and contemporary art, dance and queer history.

      • Trusted Partner
        The Arts
        May 2021

        Horizontal together

        Art, dance, and queer embodiment in 1960s New York

        by Paisid Aramphongphan, Amelia Jones, Marsha Meskimmon

        Horizontal together tells the story of 1960s art and queer culture in New York through the overlapping circles of Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko. Taking a pioneering approach to this intersecting cultural milieu, the book uses a unique methodology that draws on queer theory, dance studies and the analysis of movement, deportment and gesture to look anew at familiar artists and artworks, but also to bring to light queer artistic figures' key cultural contributions to the 1960s New York art world. Illustrated with rarely published images and written in clear and fluid prose, Horizontal together will appeal to specialists and general readers interested in the study of modern and contemporary art, dance and queer history.

      • Trusted Partner
        Humanities & Social Sciences
        March 2022

        Worlds of social dancing

        Dance floor encounters and the global rise of couple dancing, c. 1910–40

        by James Nott, Klaus Nathaus, Jeffrey Richards

        By the 1920s, much of the world was 'dance mad,' as dancers from Buenos Aires to Tokyo, from Manchester to Johannesburg and from Chelyabinsk to Auckland, engaged in the Charleston, the foxtrot and a whole host of other fashionable dances. Worlds of social dancing examines how these dance cultures spread around the globe at this time and how they were altered to suit local tastes. As it looks at dance as a 'social world', the book explores the social and personal relationships established in encounters on dance floors on all continents. It also acknowledges the impact of radio and (sound) film as well as the contribution of dance teachers, musicians and other entertainment professionals to the making of the new dance culture.

      • Trusted Partner
        The Arts
        May 2021

        Horizontal together

        Art, dance, and queer embodiment in 1960s New York

        by Paisid Aramphongphan, Amelia Jones, Marsha Meskimmon

        Horizontal together tells the story of 1960s art and queer culture in New York through the overlapping circles of Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko. Taking a pioneering approach to this intersecting cultural milieu, the book uses a unique methodology that draws on queer theory, dance studies and the analysis of movement, deportment and gesture to look anew at familiar artists and artworks, but also to bring to light queer artistic figures' key cultural contributions to the 1960s New York art world. Illustrated with rarely published images and written in clear and fluid prose, Horizontal together will appeal to specialists and general readers interested in the study of modern and contemporary art, dance and queer history.

      • Trusted Partner
        Humanities & Social Sciences
        September 2019

        Dancing in the English style

        Consumption, Americanisation and national identity in Britain, 1918–50

        by Allison Abra, Jeffrey Richards

        Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.

      • The Arts

        The Great History of Russian Ballet

        by Evdokia Belova, E Bocharnikova

        Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.

      • Memoirs
        March 2012

        Dancing Through History

        In Search of the Stories That Define Canada

        by Lori Henry

        In Dancing Through History, Henry crosses Canada's vast physical and ethnic terrain to uncover how its various cultures have evolved through their dances.   Her coast-to-coast journey takes her to Haida Gwaii in British Columbia, where she witnesses the seldom seen animist dances of the islands' First Nation people. In the Arctic, Henry partakes in Inuit drum dancing, kept alive by a new generation of Nunavut youth. And in CapeBreton, she uncovers the ancient "step dance" of the once culturally oppressed Gaels of Nova Scotia.   During her travels, Henry discovers that dance helps to break down barriers and encourage cooperation between people with a history of injustice. Dance, she finds, can provide key insight into what people value most as a culture, which is often more similar than it seems. It is this kind of understanding that goes beyond our divisive histories and gives us compassion for one another.   Unique to this book, Dancing Through History includes first person interviews with First Nations, Métis, and Inuit (Canada's Aboriginal groups) talking about their traditions and the effect colonisation has had on them, all through the lens of dance. Their voices are given ample space to speak for themselves – what is revealed is a beautiful worldview and many lessons to be learned in order to have a healthy planet and tolerant people as we move into the future.   Book Details: This is an adult non-fiction book of Canadian content. The target market is curious travellers and those interested in culture beyond the typical tourist traps. Sales have ranged from junior high schools to retired baby boomers. Interested publishers can make an offer directly on the profile page to buy available rights.

      • Dance

        Dancing On the Earth

        Women's Stories of Healing Through Dance

        by Johanna. Leseho

      • Folk dancing

        Carrying the Word

        The Concheros Dance in Mexico City

        by Susanna Rostas

        In the first full-length study of the Concheros dancers, Susanna Rostas explores the experience of this unique group, whose use of dance links rural religious practices with urban post-modern innovation in distinctive ways even within Mexican culture, which is rife with ritual dances. The Concheros blend Catholic and indigenous traditions in their performances, but are not governed by a predetermined set of beliefs; rather, they are bound together by long-standing interpersonal connections framed by the discipline of their tradition. The Concheros manifest their spirituality by means of the dance. Rostas traces how they construct their identity and beliefs, both individual and communal, by its means. The book offers new insights into the experience of dancing as a Conchero while also exploring their history, organisation, and practices. The book provides a new way for audiences to understand the Concheros dance tradition and will be of interest to students and scholars of contemporary Mesoamerica. Those studying identity, religion, and tradition will find this social-anthropological work particularly enlightening.

      • Dance
        October 2021

        Funding Bodies

        Five Decades of Dance Making at the National Endowment for the Arts

        by Wilbur, Sarah

      • Dance
        October 2021

        Funding Bodies

        Five Decades of Dance Making at the National Endowment for the Arts

        by Wilbur, Sarah

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